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J.S. Bach: Cantates BWV 2, 20 & 176
Johann Sebastian Bach, Philippe Herreweghe, Ghent Collegium Vocale
J.S. Bach: Cantates BWV 2, 20 & 176
Genre: Classical
 
  •  Track Listings (23) - Disc #1

The three cantatas recorded here have in common their composition for or around Trinity Sunday, which is as good an excuse as any for lumping them together. Bach's instrumentation and format, however, are different for eac...  more »

     
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CD Details

All Artists: Johann Sebastian Bach, Philippe Herreweghe, Ghent Collegium Vocale, Johannette Zomer, Jan Kobow
Title: J.S. Bach: Cantates BWV 2, 20 & 176
Members Wishing: 0
Total Copies: 0
Label: Harmonia Mundi Fr.
Release Date: 6/10/2003
Album Type: Import
Genre: Classical
Styles: Opera & Classical Vocal, Historical Periods, Baroque (c.1600-1750)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 794881704620

Synopsis

Amazon.com
The three cantatas recorded here have in common their composition for or around Trinity Sunday, which is as good an excuse as any for lumping them together. Bach's instrumentation and format, however, are different for each work, and the overall effect is varied and interesting. BWV 2, asking God to have pity on us, features some severe trombone backing amid a certain austerity, an alto aria with solo viola, and a dance-like aria for bass exhorting Christians to be patient. The almost-half-hour-long BWV 20 is grander in attitude and scale, dealing as it does with "Eternity, thou thunderous word," and one bass aria with oboe solo is nicely expressive while another, with trumpets ("Awake, awake, lost sheep") is rousing. "The hearts of all men are obstinate and fearful," the opening chorus of BWV 176 tells us in a quick-tempo fugue which sounds downright jolly. All three are beautifully performed and recorded; Herreweghe may not milk the drama out of the more "dreadful" moments, but with choral singing and instrumental playing of this caliber, it doesn't matter. A fine disc. --Robert Levine
 

CD Reviews

Beautyful again
04/03/2004
(5 out of 5 stars)

"This is another record in Herreweghe's serie of Bach's cantatas. And again it is nicer than all other recordings of this piece. In the first cantata (BWV 2 "Ach Gott vom Himmel sieh darein") I like to recommand you the first alto aria with solo violin. From the second one (BWV 20 "O Ewigkeit du Donnerwort") the bass aria (Peter Kooy) with two oboes is of striking beauty. From the third and last cantata the opening chorus (BWV 176 "Es ist ein trotzig und versagt ding um alles menschen herze")tells you what Jeremiah already said about men's heart, in a way you will never forget. For the first time Herreweghe chose Jan Kobow as a tenor. Although a little bit less sharp than Mark Padmore (my favorite voice), he sings his aria's (especially: "Durch feuer werd das Silber rein" from BWV 2) very nice. After listening to this cd I only long for the next recording in Herreweghe's serie."