Don't Let the Teardrops Rust Your Shining Heart - Holly Cole, Watt, Ben
Cry (If You Want To) - Holly Cole, Scott, Casey
Jersey Girl - Holly Cole, Waits, Tom
Train Song [Live] - Holly Cole, Waits, Tom
I Want You - Holly Cole, Waits, Tom
Make It Go Away - Holly Cole, Davis
I've Just Seen a Face - Holly Cole, Lennon, John
Alison [#] - Holly Cole, Costello, Elvis
The Best of Holly Cole finds the singer at home on several of the tracks with her longstanding working trio of pianist Aaron Davis and bassist David Piltch. The collection also captures her recording with an array of estee... more »med producers: Greg Cohen (1992), David Was (1993), Craig Street (1995) and Larry Klein (1997). On this collection, Cole covers Lyle Lovett's "God Will," the Beatles' "I've Just Seen a Face," Everything But the Girls' "Don't Let the Teardrops Rust Your Shining Heart," and Johnny Nash's early '70s hit "I Can See Clearly Now," as well as Elvis Costello's "Alison," which makes its first US appearance having only been previously released in Japan on the album Yesterday & Today. Also included are several tunes by Tom Waits, "Jersey Girl" and "I Want You" from Temptation, her superb and idiosyncratic "tribute" album to the contemporary pop champion, as well as a live version of "Train Song" from her enhanced CD It Happened One Night.« less
The Best of Holly Cole finds the singer at home on several of the tracks with her longstanding working trio of pianist Aaron Davis and bassist David Piltch. The collection also captures her recording with an array of esteemed producers: Greg Cohen (1992), David Was (1993), Craig Street (1995) and Larry Klein (1997). On this collection, Cole covers Lyle Lovett's "God Will," the Beatles' "I've Just Seen a Face," Everything But the Girls' "Don't Let the Teardrops Rust Your Shining Heart," and Johnny Nash's early '70s hit "I Can See Clearly Now," as well as Elvis Costello's "Alison," which makes its first US appearance having only been previously released in Japan on the album Yesterday & Today. Also included are several tunes by Tom Waits, "Jersey Girl" and "I Want You" from Temptation, her superb and idiosyncratic "tribute" album to the contemporary pop champion, as well as a live version of "Train Song" from her enhanced CD It Happened One Night.
"I picked up this CD by chance, and still can't believe my luck. Cole is a smooth crooner with an unusual twist: she tries far more interesting material than the average vocalist. Her voice is a bit like her fellow Canadian, Diana Krall, but much richer, more versatile, and resonant. She also has a great sense of rhythm and a remarkable ability to express the meaning and message of a song, even something as seemingly forthright as the Beatle's "I've Just Seen a Face." Unlike Krall, Cole doesn't accompany herself on piano, but she has the perfect partner in Aaron Davis's sensitive playing.It takes a bold young woman to make a Beatle's song so completely hers, and the other choices on this Best Of album are equally quirky, which makes me want to seek out her other recordings. There's a trio of Tom Waits' songs, several standards, a Lyle Lovett cover--and yes, the "I Can See Clearly Now" is her take on the song Jimmy Cliff made famous, and it's dynamite. The most astonishing to me, though, is her rendition of Elvis Costello's passionate "Alison"--her varied, nuanced delivery makes Costello's sound like a nursery rhyme in comparison. I can't wait to learn and hear more about this terrific singer!"
Left of center & Right on target!
douglas barton | Arlington, Va. | 11/24/2001
(5 out of 5 stars)
"I'll preface this review with a simple warning....which is that whatever adjectives I may use in describing this amazing disc from this even more incredible artist it simply will not do it justice. I'm not someone who is generally good at expressing himself with the written (typed!) word but this is an artist that I believe in so much that I need to simply need to 'cast my fates to the winds'and jump in with both "hands" (so to speak)! That being said.... let the accolades begin! For starters I won't even attempt to catagorize this sensational singer (accolade # 1). How to pigeonhole a singer who tackles such a diffrent array of styles from such amazing songwriters such as Tom Waits (who I think is a genius), Elvis Costello and the Beatles. To say nothing of covering standards, such as "Blame It On My Youth". Ms. Cole's taste in selecting tunes is eclectic, imaginative and overall very creative. Even if she couldn't sing a note (which she can, like a DREAM, I might add) I would respect her as an artist equally as well. I find her selections to be quirky, left of center and coming from someone who isn't afraid to take her fans along with her when discovering new, exciting songwriters. I'm not sure what more you could ask for. But, fortunately for us, there's so much more! Ms. Cole has an astonishingly clear voice, a wonderful way of turning a phrase and an equally comfortable way of conveying, in each song, a sort of worldweariness that I simply adore in any artist. Plus, the arrangments are well conceived and economical. I did want to give special attention to her version of "Alison", an Elvis Costello song that she does especially well. And that part about "....leaving your fingers in the Wedding Cake." I love it! And (just one more) she does an exceptional cover of "Cry (If You Want To)....in which case I almost did! She truly is absolutely fearless when it comes to her craft and the way she inhabits the unusual characters who are portayed in these songs. As if you couldn't tell she, in my book, has few peers. I enjoy 'standards' as much as the next listener but Holly Cole is so much more than that....thank goodness! In the end what's not to like? Holly Cole appeals to me as an artist (there's that word..again!) who seems unafraid of being a true individual in a field where it's simply too easy to get lost in the crowd. Quirky, different, out in left field....say what you like. To my unusual way of thinking she's simply deliciously free-spirited! So what are you waiting for?"
Holly, Do I Love Thee? Let Me Count The Ways...
Peter Durward Harris | 09/05/2002
(5 out of 5 stars)
"A brilliant woman, with a fabulous ensemble. Great songs that she totally makes her own, fresh, better than the original. She has the smokey, soulful voice you can just fall into. I've seen a lot of performers... but my one regret is that I've never seen Holly perform live. I, of course, have ALL of her CDs. Personal favs are: Don't Smoke In Bed and Blame It On My Youth... but you can take her for a test drive with this great collection of her best."
Canadian lady unlike any other
Peter Durward Harris | Leicester England | 07/14/2002
(5 out of 5 stars)
"Canada has produced many great female singers (Joni Mitchell, Anne Murray, Terri Clark and Shania Twain to name a few) but Holly Cole (from Nova Scotia, like Anne Murray) while completely different from any of them, is outstanding in her own way. Holly's first love is jazz, but she has absorbed musical influences from many different genres. This shows in her music, which is jazz-based, but with everything else added into the mix.Holly specialises in cover versions, but always takes the songs apart and rearranges them in such a way as to sound original. I've heard plenty of rearranged covers by many different singers, but it is rare to find somebody who does it with such consistency. Listen to her version of I've just seen a face (the Beatles song) or I can see clearly now (the Johnny Nash song, which has been covered by lots of people, but never quite like Holly's version).This is my first Holly CD, but certainly not my last. I now regard her recent Christmas collection (Baby it's cold outside) as essential. I'm intrigued to hear what Holly can do with songs which, brilliant though they are, desperately need something different done to them."
The Greatest Jazz Vocalist Alive
David Evans | Miami Beach, FL | 09/10/2006
(5 out of 5 stars)
"First, I must disagree with the prior reviewer who was "disappointed" and thought Holly Cole produced "muzak". To the contrary. No true jazz fan could be so mistaken. If you listen to the female jazz vocalists through jazz's brief 20th century history, you will find that Holly Cole is among the greats. Her singing abilities are top notch, but what sets her apart are her arrangements. Listen to all the Holly Cole you can, on this cd and others. You'll be hard pressed to find a female jazz vocalist who is as innovative and wonderfully entertaining as she is. I don't have much time or I could go on with song suggestions, but let me just say that her versions of two songs which unfortunately don't appear on this Best of package - "I'm So Lonesome I Could Cry" and "If We Make it Through December" (a Merle Haggard track of all things!) - are definitive versions of both. On this album, "Don't Let The Teardrops Rust Your Shining Heart" is a tremedous ballad and "I Can See Clearly Now" is a terrific, inventive and distincitve version of a song which is hard to distinguish oneself on. No music fan should go through life without the opportunity of listening to this wonderful artist."