If the Moody Blues have oft been criticized for their overreaching musical vision and bombastic lyrical bent, their harmony-rich musical chops have seldom been questioned. And if ever there was a medium that seemed the per... more »fect match for the band's epic, prog-lite music, it's the massive IMAX screen. Utilizing a rhythmically dense backdrop awash with synths, acoustic guitars, and soaring vocal harmonies, film composers Steve Wood and Daniel May's score to pioneering IMAX producers Greg MacGillivray and Jim Freeman's spectacular underground odyssey subtly evokes the film's various exotic locales while at the same time interpolating melodies and vocal snippets of some of the Moodie's most beloved songs ("Nights in White Satin," "Question," "I Know You're Out There Somewhere," "Your Wildest Dreams"). The band itself weighs in with two new Justin Hayward and John Lodge-penned originals, the haunting, sinewy guitar-driven instrumental "Water" and the upbeat ballad "We Can Fly," tracks that recall the band's best while working in some welcome Pink Floyd-ian adventure, too. --Jerry McCulley« less
If the Moody Blues have oft been criticized for their overreaching musical vision and bombastic lyrical bent, their harmony-rich musical chops have seldom been questioned. And if ever there was a medium that seemed the perfect match for the band's epic, prog-lite music, it's the massive IMAX screen. Utilizing a rhythmically dense backdrop awash with synths, acoustic guitars, and soaring vocal harmonies, film composers Steve Wood and Daniel May's score to pioneering IMAX producers Greg MacGillivray and Jim Freeman's spectacular underground odyssey subtly evokes the film's various exotic locales while at the same time interpolating melodies and vocal snippets of some of the Moodie's most beloved songs ("Nights in White Satin," "Question," "I Know You're Out There Somewhere," "Your Wildest Dreams"). The band itself weighs in with two new Justin Hayward and John Lodge-penned originals, the haunting, sinewy guitar-driven instrumental "Water" and the upbeat ballad "We Can Fly," tracks that recall the band's best while working in some welcome Pink Floyd-ian adventure, too. --Jerry McCulley
Michael A. Clark | Londonderry Northern Ireland | 09/26/2002
(4 out of 5 stars)
"I'm a hard core Moody Blues fan. When I heard that Justin Hayward did a movie soundtrack, I couldn't wait to get it. But then I heard it was for National Geographic and I was quite hesitant. A friend told me about the CD so I took a chance and bought it. This CD is the one to listen to if you want to unwind or just sit and relax. I have found that it helps me to get to sleep because it is so relaxing. Throughout the CD you can hear clips of classic Moodies tunes in a way you've never heard them. The Latin touch to some of the tunes is excellent. Then, of course, there is another original Moodies track, an instrumental (Water), included. It's a good tune but nothing like in TOCCC or their other instrumentals. Then there's another Moodies original called We Can Fly. I really get into this song. It's a great tune and Justin's voice sounds just like in the old days of the Classic 7. This CD is a must for any hard core Moodies fan or for anyone who just like to listen to easy listening and relaxing music."
Something special for Moody Blues fans
Professor Wilbur Hamilton | Hamilton, CA | 04/27/2001
(5 out of 5 stars)
"... . This beautiful soundtrack has ten tracks... 2 new Moody Blues songs unavailable anywhere else and 8 instrumental tracks from the score. There is NO new version of "Ride my See-Saw" on the CD at all. But that is hardly something to argue about when there is so much good to say about this. The two new songs are wonderful. "Water" is an inspired Moodies instrumental similar to "Hole in the World" from The Present album. "We Can Fly" is typical "Strange Times" Justin and John, a song that would easily fit the theme of the latest studio album. But that's not all for Moodies fans! Every track of the score (except one) features melodies from Moody Blues classics and best of all, Justin plays extensive guitar passages on all eight of the tracks, and he even sings a few bars of "Question" during one of the pieces. Overall, the score (featuring very cool orchestral renditions of Nights, Wildest Dreams, I Know You're Out There Somewhere, and Question) along with a new Moodies instrumental and a great four minute song with vocals by Justin and John...this is fantastic, almost as good as a brand new studio album, just with a little less singing. Very good for a Tuesday afternoon or two..."
Simply Exquisite
Madalena M. Carrozzo | Brooklyn, New York USA | 04/25/2001
(5 out of 5 stars)
"Singer/songwriter Justin Hayward of the Moody Blues has wanted to write a soundtrack for many years; he and his bandmates finally got the chance to be contributors with "Journey into Amazing Caves", the companion to the IMAX movie of the same name. I received my copy yesterday and eagerly popped it into the stereo and was greeted with sounds and music that can only be termed exquisite and majestic. The Moodies have 2 new songs on this CD (written by JH and bassist John Lodge), the haunting instrumental "Water"--which at less than 3 minutes is too short in my book--and the truly uplifting "We Can Fly". Justin was asked to play guitar throughout this album and he contributes his vocals and the riffs on all 10 songs, with snippets of "Nights in White Satin", "Question", "Your Wildest Dreams", and "I Know You're Out There Somewhere" swirling in and out of the 8 original songs written and arranged by Steve Wood and Daniel May. The sound here is ethereal, reverent, and soaring; where Justin contributes the guitar solos to the very different interpretations of the classic Moody Blues' songs, they do not overpower the soundtrack. A caution to Moodies' fans--if you are looking to hear "that sound" that's synonymous with their many albums, you may be disappointed because this is a very different set of songs. You CAN "find it" if you listen hard enough, but it's not "obvious". However, their 2 original contributions are definitely "moody" melodies. This entire venture is stunning and beautiful and I think a masterpiece the band and Justin can and should be proud of. The music here is beyond exquisite."
Justin Hayward and John Lodge, Actually
Lonnie E. Holder | Columbus, Indiana, United States | 02/10/2004
(5 out of 5 stars)
"Even though this CD shows up as a Moody Blues CD, it's actually a multitude of artists; the credits list Justin Hayward on guitars, vocals, arrangements of Moody Blues' music and co-writer with John Lodge of "We Can Fly" and "Water." The vocal on "We Can Fly" sounds to me like John Lodge is singing the song with Justin. The harmonies on "Water" may also include John. The music was composed and arranged by Steve Wood and Daniel May based up the two new Lodge and Hayward songs intertwining elements of the Moody Blues songs "Days of Future Passed," "Question," "I Know You're Out There Somewhere," and "Your Wildest Dreams." The result is a sumptuous neo-classical work that makes for an outstanding soundtrack for the IMAX film "Journey into Amazing Caves."The introduction, "To Extremes," begins wonderfully bombastic transitioning into an angelic vocal. Almost halfway into the first track are elements borrowed from "Nights in White Satin" that fit well with the lead-in. There are traces of "Nights in White Satin" in the instrumental as violins swell and take over the music, then the violins decrease in volume until the music quietly fades away near the end, becoming a beautiful introduction to this soundtrack.Flutes (though I'm not sure what kind of flutes, they sound like pan flutes, piccolo or a recorder) open "Search for Daylight" with a short selection of music from "I Know You're Out There Somewhere" that transitions to a brief vocal by Justin Hayward from "Question," then transitioning back to guitars for more of "I Know You're Out There Somewhere," with original score by Steve Wood and Daniel May filling out the transitions. The music borrows traces of "I Know You're Out There Somewhere" to the end.The next track, "Arizona," borrows from all three of the previously mentioned Moody Blues songs. "I Know You're Out There Somewhere" is especially prominent in this acoustic piece. A portion of the vocal is sung by someone with a very young-sounding voice."Water" is the first of the two Lodge/Hayward compositions. The electric and acoustic guitars, keyboards and harmonies are the style we've heard from The Moody Blues since the 60s. I could wish that the quality of all the tracks on "Strange Times" was equivalent to this particular track. This track is ethereal and beautiful, and it is way shorter than I could have wished. There is a musical theme here that could be explored in greater depth in the tradition of longer Moody Blues compositions.In "Crystal Chamber" you are in an indescribably beautiful cave chamber. An echo effect is used to enhance the feeling at the beginning of the track. Wood and May used elements from "Nights in White Satin" along with elements from "Your Wildest Dream;" fitting given the subject of the track. The portions of "Nights in White Satin" used completely changes the flavor of the song and is contextually wonderfully beautiful."Blue Cathedral" is a completely original Wood and May composition. A piano opens the piece, soulful and haunting. An Enya-like harmony builds and the piano gives way to a recorder or flute. There is just a touch of Native American flavor, perhaps Navajo, which changes the nature of this song.Music from "Question" gently introduces the next selection, "Frozen in Time." The Native American influences from the previous track continue to flavor this track. The music keeps a Native American flavor and adds music from "Nights in White Satin," including an electric guitar, to create a totally unique work. Had we not known the origin of this song we could easily have thought it was created specifically for this CD. Near the end of this track the music changes as a brief, but significant Hispanic flavor is added."Home of the Mayan Gods" begins as a dramatic song. "Nights in White Satin" is sprinkled in this song to tie the musical theme to the other compositions. This time there is a touch of Mexican flavor with drums and an acoustic guitar to flavor the song to tie it as closely as possible to the Yucatan peninsula."Horizons Turn Inward" once again uses elements from "Nights in White Satin." An electric lead guitar serves as the centerpiece for the arrangement, with orchestral components entering and exiting as appropriate to the pace of the song. This arrangement is much more complex than The Moody Blues attempted on "The Days of Future Passed." While the orchestra tends to dominate this piece, there are places where the potential of re-arranging the original song can be seen.The final selection is the second of the Lodge/Hayward compositions, "We Can Fly." This song has quality similar to that of the first selection. Once again, had the quality of the songs on "Strange Times" met this standard, I think the album would have been significantly better. This song is mellow and harmonious with classic Moody Blues style, harkening back to their early years.The Moody Blues created their own genre while being part of the creation of progressive rock. Their music is still somewhat unique. That their music is amenable to the expert manipulations of Steve Wood and Daniel May speaks volumes of the strongly classical origins of their music. Bombastic, harmonious, mellow, creative, and wonderful are all terms appropriate to this music. A passer-by listened to this CD for a while and said they thought it was Pink Floyd when "Water" was playing. I'll match this CD with some of the best in New Age, light rock, and even classical music being produced today. If your tastes run to these genres, then this CD is a must have."
Beyond Amazing
Justunes Fan | Collegeville, PA United States | 02/11/2003
(5 out of 5 stars)
"How gorgeous is this musical experience? I believe music is meant to lift us up, to help us transcend the mundane areas of our lives, and there is no other band that can do this as well as the Moody Blues. This CD took me somewhere else, and does every time I listen to it. If you want to experience flying on melody, this is the CD for you. I only wish I could rate this 10 stars!"