Twilight - Inna & The Farlanders, Marsalis, Wynton
Northern Dances - Inna & The Farlanders, Zhelannaya, Inna
Ivan - Inna & The Farlanders, Traditional
Only You - Inna & The Farlanders, Zhelannaya, Inna
Easter - Inna & The Farlanders, Daugherty, Jay Dee
Lullaby - Inna & The Farlanders, Kalachov, Sergey
Through the Orchard - Inna & The Farlanders, Traditional
Mirror - Inna & The Farlanders, Kalachov, Sergey
I Will Gather Grass - Inna & The Farlanders, Zhelannaya, Inna
Song Without Words - Inna & The Farlanders, Kalachov, Sergey
Grey Eyes - Inna & The Farlanders, Cozzi, Michael
Poppy - Inna & The Farlanders,
When Russian pop music isn't blatantly aping bad Western rock, it often combines folk roots with 20th-century chops, a back-to-the-future progressive music more about Igor Stravinsky than Jethro Tull. Inna and the Highland... more »ers are of this ilk, and the quintet's best material adds Oriental and klezmer tinges to traditional Russian folk tunes rearranged for a lively combination of old-school instruments--clarinets, the wooden kaliuka flute, and the trumpetlike "sherpherd's horn"--alongside a jazzy drummer and melodically bubbling fretless bass. A sense of pagan magic underlies Inna's original songs; she sings of "weaving my crafty net of lace" in one, and of "not gathering grass to cast a spell" in another. The album's wildest track, however, is "Easter," an unrestrained, rapping incantation borrowed directly from the Russian Orthodox tradition. --Richard Gehr« less
When Russian pop music isn't blatantly aping bad Western rock, it often combines folk roots with 20th-century chops, a back-to-the-future progressive music more about Igor Stravinsky than Jethro Tull. Inna and the Highlanders are of this ilk, and the quintet's best material adds Oriental and klezmer tinges to traditional Russian folk tunes rearranged for a lively combination of old-school instruments--clarinets, the wooden kaliuka flute, and the trumpetlike "sherpherd's horn"--alongside a jazzy drummer and melodically bubbling fretless bass. A sense of pagan magic underlies Inna's original songs; she sings of "weaving my crafty net of lace" in one, and of "not gathering grass to cast a spell" in another. The album's wildest track, however, is "Easter," an unrestrained, rapping incantation borrowed directly from the Russian Orthodox tradition. --Richard Gehr
"Lovely, haunting stuff. Inna's voice is similar to Marta Sebastyn, and the band is more reminiscent of some of the best new scandinavian stuff."
Simply Fantastic
Erik Blender | Washington, DC | 06/07/2000
(5 out of 5 stars)
"Inna Zhelannaya has been tooling around with her amazing band in Russia to near obscurity for several years now. On this album, US listeners get a chance to hear Inna's incredibly haunting and romantic voice. She has so much range that is highlighted in so many different and unexpected ways by the Farlanders, it simply takes the listener to another place. 6-string bass tunings, some of the best woodwind playing ever, and unbelievable vocal harmonies make this the finest product to come out of Russia - just about ever."
Awesome
Erik Blender | 04/29/1999
(5 out of 5 stars)
"Totally unlike the pretentious super intellectual Rock or shameless pop I've heard from the mother country. These guys have real class. The music, anchored by a solid, yet unpredictable rhythm section, showcasing strong, yet spooky vocals, offset by tastefull use of the country's indiginous woodwinds is original and worthwhile."
Great fun!
Joyce A. Christian | Santa Barbara, CA United States | 08/21/2000
(5 out of 5 stars)
"I love this CD! It certainly is not boring. There is wonderful variety of tempos, themes and vocal/instrumental, with elements of klezmer, Russian folk, eastern and even Russian Orthodox, all presented in very original manner. Inna's voice is versatile and fabulous and the group is comprised of extremely talented, well-trained musicians playing modern and traditional instruments. Infectuous joy! Lilting sentiment! Heathen abandon! Cool sounds! I hope more listeners will become fans."