"The music of A Bridge Too Far makes the film a memorable one. The events depicted were memorable but the music cements it into the mind. The theme music makes me, at least, think of the early days of World War I when British officers went over the top into No Man's Land carrying a walking stick or soldiers kicking soccer balls along in front of them, as German machine guns mowed them down like hay being harvested. Unfortunately, the assault on Arnhem, to some degree, is depicted in that same manner, through the music.The music depicting the aircraft as they load up and head for Holland gives a great feeling for what it must have been like and as shown on the film. I had the feeling that I could see the dust coming off the tow lines of the gliders as they were being pulled into the air. The paratroopers sitting in rows waiting to make the jump into Holland.Yet there is also the destruction of Arnhem through music. You sense the desperation as the citizens build barricades using furniture, paving stones and even the bodies of the dead, as German tanks come bulldozing through. That is the real tragedy - the destruction of a town that up until September of 1944 had not suffered too severely from the German occupation.The entire CD tells the story of Arnhem and Operation Market Garden in a way that is unforgetable and moving and heroic. It would do a Greek tragedy proud. If you've seen the movie this is a must have soundtrack. If you haven't, listen to it, then see the movie."
Fine score is also a requiem for composer's war buddies
Alex Diaz-Granados | Miami, FL United States | 12/09/2003
(5 out of 5 stars)
"The late film composer John Addison (Tom Jones, Sleuth) may perhaps be best remembered by millions of TV viewers for his theme for "Murder, She Wrote," but one of his best scores was written for one of the biggest all-star flops in movie history, 1977's A Bridge Too Far.Richard Attenborough's epic about Operation Market-Garden isn't a bad movie (as I have stated in my review of the DVD); it just had the misfortune of having been made in the late 1970s, when most moviewatchers were leery about war movies. As the liner notes to this Rykodisc/MGM Soundtrack explain, "A Bridge Too Far is not a typical war film celebrating a heroic victory." Coming on the heels of America's defeat in Southeast Asia and antipathy for most things military, Attenborough's well-crafted film failed to draw audiences and disappeared from theaters and moviegoers' radar scopes. (The success of a movie set "a long time ago, in a galaxy far, far away" didn't help A Bridge Too Far survive at the box office, either.)Pity, because one of the finest attributes this movie has is its score. From the stirring and boldly optimistic march of the opening "Overture" (which will serve as the XXX Corps theme) to the somber and melancholy "Arnhem Destroyed," Addison's score follows the heartbreaking progress of Market-Garden as American, British and Polish paratroopers strive to capture a series of bridges along a single highway in Nazi-occupied Holland while a British armored corps races northward to relieve them. For the composer, this score was an intensely personal project; Addison had been a young tank officer in XXX Corps, and when he heard his friend Attenborough was making a film about Market-Garden, he asked for the job as composer. Perhaps that's why this score is so powerful and moving. Whether the music is underscoring the breathtaking "Air Lift" (one of the most impressive scenes involving hundreds of C-47s and almost an army's worth of military clad extras), the nerve racking vigil of a sergeant as his company commander is being operated on in "Hospital Tent" or the race-against-time efforts of paratroopers and engineers to build a "Bailey Bridge," Addison gives each cue his heart and soul, thinking, perhaps, about his fellow tankers who fought and died in Northwest Europe in 1944-45. As director Attenborough writes in the liner notes, "[t]he music for A Bridge Too Far is, therefore, in one sense his requiem for those who fought beside him."This 1999 enhanced CD also contains -- for PCs using Windows 95 and up -- a QuickTime video file of the original 1977 movie trailer."
Very long awaited release
Mario Schroeder | Hamburg Deutschland | 07/15/2001
(4 out of 5 stars)
"After watching the movie many years before, I was very impressed from the music. But I could not get the disc. Maybe 2 years later the disc was released. Parallel to this, I waited for the release of the CD since the medium was introduced. Now it has come true.This is a straight forward war soundtrack with a marching bias. The glorious rhythms representing the advancing of the allied troups are contrasted by slow movements unveiling the coming tragedy. As described above, the unique quality of the score is the marching (in the words best sense) character of many tracks (sample "air lift"). Unfortunately the melodious invention of the composer is sometimes limited. There is rarely some development in the themes.The technical quality is good but there are sometimes disortions. There is no sound improvement compaired to the disc.My recommendation: buy it!"
Composer Too Far: John Addison was there at Arnhem in WWII
Sam Damon Jr. | Fort Bragg, NC | 08/21/2000
(5 out of 5 stars)
"The BEST war movie music ever. I thought I'd never get a copy of it to listen to. This is the BEST war movie music ever conducted, and look who created it: a XXX Corps veteran from the battle of Arnhem, John Addison!This music does the men who won this battle the proper honor--now then if we could get the general public to understand the battle and why it was a triumph not far enough and not a "bride too far" we might be able to structure our military forces today to be better ready to fight/win.AIRBORNE!"