"Hancock has so many distinct personalities, I know of few people who like all facets of his music/career. There's the hard electronic pop of Rocket. The "Headhunters" Fusion era. His stunning work with Miles Davis.
There is also the handful of records he did on Blue Note. This is a compilation from those records, released to capitalize (ahem) on the success of Us3, who sampled from (among others) Hancock's "Cantaloupe Island." Other reviewers have gone on at some length about the particular tracks on this compilation, so I won't rehash all that here.
A hard core Hancock fan would argue that you need all of the Blue Note discs. I'm not enough of a fan to comment on that level. I can say, however, that I had all those discs, and this compilation was the disc that got all the play.
If you are new to jazz, this is a great introduction to "traditional" jazz, with line ups ranging from quartet to septet (? seven members). In general, it swings, it jumps, it bops. If you have an incomplete take on Hancock's music this would be a very painless way to dip into his Blue Note material."
It's a trick!
Nichomachus | 01/26/2000
(5 out of 5 stars)
"Don't get this album! It's a trick! This wasn't a real album put out by Herbie, it's just a collection of a lot of his good stuff (look at the original release date). The thing is though, every album that this music is from is also a must-have classic; e.g. "Takin' Off" and "Maiden Voyage." You'll be much happier if you go buy the real albums instead."
Good: but there are better buys
Nichomachus | 08/26/2001
(4 out of 5 stars)
"A collection of Herbie's earliest, this is sort of a "Best Of" of his early solo career. Although an excellent collection, none of the originial albums are particularly expensive, and all have great music. "Maiden Voyage" in particular is such a dexterous and contemplative album that it seems wrong not to appreciate it in its entirety."
A bright, powerful, timeless recording.
mr.hip-hop | The Land Where Hip-Hop and Jazz Live. | 01/17/2000
(5 out of 5 stars)
"Herbie Hancock is one of the most ingenious and excellent pianists of the twentieth century. He could compose entertaining, brightly done songs that would not only be a big hit on the charts but be great as well. All of the songs on Cantaloupe Island are filled with exotic, amazing solos and catchy compositions. Such tracks could only be done by Herbie Hancock; he creates a legendary album here. Most enjoyable to add are the great people in jazz who join him for this project: Freddie Hubbard, Dexter Gordon, Ron Carter, Tony Williams, Donald Byrd, Hank Mobley, George Coleman, and many others.The whole album is just spectacular. The instant classic "Cantaloupe Island" features a little piano loop played over and over for a jazzy feeling. Freddie Hubbard's trumpet solo is perfect for the song. The way the loop and Herbie's solo go together is the greatest. The next single, "Watermelon Man", has a different piano loop and works in the same fasion. This time, Dexter Gordon joins the mix and turns in an incredible solo. Freddie Hubbard's solo is excellent, and Herbie's is a little short, but it works out brilliantly with the rest of the song. The slower but always exciting tropical sounds of "Driftin'" feature Donald Byrd on an excellent tune. Hank Mobley's solo is swinging and solid as usual, and Herbie steals the show by playing terrifically. The bouncy "Blind Man, Blind Man" is classic Herbie, featuring great solos over a great beat. The similiar "And What If I Don't" bounces as well, and has great trumpet and guitar solos. The third single, "Maiden Voyage" is a fantastic ballad, with its dreamy sounds and solos from Freddie and Herbie.To conclude my review, this is among my favorite jazz albums of all-time. The sounds are wonderful, and I really enjoyed the complete album. You don't have to like jazz to enjoy this one."