The music on this seven-CD set was recorded during three European tours, capturing Coltrane live as he was becoming the most compelling, most influential musician in jazz. His working relationships with pianist McCoy Tyner... more » and drummer Elvin Jones were already solidly in place on the 1961 tour, which also had Eric Dolphy on reeds and Reggie Workman on bass. For the '62 and '63 tours, the classic quartet with Tyner, Jones, and bassist Jimmy Garrison had found its form. There are multiple performances of Coltrane's favorite vehicles here, tunes to which he could return nightly with different results: "Impressions," the springboard to some of his most explosive tenor explorations; "My Favorite Things," the soprano signature that could summon floating bliss or coiled intensity; "Mr. P.C.," a rapid-fire trip through his evolving harmonic approaches. There's fascinating contrast, too, between some of the same pieces played by the different bands. The earlier group is more fluid, and it's extraordinary to hear the added stimulus Coltrane gets from Dolphy's cascading invention. There are other gems here as well, like "Lonnie's Lament" and "Spiritual," original anthems that Coltrane imbued with a keening, magisterial power, and the equally beautiful balladry of "I Want to Talk About You." This is a treasure trove for those who love Coltrane, a fine complement to the Impulse studio and live recordings of the same period. Roughly half of this music, generally the later material, has been available on a series of Pablo CDs. Much of the earlier material has surfaced on bootlegs, usually with very inferior sound and an absence of recording data. Live Trane is the first time this great material has received the treatment it deserves. --Stuart Broomer« less
The music on this seven-CD set was recorded during three European tours, capturing Coltrane live as he was becoming the most compelling, most influential musician in jazz. His working relationships with pianist McCoy Tyner and drummer Elvin Jones were already solidly in place on the 1961 tour, which also had Eric Dolphy on reeds and Reggie Workman on bass. For the '62 and '63 tours, the classic quartet with Tyner, Jones, and bassist Jimmy Garrison had found its form. There are multiple performances of Coltrane's favorite vehicles here, tunes to which he could return nightly with different results: "Impressions," the springboard to some of his most explosive tenor explorations; "My Favorite Things," the soprano signature that could summon floating bliss or coiled intensity; "Mr. P.C.," a rapid-fire trip through his evolving harmonic approaches. There's fascinating contrast, too, between some of the same pieces played by the different bands. The earlier group is more fluid, and it's extraordinary to hear the added stimulus Coltrane gets from Dolphy's cascading invention. There are other gems here as well, like "Lonnie's Lament" and "Spiritual," original anthems that Coltrane imbued with a keening, magisterial power, and the equally beautiful balladry of "I Want to Talk About You." This is a treasure trove for those who love Coltrane, a fine complement to the Impulse studio and live recordings of the same period. Roughly half of this music, generally the later material, has been available on a series of Pablo CDs. Much of the earlier material has surfaced on bootlegs, usually with very inferior sound and an absence of recording data. Live Trane is the first time this great material has received the treatment it deserves. --Stuart Broomer
"The "Classic" John Coltrane Quartet, 1961 thru '63, live in Paris, Stockholm and West Berlin (in transfers vastly improved from previous issues) and in a more sympathetic setting than their "home base."
Now, it's true that there has been some "flap" between various Coltraneologists and Pablo, over apparently incorrect dates for some of the earlier tracks in this box..."Is it Paris or is it Stockholm?" Three selections, allegedly air-checks from Birdland in NYC (not the European tours) have sound quality that is distinctly inferior to all the other tracks; whatever their origin, they were probably NOT recorded with equipment belonging to Norman Granz (who produced these European tours).
Still, Pablo is to be applauded for 1) negotiating royalties with the Coltrane Estate and the surviving musicians, so that much of this material is legitimately released for the first time, and "de-bootlegged." 2) The SOUND, people, the SOUND of these tracks (at least the ones which have been heard previously) is better than it's ever been...For example, the former "drop-outs" in the Berlin "Favorite Things" are gone- and even those "Birdland" tracks are truly LISTENABLE for the first time.
Dive into this box, and when you come out of it you'll realize what's been lost since 1963: a fresh sense of adventure, somehow married to lucidity...a "phase" which cannot always be sustained in either a society as a whole, or even within the work of any one artist (not even Trane ! ). Certainly, the November 2, 1963 "Favorite Things" is the greatest of all surviving versions, for its poise on the razor's edge of supreme spiritual risk-taking and sweet, almost Greek-classical lucidity...And all this before a series of audiences for whom this combination was as natural as the air they breathed...Such an atmosphere does not and cannot exist, today.
And, of course, you could hardly "do it again" within this idiom. It wasn't just record-company greed and commercial pressure that led Carlos Santana and his generation to funk, fusion, and paths other than acoustic post-bop...Because Trane had very nearly exhausted this idiom, the next generation HAD to explore elsewhere...Nevertheless, Santana and others were emboldened by Trane's risk-taking and "purity of intention" (to borrow a phrase from Thomas Merton, who also loved Coltrane).
By immersing yourself in this 7-CD box, you'll very nearly get it all "back," then forward...I remember when I first took this set home- tired and mentally worn down after a day-from-hell-at-the-office, intending just to sample a few tracks...Within ten minutes, something more than just adrenaline began to kick in..."Holes" were "punched" in my fatigue, the mind began feeling "toned up," and a sense of possibilities began to surface...In about two hours, the wild stream of life was flowing again, and I forgot all about being "worn down"... What (in LETTERS TO OLGA) Vaclav Havel calls Being, turned toward me and I toward Being...Whether or not it sounds "strange," I'll sign off with this : It's in this music, I'm telling you it's HERE."
Exceptional
john rite | 06/17/2005
(5 out of 5 stars)
"I don't know of anywhere else to hear "my favorite things" and "blue train" with dolphy. The first two discs are practically worth the price of the set, and I deliberated buying it for a bit. Plus, there are three versions of MFT with dolphy (six total). I agree totally with another reviewer who says that this set is the next logical place to go after the complete village vanguard, which people will buy first simply because it's more known.
Do not just buy Afro blue impressions and consider it a condensed version of this set. You won't get the dolphy. And the twenty five mintute version of MFT is simply amazing. Time will get warped should you listen to this when really relaxed. I'd write more but I'm going to listen to the set right now."
Three Stars? Gimme a Break
Talking Wall | Queen Creek, AZ | 01/07/2008
(5 out of 5 stars)
"I can't believe someone purchased this and then gave it three stars. Obviously this individual does not realize what they have in their collection. I had some of this stuff (Afro Blue Impressions) on vinyl from Pablo records and another Trane/Dolphy in Europe that I picked up on vinyl while living in England many years ago. I purchased this set in mp3 format (couldn't afford the actual box but it's the music that matters, right?)This is Trane and the peak of his "accessible" powers. The Quartet smokes, it rages, it's tender, it's violent, it's awe-inspiring. Incredible! Three stars? Thou art very naive whoever you are. Even four stars is questionable. This music is worth of 10,000 stars!"
Top notch
R. Burger | Wisconsin | 09/08/2009
(5 out of 5 stars)
"I am a huge Coltrane fan, although I haven't listened so much the past 15 years or so. These recordings have reignited my passion for Coltrane and Dolphy. Truly intense and exciting stuff. The sound quality is not as good, but the performance has more fire and risk-taking than the Villiage Vanguard recordings. This would be my desert island CD for Coltrane."
HIGHLY recommended for the serious Coltrane fan
G B | Connecticut | 01/22/2010
(5 out of 5 stars)
"This is not a collection to pick up when you first start listening to John Coltrane. But let's say you have 20 Trane CDs from the Atlantic and Impulse eras and love the 1961 Village Vanguard and 1963 Birdland recordings. In that case, you owe it to yourself to pick up this box in some format.
There are some reviews here that suggest this music is not as good as the better known Vanguard and Birdland recordings. Well, they're definitely not as well recorded. In addition, I would agree that they're not as consistently great as those recordings. But the best of the music here is just as great, and essential listening. Relative to the justifiably celebrated Vanguard recordings, the last few CDs showcase a much tighter group. These guys got a lot better as time went on.
The music can be divided into three chunks. The first is the quintet with Eric Dolphy, which occupies the first CD and a half. These recordings are pretty notable for Dolphy's flute playing on "My Favorite Things", as well as the live versions of "Blue Train". The group is still evolving here, but it's great music.
The fall 1962 recordings occupy the next 2 CDs. Dolphy's gone, the group's playing is tighter, but I think the limited song selection puts this behind the 1963 stuff.
1963 - that stuff fills up the last three and a half CDs, and in my opinion justifies the purchase of this box. You get a wide range of tunes, including some relative rarities such as "Lonnie's Lament", "Spiritual", and "Cousin Mary". The versions of "Mr. P.C." and "Impressions" are particularly wild, with John and Elvin engaging in torrential duets.
There are some complaints about the repetitions of the tunes - "Impressions", "Mr. P.C.", "My Favorite Things" and "Naima" each get numerous reads. Unlike the Vanguard, there's much less experimentation with instrumentation on this box, so to a neophyte it might seem more repetitive, but the performances are generally radically different and inventive. Give it time.
Again, I would not recommend that a Coltrane newbie pick up this box. But if you're heard Trane at the Vanguard, heard Trane at Birdland, and think, gee, I would love to hear more of this music, then don't hesitate and press "buy"."