Search - Johann Sebastian Bach :: Bach: The Four Lute Suites

Johann Sebastian Bach
Bach: The Four Lute Suites
Genre: Classical

Track Listings (21) - Disc #1
1. Suite No. 1 in E minor for Lute, BWV 996; I. Passaggio - Presto
2. Suite No. 1 in E minor for Lute, BWV 996; II. Allemande
3. Suite No. 1 in E minor for Lute, BWV 996; III. Courante
4. Suite No. 1 in E minor for Lute, BWV 996; IV. [Sarabande]
5. Suite No. 1 in E minor for Lute, BWV 996; V. Bourrée
6. Suite No. 1 in E minor for Lute, BWV 996; VI. [Gigue]
7. Suite (Partita) in A minor, BWV 997 (originally in C minor); I. Preludio - Fuga
8. Suite (Partita) in A minor, BWV 997 (originally in C minor); II. Sarabande
9. Suite (Partita) in A minor, BWV 997 (originally in C minor); III. Gigue - Double
10. Lute Suite No. 4 in E Major, BWV 1006a; I. Prélude
11. Lute Suite No. 4 in E Major, BWV 1006a; II. Loure
12. Lute Suite No. 4 in E Major, BWV 1006a; III. Gavotte en Rondeau
13. Lute Suite No. 4 in E Major, BWV 1006a; IV. Menuetts I & II
14. Lute Suite No. 4 in E Major, BWV 1006a; V. Bourrée
15. Lute Suite No. 4 in E Major, BWV 1006a; VI. Gigue
16. Suite in A minor for Lute, BWV 995; I. Präludium - Presto
17. Suite in A minor for Lute, BWV 995; II. Allemande
18. Suite in A minor for Lute, BWV 995; III. Courante
19. Suite in A minor for Lute, BWV 995; IV. Sarabande
20. Suite in A minor for Lute, BWV 995; V. Gavotte I & II
21. Suite in A minor for Lute, BWV 995; VI. Gigue

CD Details

All Artists: Johann Sebastian Bach
Title: Bach: The Four Lute Suites
Members Wishing: 1
Total Copies: 0
Label: Sony
Original Release Date: 1/1/2006
Re-Release Date: 8/1/2006
Album Type: Original recording remastered
Genre: Classical
Styles: Chamber Music, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830), Instruments, Strings
Number of Discs: 1
SwapaCD Credits: 1
UPC: 828767873824

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CD Reviews

Still An Important Milestone

frankp93 | Danbury, Connecticut United States | 12/19/2007

(5 out of 5 stars)

"Williams' was the first complete recording of the suites I'd ever heard and at that time I was just overwhelmed by the flawless technique. The recording captures a special time for me during my initial "guitar freak phase" and I still enjoy hearing it. But musically, I've heard so many expressive players on different instruments since (not the least of which Casals and Gould) that, as far as Bach on the guitar goes, I now prefer Sharon Isbin's recording of the suites on Virgin, both for her tone and phrasing. And if I'm in a lute-mood, Bream is still my guy. But Williams set the bar with this recording as far as I'm concerned and, for guitarists of all bents, it's a must have.

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