Larry Olson | Corona, CA United States | 07/16/2001
(5 out of 5 stars)
"Although this is a non-digital recording from the late 60's, it far out-classes Karajan's newer digital recording for DGG, both musically and sonically. A comparison of the two reveals the newer recording to sound harsh and the brass occasionally sound out of tune. This older recording has all the power one could ask for, along with a warmth sadly lacking in the newer. Plus, it has a fine recording of the Elgar Enigma Variations to boot. A highly recommended addition to any CD library."
Just Perfect
Wayne A. | Belfast, Northern Ireland | 10/27/2005
(5 out of 5 stars)
"I get a lot of folks asking which of the several thousand recordings of The Planets I prefer. If they have tin ears and expensive stereos I steer them strait to any expensive recording with slick graphics made within the last 15 years. If they love the piece deeply and want a recording that portrays its extraordinary range of moods flawlessly, this is the one I suggest (second choice would be Steinberg's on DGG). Strangely, the same situation happens with the Enigma, although there are are a few more second choices.
The sound is not digital top-drawer but the "sound" of this orchestra at that time and with this conductor is unapproachable. Believe me, you won't notice the years any more than many women "noticed" that 58-year-old Cary Grant was teamed up with gals half his age in his films."
Vivid & Magnificent Recordings of Enigma & Planets
Scriabinmahler | UK | 06/01/2007
(5 out of 5 stars)
"
Monteux's renowned 1958 stereo recording of Enigma Variations still sounds fresh today. His reading is deceptively simple at first, but this is a kind of performance that leaves vivid impression and warm poetry deep into your heart after repeated listening. Karajan's earlier stereo recording of Planets is equally outstanding. Both recordings have very open and expansive sonority of early stereo era, beautifully remastered without losing warmth of the original."
Blimey, they've crossed the Channel
Santa Fe Listener | Santa Fe, NM USA | 10/12/2007
(5 out of 5 stars)
"In 1961 it was unheard of for a non-English conductor to trespass on the sacrd ground of The Planets, but Karajan had been conducting a London orchestra, the Philharmonia, since the late Forties. He even recorded Walton's first Sym. So it's not entirely unreasonable to expect him to venture a performance of this beloved warhorse. Aided by Decca's engineers, who did spectacular work in Vienna throughout the late Fifties and Sixties, Karajan produced a sonic blockbuster, and his interpretation aimed at maximum visceral impact. He also Europeanized the score, so to speak, by eschewing the comfy hominess with which British conductors approached The Planets. The Vienna Phil. plays with luster and power throughout. The sound has dated a little -- the power remains, but the strings are somewhat shrill and the loudest climaxes congested -- but this classic reading has never gone out of the catalog for good reason.
For me, however, the gem on this CD is Monteux's Enigma Variations. What a miracle that a very old French conductor could beat the English at their own game. This is a fresh, alert, constantly imaginative reading, one of Monteux's best accomplishments in his latter years. He was appointed principal conductr of the LSO, so conductor and musicians had a deep rapport. Their affection for him shows in every note.
In all, the fact that Decca has combined two classics on a single mi-price dish comes as a boon to lovers of both works."