Search - Joe Henry :: Trampoline

After six albums on which he constantly moved back and forth between classic folk and country traditions, Joe Henry really hit his artistic stride on the brilliant Trampoline. While the album finds him occasionally drifting toward both of those familiar modes, Trampoline also introduces us to Joe Henry, the pop-rock experimentalist. From the exotic guitar strum that opens the album on "Bob and Ray," through a feedback-drenched cover of a Sly Stone obscurity ("Let Me Have It All"), to the dark funeral organ that drives the Blue Oyster Cult-ish "Medicine," to a track featuring a female opera singer ("Flower Girl"), the album allows Henry to use all sorts of musical eccentricities. This certainly both confused and delighted longtime fans, and set the stage for Fuse and the future. Lyrically, Henry seems to be in a pretty dark place--might or might not be about the end of a relationship. And "Flower Girl" may be the most beautiful song Henry's ever written. You could compare Trampoline to that moment when Tom Waits moved from the more traditional sound of his early albums to the Beefheartish experimentations of Swordfishtrombones and Rain Dogs--that's how great both the change and growth appear to be here. --Bill Holdship