"i bought this the day before i went to the cd release party at which low, his name is alive, and the secret stars also played. i had only caught fleeting aural glimpses of their music before. after not even 24 hours of rapt listening, i was already kind of obsessed with a number of the songs (especially maybelle, shotgun, and man in mind) and was completely engaged when they played their set.at any rate, will you find me is chock full of some of the most beautifully crafted and delicately performed pop music i have heard. the harmonies and instrumentation are so lush as to perhaps distract from the idiosyncracies that make the album so repeatable--i.e., the completely dissonant violin/accordion duet on down on your back, the incessant 4-against-3 piano drone of man in mind, the electronic intermezzos that link one song to another. their lyrics are unpretentious and effective, and their voices and songwriting nearly unparalleled among their ilk.if i have one criticism, it is that the last half of the cd doesn't sustain the beautiful, vectored programming that characterizes the first 7 or 8 tracks. it lapses into more clearly country/folk-influenced, formulaic songs, some of which seem a bit redundant when placed next to one another (e.g., georgia and triptych), where they mightn't with different ordering. the concluding two songs tie up these loose ends adequately, however.so, in short, buy this album. don't worry about lack of percussion or whatever--appreciate its delicacy. and see them live."
If you don't buy this record, God won't like you
Horst Meisterfluscher | 11/18/2004
(5 out of 5 stars)
"From NOTES FROM HAMPSTEAD by Elias Canetti: "I cannot help myself. In the greatest misfortune I, the unbeliever, await miracles. Of all the old doctrines of faith, only one has remained intact for me: the miracle. But I don't want to know where it comes from; I don't want to make one happen. It should remain just what it is, inexplicable, intractable, just a miracle."
From Lester Bangs's review of ASTRAL WEEKS: "Because you're in trouble anyway when you sit yourself down to explicate just exactly what a mystical document, which is exactly what ASTRAL WEEKS is, means. For one thing, what it means is Richard Davis's bass playing, which complements the songs and singing all the way with a lyricism that's something more than just great musicianship: there is something about it that's more than inspired, something that has been touched, that's in the realm of the miraculous."
I feel the same way about Dan Littleton's guitarsmanship on a track called MAYBELLE. (And I love how Liz's violin-voice is complemented by Karla's viola-voice.)"
Ida's best work
rob | worcester, ma USA | 04/26/2003
(5 out of 5 stars)
"This album is amazing. Will You Find Me was the first Ida album that I bought, it set Ida up there as one of my favorite bands with Radiohead and Elliott Smith. I must have listened to this album for a month staight and it never lost its effect on me, and I still enjoy listening to it now. Ida create's a sound that is so delicate, beautiful, and strangely powerful that I have never heard anyone that comes close to a comparison. The songs on this album have the ability to take you back to the an exact moment in your life when you first heard them. I think this is the most complete Ida recording they have put out, it really is Ida at their best, a work of brillience. I own cd's that are more melodic than this and I own cd's that rock more than this, but this is by far the most delicately beautiful album Ie own, BUY IT!"
Haunted folk-pop
Jeanne Lightly | 07/25/2000
(5 out of 5 stars)
"Amid stories of sleeping cities that hum underneath pink moonlight and dreaming lovers who sit on fire escapes, Elizabeth Mitchell's hushed, at-your-elbow voice both haunts and caresses the material. At the same time, piano, strings adn close harmonies lift these songs like an open-window breeze blowing motes of memory through a dusty room."
Epic.
Philip A. Pietri | 10/13/2004
(5 out of 5 stars)
"Ida is my favorite band, however, I do not mean to impose my personal opinion with this review. I find as a muscian that this album is very appealing. The openening track "Down On Your Back" hails the sweet harmonic sentiment of most Ida songs with a somewhat dark twist. Very interesting progression of chords and clever use of instrumentation throughout the entire cd makes this an incredible, dynamic and most of all interesting listening experience. Along with that, Littleton, Mitchell and Shickle prove to be an effective ensemble lyrically and vocally. Littleton has a quiet reverence with his soft spoken lullaby voice that at any given moment can turn into heartfelt outcry as in "Past the Past". Elizabeth Mitchell has by far one of the most beautiful voices I have ever heard (listen to "The Radiator" you'll know what I mean). Karla Shickle has a sly almost sarcastic catchiness to her voice and rocks on the piano laden song "Man in Mind". All in all this is a great cd and a great start for anyone who wants to get familiar with this band. It will keep you interested from beginning to end."