On the Road (Jazz of the Beat Generation) - Jack Kerouac, Kerouac, Jack
On the Road - Jack Kerouac, Kerouac, Jack
Come Rain or Come Shine - Jack Kerouac, Arlen, Harold
Orizaba 210 Blues - Jack Kerouac, Amram, David
When a Woman Loves a Man - Jack Kerouac, Hanighen, Bernie
Leavin' Town - Jack Kerouac, Handy, George
Washington D.C. Blues - Jack Kerouac, Amom, David
On the Road - Jack Kerouac, Kerouac, Jack
This collection scrapes the bottom of the Jack Kerouac barrel, unearthing Kerouac documents both worthy of public scrutiny and ones that are not. The title to this CD is a tad misleading, as it begins with a late-1950s ses... more »sion of Kerouac singing, to jazz accompaniment, a song written for him by Sammy Kahn. There are several jump jazz tunes with Kerouac's scat-flavored vocalizings; they will be of interest solely to fans. Hipster music is added to several works, by avant-funk keyboardist John Medeski and the jazz musician David Amram, who'd collaborated with Kerouac on Robert Frank's magnificent beat-era film Pull My Daisy. The meat of the collection is the 28-plus-minute previously unreleased reading of On the Road, a section that depicts the novel's two central protagonists in the jazz haunts of San Francisco. Kerouac's enthused (if affected) and likable jive-bop poesy really comes alive on this cleaned-up acetate recording; thankfully there is no '90s hipster music added to it. The other work of interest is a fragmentary song called "On the Road," which appears in a pseudo-original state (with Medeski organ added) and in a bluesy, ballsy interpretation by Tom Waits backed by Ralph Carney and Primus. --Mike McGonigal« less
This collection scrapes the bottom of the Jack Kerouac barrel, unearthing Kerouac documents both worthy of public scrutiny and ones that are not. The title to this CD is a tad misleading, as it begins with a late-1950s session of Kerouac singing, to jazz accompaniment, a song written for him by Sammy Kahn. There are several jump jazz tunes with Kerouac's scat-flavored vocalizings; they will be of interest solely to fans. Hipster music is added to several works, by avant-funk keyboardist John Medeski and the jazz musician David Amram, who'd collaborated with Kerouac on Robert Frank's magnificent beat-era film Pull My Daisy. The meat of the collection is the 28-plus-minute previously unreleased reading of On the Road, a section that depicts the novel's two central protagonists in the jazz haunts of San Francisco. Kerouac's enthused (if affected) and likable jive-bop poesy really comes alive on this cleaned-up acetate recording; thankfully there is no '90s hipster music added to it. The other work of interest is a fragmentary song called "On the Road," which appears in a pseudo-original state (with Medeski organ added) and in a bluesy, ballsy interpretation by Tom Waits backed by Ralph Carney and Primus. --Mike McGonigal
Hearing him sing his "On the Road' song still brings tears.
Antoine Maloney (stratis@odyssee.ne | Montreal, Quebec, Canada | 10/31/1999
(5 out of 5 stars)
"My first hearing of his whispering / singing his "On The Road" took my breath away. Done before Dylan, Tim Buckley, and Leonard Cohen produced similar material...what a loss to have only this; the playing of Victor Juris and especially John Medeski on this song is perfectly ethereal.The swing/scat songs are a treat too with him goofing on the lyrics and the dedications. All proof of why he must have been a great guy to hang around with when he wasn't in his cups.David Amram's accompaniment on other pieces immediately transported me to the kind of late night reading / playing that he's described doing with Jack.Listen to Kerouac play with his voice, with his words, and with all the names and pseudonyms of his friends. A great addition to his published work."
Keep your hands off the Kerouac
Scott Leslie | 09/30/1999
(2 out of 5 stars)
"The stuff that is in it's original form (or at least close to it) is great. "Ain't We Got Fun", "Come Rain or Come Shine", and especially the reading from On the Road all sound great. This could have actually been a decent 40-minute CD. But why screw around with Jack's work? The pieces with newly recorded backing tracks are awful, they remind me of the Sinatra "Duets" stuff where there was no connection between Sinatra and his collaborators. It's like Ted Turner colorizing old classics. And I love Tom Waits, but what is he doing on this collection? Unfortunately, a lame concept. Get the Rykodisc boxset, it's the real deal."
Can't go wrong with 28 minutes of On the Road.
Antoine Maloney (stratis@odyssee.ne | 10/27/1999
(4 out of 5 stars)
"True, the title is misleading, but Track 2 IS 28 minutes of Jack reading from On the Road and this makes it worth the $$$. The folk-bluesy song "On the Road," from a story collected in Good Blond, sung by Kerouac on one track and Waits/Primus on the final track, is really the only song integral to more fully developing an appreciation for Keruoac's literary themes. Yet, for the serious Kerouac fanatic, the other jazzy-goof songs are novel at worst. The Steve Allen (and the rest of the Box Set for that matter) recordings will forever be the benchmark for Kerouac's readings, but that does not diminish the importance of the On the Road readings on this CD. On the Amram collaborations: I've always been a disciple of Kerouac's prose, but his poetry has never done much for me. Outside of Amram's tiresome, recurring "Pull my Daisy" backing melody, the music compliments the poetry much better than the techno-junk that accompanies "McDougal St." on the Kicks CD. I give it 4 stars (instead of 5) only because these tracks aren't the Steve Allen recordings. I'd give it 3 stars and pay $20 if it were Kerouac reading a shopping list."
This "Jack" Misses The High Notes
Scott Leslie | Canada | 07/16/2003
(3 out of 5 stars)
"All I have to say about this one is "What the hell were they thinking?" Having picked up "The Jack Kerouac Collection" box recently, I was surprised to come across this CD of more material and was hoping I'd find more of Jack's classic jazzy beatness. And I did...sort of. The readings here (like Jack's selections from "On The Road") are as crisp as I'd expected and would fit in nicely with "Readings From The Beat Generation". And I love the obscure jazz tunes they dug up by Jack. They work much better than some of the "singing" he tries on for size in his "Blues & Haikus". Here, he's no Sinatra but what Jack lacks in actual pipes, he makes up for in plain old enthusiasm.But why, oh why did the producers think it was such a hot idea to throw some of David Amram's jarring jazz pieces over Jack's readings on "Orizaba 210 Blues" or "Washington D.C. Blues"? They don't even match the readings or belong there in the first place. What makes it worse is the two tracks go on forever. I could handle a brief experiment...but half an hour of this 90s noodling is just enough already. And hey, I love Waits, but what's he doing here? They should've saved him for the Jack tribute album that came out a few years back.I wish somehow they'd clean this one up and add it to "The Jack Kerouac Collection" to make it complete - but I know that isn't gonna happen. If you want some advice, save your money for the brilliant boxed set and give this one the pass."
Kerouac shows poetry is serious gentle and joyful
Scott Leslie | 09/29/1999
(4 out of 5 stars)
"In this amazing cd , we get to experience Kerouac reading the legendary "On The Road" excerpt recorded for, but omitted from his "Readings On The Beat Generation" album. The performance is strong , and from a different manuscript than the published one, and the public can now understand why he chose the zany mystical "Cody" sections for that album. The drunken Kerouac songs are touching but one gets the impression he is really much more interested in his own work (the jazz numbers have a sly, almost mocking tone to them.) "On the Road " (song), is truly sublime. Here we have the sweet private Kerouac in his own home, heartbreakingly laying down his road song. You get the feeling, just in the measure of his voice inflection , of a man who knows he has accomplished art for eternity,that the sanctity of the moment is being preserved;art is not in vain.The organ,guitar accompaniment is the first time music has sucsessfully complemented and blended with his voice(compare wretched "MacDougal Street Blues).The Amram / Kerouac connection is deep and enriching, especially the threds of "Daisy" throughout.Though I am a big fan of Waits, I find his interpretation to be a little rough or just plain expected, lacking the tenderness so essential to Kerouac. Overall , the picture painted in this disc is the exuberant youthful Kerouac, tho tired already of nonsense fame , and is the portrait of an artist who knows who is and what he has accomplished. An important release."