Pomp and Circumstance March No. 1, for orchestra in D major, Op. 39/1
Pomp and Circumstance March No.4, for orchestra in G major, Op. 39/4
Cello Concerto in E minor, Op. 85: Adagio - Moderato
Cello Concerto in E minor, Op. 85: Lento - Allegro Molto
Cello Concerto in E minor, Op. 85: Adagio
Cello Concerto in E minor, Op. 85: Allegro - Moderato - Allegro Ma Non Troppo
Enigma Variations, for orchestra, Op. 36: Enigma: Andante
Enigma Variations, for orchestra, Op. 36: 1. (C.A.E.): L'istesso tempo
Enigma Variations, for orchestra, Op. 36: 2. (H.D.S.-P.): Allegro
Enigma Variations, for orchestra, Op. 36: 3. (R.B.T.): Allegretto
Enigma Variations, for orchestra, Op. 36: 4. (W.M.B.): Allegro di molto
Enigma Variations, for orchestra, Op. 36: 5. (R.P.A.): Moderato
Enigma Variations, for orchestra, Op. 36: 6. (Ysobel.): Andantino
Enigma Variations, for orchestra, Op. 36: 7. (Troyte.): Presto
Enigma Variations, for orchestra, Op. 36: 8. (W.N.): Allegretto
Enigma Variations, for orchestra, Op. 36: 9. (Nimrod.): Adagio
Enigma Variations, for orchestra, Op. 36: 10. Intermezzo (Dorabella): Allegretto
Enigma Variations, for orchestra, Op. 36: 11. (G.R.S.): Allegro di molto
Enigma Variations, for orchestra, Op. 36: 12. (B.G.N.): Andante
Enigma Variations, for orchestra, Op. 36: 13. Romanza (***): Moderato
Enigma Variations, for orchestra, Op. 36: 14. Finale (E.D.U.): Allegro - Presto
Du Pré's EMI recording of the concerto with Barbirolli is rightly treasured for its emotional power, but it's almost buttoned-down alongside this controversial live concert performance made five years later in Philad... more »elphia. Here, she plays with extraordinary rhythmic freedom, pushing the emotional content of the score to its outer limits. This is one of those rare recordings in which you sense a spiritual merger between composer and performer, revealing inner meanings few can perceive from the notes on the page. Partnering this exciting performance is Barenboim's excellent reading of the Enigma Variations, one of the finest in the catalog. Tempos are spacious enough to allow for much telling detail, with enough forward thrust to keep the Elgarian juices flowing. Each variation is given its own character, and the whole is suffused with warmth and authority. --Dan Davis« less
Du Pré's EMI recording of the concerto with Barbirolli is rightly treasured for its emotional power, but it's almost buttoned-down alongside this controversial live concert performance made five years later in Philadelphia. Here, she plays with extraordinary rhythmic freedom, pushing the emotional content of the score to its outer limits. This is one of those rare recordings in which you sense a spiritual merger between composer and performer, revealing inner meanings few can perceive from the notes on the page. Partnering this exciting performance is Barenboim's excellent reading of the Enigma Variations, one of the finest in the catalog. Tempos are spacious enough to allow for much telling detail, with enough forward thrust to keep the Elgarian juices flowing. Each variation is given its own character, and the whole is suffused with warmth and authority. --Dan Davis
"In my opinion this particular recording is the very finest of all recordings of this work - although DuPre has also recorded this beautifully with Barberolli conducting. This recording with Barenboim is far and away the the most moving and passionate of all. I cannot imagine it bettered. This is the one maybe for all time."
Intensely passionate - a must for every collector!
P. Rah | Sion, Switzerland | 09/28/2000
(5 out of 5 stars)
"This recording of the Elgar is the 2nd version made by du Pre, from 1970. It is one of the most intense readings one will ever hear. Whereas in her first recording, she fully captures the longing mood of the piece by weeping through her cello, in this recording she pierces the listener's heart by bluntly crying out what Elgar wanted to say so desperately:"It is over". I have myself sometimes been reduced to tears, as the emotional weight of this recording is too much to bear at times. It is a very highly strung recording, with maximum support from the Philadelphia Orchestra, who play with great inspiration (no doubt du Pre had a huge effect on the orchestra!). She used her then-new Peresson cello, which seems to match her iiiiiintense playing fully. One can hear some imperfections in some passages, loss of tone etc (could these have been an early signs of MS approaching?), but they are hardly noticeable. The recording quality is not the best, but it does not detract the musical quality in any way. If you do not have this recording yet, then I suggest you buy one as a matter of urgent priority. Buy it!"
Pure Power Live from Elgar's Cello Concerto
Stephen Fine | Gainesville, Florida USA | 05/14/2000
(5 out of 5 stars)
"The power that is released from this live recording of du Pre's favorite concerto is uncontested in the music world today. Having listened to 10-15 other recordings of Du Pre and others playing this Concerto I will say that this is the best. It is very seldom that you will find such perfection in a live recording. The sound quality is fairly good, and except for a few coughs the Concerto goes uninterrupted. If you do not own any Concerti by Du Pre (or by anyone) I would pick this. It gives a true taste for the spirit found in some Romantic-Modern music."
One of the most passionate classical recordings ever
P. Rah | 03/06/2000
(5 out of 5 stars)
"This is a stunning recording. The depth of emotion with which Ms. Du Pre interprets this concerto is astonishing. I cannot think of a comparable live recording. She transcends the technical challenges of the piece in a way that allows her to push its emotional boundaries. You must hear this recording."
Spellbinding Elgar from Du Pre, Barenboim
John Kwok | New York, NY USA | 05/01/2004
(4 out of 5 stars)
"Although Jacqueline Du Pre's live performance of the Elgar Cello Concerto with the Philadelphia Orchestra conducted by Daniel Barenboim is a mesmerizing, exhilirating performance, it is nonetheless one of the worst live recordings I have heard, especially given the excellent quality of 1970's sound recording. Indeed, the mixing of the orchestra and the soloist is so inadequate, that it is as though you are hearing mainly Du Pre, not her in tandem with the orchestra. I strongly wonder why Sony decided to reissue this, unless it was to gain some advantage from recent interest in her career, most notably the film "Hilary and Jackie". On the other hand, Barenboim's inspired account of the Enigma Variations, performed by the London Philharmonic, is nearly as memorable as Gardiner's recent Deutsche Grammophon recording with the Vienna Philharmonic. This CD will probably be primarily of historical interest, appealing mostly to those interested in Jacqueline Du Pre and her marriage to Daniel Barenboim."