'Cause We Live for Love - Miriam Makeba, Gordon, Trevor [2]
Liwa Wechi - Miriam Makeba, Makeba, Miriam
Lindelani - Miriam Makeba, Kanza, Lokua
Homeland - Miriam Makeba, Kanza, Lokua
Umhome - Miriam Makeba, Makeba, Miriam
Africa Is Where My Heart Lies - Miriam Makeba, Moses, Marvin
In Time - Miriam Makeba, Samson, Cedric
With her first studio recording in six years, Miriam Makeba makes a remarkably rootsy return, celebrating both South Africa and her place in it. Both "Masakhane" and a reworking of her international hit from the '60s ("Pat... more »a Pata 2000") positively shimmer with loping South African rhythms and harmonies. But Makeba is also an accomplished ballad and jazz singer, and both of those facets are shown, in songs like "Amaliya" and "Unhome," where the piano work recalls the township jazz of people like Abdullah Ibrahim and Chris MacGregor. Makeba's voice has acquired a compassion and even greater control as she's grown older, but she never sounds old--in fact, there's an incredible energy about this record. While every track is a joy, the real highlights come when the rootsy elements are emphasized and things simply kick. If you thought Graceland or Ladysmith Black Mambazo encapsulated the sound of South Africa, take a listen to this--the country's queen of song has returned in full voice. --Chris Nickson« less
With her first studio recording in six years, Miriam Makeba makes a remarkably rootsy return, celebrating both South Africa and her place in it. Both "Masakhane" and a reworking of her international hit from the '60s ("Pata Pata 2000") positively shimmer with loping South African rhythms and harmonies. But Makeba is also an accomplished ballad and jazz singer, and both of those facets are shown, in songs like "Amaliya" and "Unhome," where the piano work recalls the township jazz of people like Abdullah Ibrahim and Chris MacGregor. Makeba's voice has acquired a compassion and even greater control as she's grown older, but she never sounds old--in fact, there's an incredible energy about this record. While every track is a joy, the real highlights come when the rootsy elements are emphasized and things simply kick. If you thought Graceland or Ladysmith Black Mambazo encapsulated the sound of South Africa, take a listen to this--the country's queen of song has returned in full voice. --Chris Nickson
"This new album is not for Makeba neophytes, but instead for those of us who are long-time fans of this brilliant musician. The difficult rhythms and lyrics and her aging voice led me to wax nostalgic for the Xhosa folk music of earlier cd's and albums. Nevertheless, there is great music here. I was especially moved by the children's choir on two of the songs, and the tender songs of love. The updated version of Patapata was disapointing; not as bouncy and vivacious as the original. If you would like to hear the absolute best that Africa has ever produced, listen to Makeba, but begin with something like Welela."
Full of Pleasure
endofthegame | 06/13/2000
(4 out of 5 stars)
"I bought this CD having read a fantastic review of it in Time magazine. It was a very good decision. Ms. Mekeba is a jem. African music comes full circle by way of Ms. Mekeba's splendid voice. I encourage you to embrace this brilliant and profound collection of songs."
Great album from the "Billy Holiday" of African music
maydont@bigfoot.com | Edinburgh, Scotland, UK | 05/07/2001
(4 out of 5 stars)
"For those who don't know much of African music or Africa - let Queen Miriam be your storyteller. For a woman who recently sang a duet with her own great-grandchild, it says a lot for her to still be producing quality material such as thisThis is a good album and the funky Pata Pata 2000 gives it a contemporary feel, yet never do you feel to the detriment of Makeba's reputation. The album is clearly targetting the non-African markets as a suprising number of songs are in English and some have an R&B feel to them: it is thus not a typical Makeba album. "Pata Pata" and "Welela" are perhaps better buys if you are looking for something more ethnic.Her vocal cords may not have the range as they did 40 years ago, but her voice has grown stronger and more intense over time. Have a listen to the original Pata Pata or songs from her Skylarks' days and you'll hear the contrast. Conclusion: It is definitely worth a listen before you know whether or not it's your kind of album."
MODERATELY "lite" MAKEBA ALBUM
maydont@bigfoot.com | 03/18/2002
(5 out of 5 stars)
"Lovely cd. Favorite tracks: Lindelani, homeland, pata pata... This cd is beautiful. Makeba's rich mature voice overwhelms and instrument, so it is nice there's at least one song of her w/ only percussion & light background. Some of the songs slightly "lite rocked" world music, but the wonderful vocals almost make that disappear! Believe me, I detest lite rock world music, but it's a great album. If you like more home grown and less synth try her Africa album. MANY wonderful tracks. Also, the case is wonderfully done and the words are printed for all the songs. (just nice to know!)"
Good new Makeba Sound
maydont@bigfoot.com | 01/04/2001
(5 out of 5 stars)
"Finally she gave as a new album - and it was worth it waiting a few years for it. Ms. Makeba chose a new, quite contemporary sound which goes very well with all the songs she chose for the album. Nice lyrics and good production. Very much recommended to everyone who likes music from Africa but also to everyone who is interested in good contemporary pop music."