Between them, the young duo of Benny Green and Russell Malone has a world of experience, having played with such jazz masters as Ray Brown, Harry Connick Jr., Betty Carter, Diana Krall, and Branford Marsalis. This live dat... more »e captures the terrific twosome delivering a tasty palette of blues, standards, and ballads. Malone's guitar lines are impressive and encyclopedic, ranging from Wes Montgomery's ringing double octaves to Joe Pass's tender timbres. Green's pianisms imbue everything he plays with a haze of blues. They both treat chestnuts like Cannonball Adderley's "Wabash," Billy Strayhorn's "Intimacy of the Blues," and John Coltrane's "Moment's Notice/Lazy Bird" with dazzling and deft improvisations. Here, in front of an appreciative audience, these musicians beautifully highlight the difference between just making a record and actually playing music. --Eugene Holley Jr.« less
Between them, the young duo of Benny Green and Russell Malone has a world of experience, having played with such jazz masters as Ray Brown, Harry Connick Jr., Betty Carter, Diana Krall, and Branford Marsalis. This live date captures the terrific twosome delivering a tasty palette of blues, standards, and ballads. Malone's guitar lines are impressive and encyclopedic, ranging from Wes Montgomery's ringing double octaves to Joe Pass's tender timbres. Green's pianisms imbue everything he plays with a haze of blues. They both treat chestnuts like Cannonball Adderley's "Wabash," Billy Strayhorn's "Intimacy of the Blues," and John Coltrane's "Moment's Notice/Lazy Bird" with dazzling and deft improvisations. Here, in front of an appreciative audience, these musicians beautifully highlight the difference between just making a record and actually playing music. --Eugene Holley Jr.
D. P. (MusicMan) from NEW YORK, NY Reviewed on 2/25/2007...
Unusual piano, guitar pairing (something akin to an orchestra performing without a conuctor?). Nary a note that didn't sound good. I think this was a kind of trial baloon, and when it worked other albums by the duo followed.
CD Reviews
I wish I could have been there
Cedric Westphal | san francisco, ca | 01/06/2005
(5 out of 5 stars)
"This cd was recorded live at a jazz club in St Louis, and I wish I could have attended this concert. I actually saw Benny Green and Russell Malone play together a little later at another jazz club, and the enthusiasm with which they play and share with the audience is very tangible.
This cd has 13 music tracks (and two 'introductions' for each artist). There are two originals, a bunch of standard-y standards (monk, strayhorn, coltrane tunes), and a few 'new standards', ie pop tunes made into jazz ('killing me softly' for instance). It is up there, along Jim Hall and Bill Evans 'undercurrent', as one of the best jazz duo of a guitarist and a pianist. The guitar and the piano complement each other perfectly, with each instrument being in turn melodic or harmonic. The styles of BG and RM differ a bit (complement each other as well), with BG going towards more harmonic sophistication, and RM towards more virtuosity.
The recipe here is the same as their other subsequent cd, 'bluebird', which I recommand equally. I guess this one should be picked first due to its seniority (it is 2 years older), but I cannot come up with a better reason."
Great musicianship, bad guitar tone
Jazz Addict | 10/21/2003
(4 out of 5 stars)
"I just picked this CD up and had to write a review. I've been following Russell Malone since his days with Harry Connick Jr. and his debut/self titled album; I've always really admired his phrasing and rhythmic style. This is my first time hearing Green, who is fantastic. These two performers are great together and listening to them play off of each other; trading fours, and comping is a pleasure. However, a warning to guitar players out there: Russell's tone may cause you to wince a bit. Gone is his trademark fat, warm tone. On this disc he sounds tinny and weak; buzzing off the fretboard is constant. This is especially disappointing since I am a big fan of Russell's. A very enjoyable CD, but I probably won't listen to it nearly as much as some of his others. For other melodic interplay with him and piano, check out his debut CD; he plays with Harry on "I Can't Believe That You're In Love With Me"."
Green & Malone Swing
Jazz Addict | tyler, texas United States | 04/04/2006
(5 out of 5 stars)
"Just returned from Jazz at the Bistro in St Louis to catch Benny and Russell live. Sat for two sets, one on Fri and one Sat. They were magnificent and this album reflects what I heard. If one is a jazz addict and trained in music and hear this CD you will appreciate their dynamics together. Listen to the CD and you will quickly become Green/Malone fans. Reminds me of the Evans/Hall Intermodulation duo album recorded in the 60's on Verve."
Enough already!
Andrew Billek | 08/22/2008
(4 out of 5 stars)
"No disagreement about the music. It's superb and yes, in my opinion also, the guitar sounds tinny. But that's only mildly disturbing. I'm surprised that no one mentioned the greatest detriment to this recording - the audience. They never stop clapping (in other words, making noise). And not just to show appreciation. It seems like they are trying to out-do each other. They clap loud and long after each solo, after exchanges, at the song's end, at the beginning of the next song. They even clap when they recognize the tune. Some clown in the audience actually whistles along. Doesn't the producer know all that loud noise will be recorded for all eternity and continue to bother people who want to LISTEN to the music? Can't he say at the beginning "We're recording here tonight. Please enjoy the music but restrain your enthusiasm?" Not to mention the fact that it hampers the musicians ability to hear, be heard and create.
Mingus on one of his Candid recordings begins by saying "Please no applause. No clinking of glasses or cash register ringing. We are bothered by your noise. Got it?" The in-joke there was that that was a studio recording with no audience. But the message is that the musicians are "creating" artists and not entertainers continually seeking your approval. Go to a rock concert. That's why they exist. Thank you."