Orlando de Lassus Carlo Gesualdo Claudio Monteverdi - History of Baroque Music Sacred (123 tracks)

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Orlando de Lassus, Carlo Gesualdo, Claudio Monteverdi
History of Baroque Music: Sacred
Genres: Special Interest, Classical

Track Listings (21) - Disc #1
1. Lamentationes Hieremiae (9), for 5 voices, H. xxii/3
2. O vos omnes, Holy Saturday responsory for 6 voices, W. 7/80
3. Mass de Cappella for 6 voices on Gomberti's motet 'In Illo Tempore' (from Vespers), SV 205
4. Vespro della beata vergine, for chorus & instruments, SV 206
5. Vespro della beata vergine, for chorus & instruments, SV 206
6. Vespro della beata vergine, for chorus & instruments, SV 206
7. Vespro della beata vergine, for chorus & instruments, SV 206
8. Vespro della beata vergine, for chorus & instruments, SV 206
9. Vespro della beata vergine, for chorus & instruments, SV 206
10. Sacrae Concertationes, for voices & strings: no. 9, Dialogo della cantica
11. Vespro (6) della Beata Vergine, for 8 voices & continuo
12. Dum Silentium, motet
13. Jubilate Deo, motet
14. Bone Jesu, verbum Patris, for 2 sopranos or tenors & continuo, SWV 313 (Op. 9/8)
15. Bringt her dem Herren, for mezzo-soprano & continuo, SWV 283 (Op. 8/2)
16. Herr nun lässest du deinen Diener/Selig sind die Toten, for double chorus & continuo ('Canticum B. Simeonis'), SWV 281 (Op. 7/3)
17. Herr, auf dich traue ich, motet for 2 sopranos, alto, tenor, bass & continuo, SWV 377 (Op. 11/9)
18. Ich bin eine rufende Stimme, motet for 2 sopranos, alto, 2 tenors, bass & continuo, SWV 383 (Op. 11/15)
19. Siehe, nach Trost war mir sehr bange, motet for 5 voices & continuo (Israelis Brünlein No. 18)
20. Die mit Tränen säen, motet for 5 voices & continuo (Israelis Brünlein No. 3)
21. Magnificat
Track Listings (29) - Disc #2
1. Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267
2. Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267
3. Confitebor tibi, Domine III (Terzo alla francese), motet for 5 voices/or 1 voice & 4 strings (from Salve morale e spirituale), SV 267
4. Membra Jesu Nostri, cantata in 7 sections for SSATB voices, 2 violins, 5 violas da gamba, violone & continuo, BuxWV 75
5. Rejoice in the Lord alway ('Bell Anthem'), anthem for alto, tenor, bass, chorus, strings & organ, Z. 49
6. Laudate Pueri Dominum, psalm, for soprano, chorus & orchestra in D, HWV 237
7. Stabat mater, for soprano, alto, strings & organ in F major: Duo: Stabat Mater dolorosa
8. Stabat mater, for soprano, alto, strings & organ in F major: Duo: Qui est homo, qui non fleret
9. Stabat mater, for soprano, alto, strings & organ in F major: Duo: Fac, ut ardeat cor meum
10. Sonata à 4 al Santo Sepolcro, for 2 violins, viola & continuo in E flat major, RV 130: Largo
11. Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Eija mater, fons amoris. Largo
12. Stabat Mater, hymn for voice, strings & continuo in F minor, RV 621: Amen. Allegro
13. Regina coeli, motet for 3 voices & continuo, LWV 77/12
14. Cantique sur le bonheur des justes, motet, S. 127: Heureux, quie de la sagesse
15. Cantique sur le bonheur des justes, motet, S. 127: De quelle douleur profonde
16. Cantique sur le bonheur des justes, motet, S. 127: Infortunés que nous sommes
17. Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Ouverture
18. Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Scène 1. Air "Que no
19. Pastorale sur la naissance de Notre Seigneur Jésus Christ, for 4 voices, chorus, instruments & continuo, H. 483: Ch?ur "Le règne du p
20. Work(s): Leçons de Ténèbres du Mercredy Sainct
21. Work(s): Leçons de Ténèbres du Mercredy Sainct
22. Work(s): Leçons de Ténèbres du Mercredy Sainct
23. Work(s): Leçons de Ténèbres du Mercredy Sainct
24. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
25. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
26. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
27. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
28. Leçons de Ténèbres, for treble voice (or 2 treble voices) & continuo
29. Regina coeli, motet for 2 treble voices & continuo (Le Manuscrit du comte de Toulouse)
Track Listings (20) - Disc #3
1. March for kettledrums
2. Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Prélude
3. Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Te Deum laudamus
4. Te Deum, motet for 8 voices, chorus & orchestra, H. 146: Te aeternum Patrem
5. Memorare, grand motet for double choir, strings & continuo
6. Super Flumina Babylonis, grand motet for double choir, strings & continuo: Super flumina Babylonis
7. Dies Irae
8. Super Flumina Babylonis, grand motet for double choir, strings & continuo: [Symphonie] Super flumina Babilonis
9. Super Flumina Babylonis, grand motet for double choir, strings & continuo: Filia Babilonis misera
10. Super Flumina Babylonis, grand motet for double choir, strings & continuo: Filia Babilonis misera
11. Miserere à voix seule: Miserere mei, Deus. Ch?ur: Et secundum
12. Miserere à voix seule: Tunc acceptabis sacrificium
13. Miserere mei Deus: Miserere mei, Deus
14. Miserere mei Deus: Amplius lava me
15. Miserere mei Deus: Ecce enim in iniquitatibus
16. Miserere mei Deus: Docebo iniquos
17. Messe Rouge H.434: Motet pour l'offertoire
18. Requiem Mass: Sanctus
19. In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo: Récit: In convertendo
20. In convertendo, grand motet for soloists, chorus, 2 flutes, 2 horns, violin, viola & continuo: Ch?ur: Tunc repletum est
Track Listings (32) - Disc #4
1. Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed)
2. Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed)
3. Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed)
4. Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed)
5. Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed)
6. Oratorio per la Settimana Santa, for soprano voice, bass voice, chorus & orchestra (attributed)
7. La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo: Introduzion
8. La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo: O cecita del misero mortale!
9. La Cecità del misero mortale, cantata, for 5 voices, 2 violins & continuo: Piangerà
10. Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Die Auf
11. Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Da der
12. Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Maria a
13. Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3): Weib, w
14. Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Die Geburt unsres Herren Jesu Christi
15. Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Der Engel: Fürchtet euch nicht
16. Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Die Menge der Engel (La Troupe des Anges)
17. Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Und sie kamen eilend... Da nun Jesus geboren war
18. Die Geburt unsers Herren Jesu Christi, for chorus, instruments & continuo, SWV 435: Die Weisen aus Morgenlande (Les Mages)
19. In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Première partie. Prélude
20. In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Usque quo avertis faciem ... Memo
21. In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Deuxième partie. Nuit
22. In Nativitatem Domini Canticum, histoire sacrée for 3 voices, chorus, orchestra & continuo, H. 416: Troisième partie. Réveil des Berg
23. Maddalena ai piedi di Cristo, oratorio: In lagrime stemparto
24. Maddalena ai piedi di Cristo, oratorio: La ragione, s'un alma conseglia
25. Maddalena ai piedi di Cristo, oratorio: Così sciolta da'lacci de' sui error
26. Maddalena ai piedi di Cristo, oratorio: Alle Vittorie
27. La Giuditta, oratorio: Giuditta. Récit Alto Signore'
28. Messiah, oratorio, HWV 56: Behold the lamb of God
29. Messiah, oratorio, HWV 56: Thus saith the Lord of Hosts
30. Messiah, oratorio, HWV 56: But who may abide the day of His coming
31. Messiah, oratorio, HWV 56: And he shall purify the sons of Levi
32. Messiah, oratorio, HWV 56: Hallelujah!
Track Listings (21) - Disc #5
1. Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Magnificat anima mea Dominum
2. Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Quia respexit humilitatem
3. Magnificat, for 5 voices, 5-part chorus, orchestra & continuo in D major, BWV 243 (BC E14): Omnes generationes
4. Cantata No. 21, 'Ich hatte viel Bekümmernis,' BWV 21 (BC A99): Sinfonia
5. Cantata No. 21, 'Ich hatte viel Bekümmernis,' BWV 21 (BC A99): Ich hatte viel Bekümmernis"
6. Cantata No. 78, 'Jesu, der du meine Seele,' BWV 78 (BC A130): Wir eilen
7. Cantata No. 78, 'Jesu, der du meine Seele,' BWV 78 (BC A130): Herr, ich glaube
8. Cantata No. 56, 'Ich will den Kreuzstab gerne tragen,' BWV 56 (BC A146): Mein Wandel auf der Welt
9. Cantata No. 56, 'Ich will den Kreuzstab gerne tragen,' BWV 56 (BC A146): Endlich, endlich wird mein Joch
10. Trauer-Ode: Cantata No. 198, 'Lass, Fürstin, lass noch einen Strahl,' BWV 198 (BC A120): Laß, Fürstin, laß noch einen Strahl
11. Komm, Jesu, komm, motet for chorus & continuo, BWV 229 (BC C3): Komm, Jesu, komm
12. Easter Oratorio (Oster-Oratorium: 'Kommt, eilet und laufet'), BWV 249 (BC D8): Sinfonia
13. Easter Oratorio (Oster-Oratorium: 'Kommt, eilet und laufet'), BWV 249 (BC D8): Hier ist die Gruft
14. Easter Oratorio (Oster-Oratorium: 'Kommt, eilet und laufet'), BWV 249 (BC D8): Sanfte soll mein Todeskummer
15. Himmelfahrts-Oratorium, 'Lobet Gott in seinen Reichen,' (Ascension Oratorio), BWV 11 (BC D9): Wenn soll es doch geschehen
16. St. John Passion (Johannespassion), BWV 245 (BC D2): Die Kriegsknechte aber, da sie Jesum gekreuziget hatten
17. St. John Passion (Johannespassion), BWV 245 (BC D2): Auf daß erfüllet würde die Schrift
18. St. John Passion (Johannespassion), BWV 245 (BC D2): Er nahm alles wohl in acht
19. St. John Passion (Johannespassion), BWV 245 (BC D2): Und von Stund an nahm sie der Jünger zu sich
20. St. John Passion (Johannespassion), BWV 245 (BC D2): Es ist vollbracht!
21. St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b): Kommt, ihr Töchter, helft mi

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All Artists: Orlando de Lassus, Carlo Gesualdo, Claudio Monteverdi, Domenico Mazzocchi, Pietro Francesco Cavalli, Guillaume Bouzignac, Heinrich Schutz, Johann Hermann Schein, Johann Rosenmuller, Dietrich Buxtehude, Henry Purcell, George Frideric Handel, Giovanni Battista Pergolesi, Antonio Vivaldi, Jean-Baptiste Lully, Michel-Richard Delalande, Marc-Antoine Charpentier, Francois Couperin, Henry du Mont, Andre Campra, Jean-Philippe Rameau, Luigi Rossi, Antonio Caldara, Francisco Antonio de Almeida, Johann Sebastian Bach, René Jacobs, Bruce Dickey, William Christie, Philippe Herreweghe, Konrad Junghanel, Mark Deller, Chiara Banchini, Andreas Scholl, Europeen Ensemble Vocal, Antonio Abete, Barbara Borden, John Bowen, Concerto Vocale, Jelle Draijer, Maria Cristina Kiehr, Andrew Murgatroyd, Victor Torres, Ulrich Messthaler, Gerd Turk
Title: History of Baroque Music: Sacred
Members Wishing: 0
Total Copies: 0
Label: Harmonia Mundi Fr.
Release Date: 10/12/1999
Genres: Special Interest, Classical
Styles: Marches, Opera & Classical Vocal, Forms & Genres, Concertos, Theatrical, Incidental & Program Music, Historical Periods, Baroque (c.1600-1750), Sacred & Religious, Symphonies
Number of Discs: 5
SwapaCD Credits: 5
UPC: 794881484928

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