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Kabalevsky: Piano Concertos Nos. 1 & 2
Dmitry Kabalevsky, Dmitry Yablonsky, Russian Philharmonic Orchestra
Kabalevsky: Piano Concertos Nos. 1 & 2
Genre: Classical
 
  •  Track Listings (6) - Disc #1


     
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CD Details

All Artists: Dmitry Kabalevsky, Dmitry Yablonsky, Russian Philharmonic Orchestra, In-Ju Bang
Title: Kabalevsky: Piano Concertos Nos. 1 & 2
Members Wishing: 0
Total Copies: 0
Label: Naxos
Original Release Date: 1/1/2006
Re-Release Date: 3/21/2006
Genre: Classical
Styles: Chamber Music, Forms & Genres, Concertos, Historical Periods, Classical (c.1770-1830), Instruments, Keyboard
Number of Discs: 1
SwapaCD Credits: 1
UPC: 747313268320
 

CD Reviews

Excellent Performances
D. A Wend | Buffalo Grove, IL USA | 06/23/2006
(5 out of 5 stars)

"Unlike Russian composers such as Dmitri Shostakovich and Sergei Prokofiev, Dmitry Kabalevsky was a man of the Communist Party. He certainly was a talented musician but, perhaps out of insecurity, would launch some stern (and unwarranted) criticism of the music of his more famous contemporaries. One can read about how Kabalevsky appeared to like such pieces as the 24 Preludes and Fugues and 14th String Quartet of Shostakovich and then savagely criticize the work. When the Zhdanov Decree was issued in 1948, Kabalevsky persuaded party officials to substitute Myaskovsky's name for his own. Sorting through the personality and the music, I have found that his concertos are certainly inspired and beautifully written works which, if not of the same genius as a Shostakovich or a Prokofiev, certainly are a match for Khachaturian and are hardly second rate.



Kabalevsky wrote four symphonies and several massive battle hymns that sought to inspire patriotism during the Second World War. His most enduring works are The Comedians suite, the overture to Colas Breugnon and his concertos. The First Concerto is an early work with the Second Concerto coming seven years later. Both concertos show the influence of Prokofiev (with a touch of Shostakovich at times) and although one can detect the satirical elements of the older composer Kabalevsky keeps the dissonance at a minimum adding a more lyrical touch.



The performances by In-Ju Bang of the First and Second Piano Concertos are superb, and she is ably supported by the Russian Philharmonic Orchestra. The better recording of the Second concerto, however, is the Chandos recording played by Kathryn Stott. This first is the more lyrical of two concertos with the second far more sardonic and dissonant. The middle movement of the second is a dark funeral march set in a series of variation that comes very close to sounding like Shostakovich. Both concertos are engaging works that show that Kabalevsky was an excellent composer of the concerto form. My only complaint is that at 56:01 this CD could also have included the Third Concerto easily (timing at around 18 minutes) or some other concerto of Kabalevsky's. Despite this the disc is a great addition to any Russian music collection.





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Second tier music but great performances
Russian Music Fan | Twickenham, United Kingdom | 03/31/2006
(4 out of 5 stars)

"Ok, so Kabalevsky was no Shostakovich or Prokofiev (his immediate contemporaries) nor even a Khachaturian or Myaskovksy but there is much in this music to enjoy especially when these concertos are given the excellent performances that they do here. The highlight of the disc is the richly melodic second movement of the first concerto. If you like Rachmaninov give this a listen!"
Kabalevsky: Concertos No 1 & 2
George M. Tenegal | Chicago, Illinois | 05/01/2008
(5 out of 5 stars)

"It was such a pleasure to hear Kabalevsky's first 2 piano concertos, as I have never heard them before. They are really wonderful works, which deserve to be more well known and performed more often. The recording is excellent and a great addition to my library! Thank you!"