I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Sinfonia. Adagio - Andante - Ad
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Aria. Squarcia le chiome
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Recitativo. Tramontata ? la Ste
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Recitativo accompagnato. Oim?,
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Aria. Del mio amor, divini sgua
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Recitativo. Qual la dispersa gr
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Aria. Lingua perfida
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Recitativo. Per la traccia del
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Aria. Da vivo tronco aperto
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Recitativo accompagnato. Questa
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Aria. Le tue corde, arpe sonora
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Recitativo. Tributo accetto pi?
I penitenti al Sepolcro del Redentore, oratorio for soloists, chorus, instruments & continuo, ZWV 63: Coro e Aria. Miserere mio Dio
Since the Sablé Festival in 2007, Collegium 1704 has won the heart of French and German audiences alike, for their fervor and for the high quality of both orchestra and choir. This oratorio was performed in Dresden un... more »der the patronage of Marie Josèphe of Austria, wife of Augustus the Strong. It tells the edifying story of an imaginary meeting between King David, Mary Magdalene, and Saint Peter around Christ's tomb. The oratorio of the Counter Reformation in all its splendor, it was created to improve the mind and educate the heart through emotion and the sheer beauty of the music.« less
Since the Sablé Festival in 2007, Collegium 1704 has won the heart of French and German audiences alike, for their fervor and for the high quality of both orchestra and choir. This oratorio was performed in Dresden under the patronage of Marie Josèphe of Austria, wife of Augustus the Strong. It tells the edifying story of an imaginary meeting between King David, Mary Magdalene, and Saint Peter around Christ's tomb. The oratorio of the Counter Reformation in all its splendor, it was created to improve the mind and educate the heart through emotion and the sheer beauty of the music.