Henry R. Kujawa | "The Forbidden Zone" (Camden, NJ) | 02/20/2000
(5 out of 5 stars)
"From the first twang of that banjo, I knew I was in for something different here. While some artists in 1973 were rediscovering 50's rock & roll, John Fogerty looked back and paid tribute to 50's country western & gospel! My faves include "Blue Ridge Mountain Blues", "You're the Reason", "California Blues", "Workin' On A Building", "Please Help Me, I'm Falling", "I Ain't Never" and "Today I Stared Loving You Again" (there's one I can relate to way too much). But they're ALL good ones. Some have become standards, done by many artists over the years, like "She Thinks I Still Care" (George Jones, Cher, Michael Nesmith) and "Jambalaya (On The Bayou)" (Hank Williams, Jo Stafford, Carpenters-- probably my favorite, Buzz Zeemer, and Dash Rip Rock-- probably the WILDEST) but Fogerty does each in his own style. I'd love it if he did another one like this, as I can listen to this over and over-- and have been."
I shoulda bought it way back when!
Bruce K. Day | Falls Church, VA United States | 01/24/2001
(5 out of 5 stars)
"In my teen years, I was a Creedance fanatic. I loved to listen-to and play (I will never be that good) all of the early with-the-band music. Somehow this one slipped through my fingers when it came out during my frugal college days, maybe I was afraid that Fantasy had squeezed some half-baked garbage out to fulfill a contract requirement. What a surprise to find John Fogerty playing the stuff I like to listen to and play now. I have always appreciated his interest in themes and styles from traditional/folk/country and love "Blue Moon Swamp", but had not realized that gospel/bluegrass was part of the mix. It is unfortunate that radio does not know what to do with gifted musicians who do not "fit the mold". Although this is all well known material, the interpretation is classic Fogerty and well worth owning. If you are a fan of classic country or classic rock, this is an important link between the two."
Classic Album
Bradley Olson | Bemidji, MN United States | 02/12/2002
(5 out of 5 stars)
"As stated by many reviewers and by the title of the album, this is John Fogerty's legendary One Man Band (meaning he played all the instruments and sang all the vocals) album from 1973 entitled "Blue Ridge Rangers." Back when it was released in 1973, Creedence Clearwater Revival had just broken up and he had to fulfill his contract with Fantasy with 1 more album and this is the album that he not only recorded to do that and that he couldn't sing the Creedence hits legally at the time, but it also is an album that pays tribute to his influences by singing covers of many country classics with gospel and blues mixed in for good measure. The Top 20 hit, Jambalaya, is performed here in a rousing arrangement. Some of the other highlights include the top 40 minor hit cover of "Hearts of Stone" which had been recorded by a few country artists and in the pop world, the Fontaine Sisters, The Webb Pierce/Mel Tillis classic "I Ain't Never", Working on a Building, Merle Haggard's "Today I Started Loving You Again," Blue Ridge Mountain Blues, the George Jones hit "She Thinks I Still Care," Jimmie Rodgers's "California Blues (Blue Yodel #4)" and You're The Reason. If he would have recorded "Blue Moon of Kentucky" (appears on the Big Mon tribute to Bill Monroe) at the time this was recorded, it would also appear on this album. The sound quality is excellent and the music is timeless. Country fans, Fogerty fans, CCR fans, folk fans, blues fans, gospel fans, rock and roll fans should definitely pick up this album."
A Concept Album? Not Quite, but Close...
Christopher Xavier Cross | Bella Coola, BC, Canada | 03/12/2005
(5 out of 5 stars)
"With or without his bandmates in Creedence Clearwater Revival, Mr.Fogerty has always been one of the most artless performers that I've ever known; he's certainly never tried to be anything other than the talented singer/songwriter that he is(unlike some acts who adopted grandiose images that they could never continue off-stage: the Rolling Stones, Pink Floyd, the Moody Blues & David Bowie among them...John Lennon called them "Sons of Beatles").And on the face of it, this album is a simple collection of country & western "oldies"(even by 70's standards) whose repertoire is taken from the bluegrass & gospel heroes that inspired the artist in his younger days(similar to the rock & roll "farewell" album that John Lennon would do two years later in 1975).But this album, the Blue Ridge Rangers(his first solo album after disbanding CCR over legal and familial issues), rapidly shows itself to have an underlying thematic unity that reveals itself as one of the most low-key and honest of the "concept albums" that came to maturity in the late sixties.For instance, the name of this album suggests that this is a group-effort being released by someone calling themselves the "Blue Ridge Rangers", but that name is actually taken from one of the songs contained on the album itself, namely 'Blue Ridge Mountain Blues'; and local legend in my hometown claims that Mr.Fogerty handled all of the instrumental/vocal chores on this album all by his lonesome self...a thus-far unverified fact not disputed by the liner notes on the sparse CD booklet(which has no credits and only says: Arranged and Produced by John Fogerty) or by the album cover itself, which features John himself as no less than 5 different members of the Blue Ridge Rangers: Fiddler, Banjo-Picker, Head Singer, Double-bass player & Guitarist.Continuing with this, we have to ask: "Why did a man who was the primary creative focus behind one of music's top acts choose to release an album of Other People's Songs"? The answer is simple, as we see that, except for the cajun good-fun of 'Jambalaya', his selection of songs and the raw emotion that he pours into performing them show an incredible tinge of sadness and loss for something/someone extremely close to him. He pretended to be "Someone Else" and chose to sing "Other People's Songs" simply because "They" could say what he wanted to say easier and less painfully than if he had said it or sung it or written it himself...it was comfort to know that "Someone Else" had gone through what he had went through, that "Someone Else" had been as lonely as he felt right now, lonely enough that he literally had to "be" every single member of a fictional band.This period was so painful that 'Blue Ridge Rangers' is the only album from which he did NOT extract any material for his mid-90's live event extravaganza, 'Premonition'("What about Eye Of The Zombie?", you ask? Well, FYI and UjustME...'Going Back Home' was used as a warm-up and 'Headlines' was used as a sound-check with updated verses; both are among the great bootlegs from that era, if you want to go searching for them).Ultimately, I believe that 'Blue Ridge Rangers' was a cathartic episode for Mr.Fogerty, who was saying goodbye to his old bandmates, and the past in general, while trying hard to look ahead to a brighter future. The beautiful part is that he does so while still somehow managing to turn in an extremely respectable performance, unlike other singers' therapeutic sessions which happened to make it onto the market.I heartily recommend this album, not only to Country & Western or John Fogerty/CCR fans, but also to anyone "into" the revealing side of classic rock albums...I mean, you can easily find any and all of these songs on Other People's Albums, but they would not provide you with any of the insight into the heart and soul of one of Rock's legendary greats."