Search - Jerome Kern, John McGlinn, London Sinfonietta :: Kern & Hammerstein II: Show Boat - Frederica von Stade, Teresa Stratas, Jerry Hadley, Bruce Hubbard, John McGlinn, London Sinfonietta & Ambrosian Chorus
Show Boat/Act 1. Scene 1. Andy!!! Drat That Man, He's Never Around!
Show Boat/Act 1. Scene 1. Cap'n Andy's Ballyhoo
Show Boat/Act 1. Scene 1. Hey Julie! That's a Hell of a Thing to Do
Show Boat/Act 1. Scene 1. It's a Man...
Show Boat/Act 1. Scene 1. Where's the Mate for Me?
Show Boat/Act 1. Scene 1. Make Believe
Show Boat/Act 1. Scene 1. Ol' Man River/Oh, Joe! Did You See That ...
Show Boat/Act 1. Scene 2. Can't Help Lovin' Dat Man/What Cher ...
Show Boat/Act 1. Scene 3. Life on the Wicked Stage
Show Boat/Act 1. Scene 3. Till Good Luck Comes My Way
Show Boat/Act 1. Scene 4. Mis'ry's Comin' Aroun'
Show Boat/Act 1. Scene 4. Take Her Up, Rubberface!
Show Boat/Act 1. Scene 4. Hello, Windy
Show Boat/Act 1. Scene 4. You Needn't All Look at Us Like We Were ...
Show Boat/Act 1. Scene 4. Looks Like a Swell
Track Listings (36) - Disc #2
Show Boat/Act 1. Scene 5. I Would Like to Play a Lover's Part
Show Boat/Act 1. Scene 5. I Might Fall Back on You
Show Boat/Act 1. Scene 5. Queenie's Ballyhoo/Is de Theatre Fillin' Up,
Show Boat/Act 1. Scene 6. Villain Dance
Show Boat/Act 1. Scene 7. You Are Love/That You, Nola?
Show Boat/Act 1. Finale. Oh Tell Me, Did You Ever!
Show Boat/Act 2. Scene 1. At the Fair
Show Boat/Act 2. Scene 1. Why Do I Love You?
Show Boat/Act 2. Scene 1. In Dahomey
Show Boat/Act 2. Scene 3. Convent Scene/Alma Redemptoris Mater
Show Boat/Act 2. Scene 4. All Right, Jake - Call 'em at Twelve
Show Boat/Act 2. Scene 4. Bill
Show Boat/Act 2. Scene 4. Magnolia's Audition/Can't Help Lovin' ...
Show Boat/Act 2. Scene 4. Whaddaya Say, Boss?
Show Boat/Act 2. Scene 6. Trocadero Opening Chorus
Show Boat/Act 2. Scene 6. Apache Dance
Show Boat/Act 2. Scene 6. Goodbye, My Lady Love
Show Boat/Act 2. Scene 6. After the Ball/Ladies and Gentlemen - I ...
Show Boat/Act 2. Scene 7. Ol' Man River (Reprise)
Show Boat/Act 2. Scene 7. Hey, Feller!
Show Boat, musical in 2 acts: Act 1. Scene 7. You Are Love / That you, Nola? - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 1. Finale. Oh tell me, did you ever! - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 1. At The Fair - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 1. Why Do I Love You? - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 1. In Dahomey - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 3. Convent Scene / Alma Redemptoris Mater - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 4. All right, Jake - call 'em at twelve - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 4. Magnolia's Audition / Can't Help Lovin' Dat Man (Reprise) - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 4. Whaddaya say, boss? - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 6. Trocadero Opening Chorus - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 6. Apache Dance - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 6. Goodbye, My Lady Love - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 6. After the Ball / Ladies and gentlemen - I regret to announce - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 7. Ol' Man River (Reprise) - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 7. Hey, Feller! - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Act 2. Scene 8. You Are Love (Reprise) / That you, Nola? - John McGlinn, Kern, Jerome
Track Listings (29) - Disc #3
Show Boat, musical in 2 acts: Act 2. Scene 9. Cotton Blossom (Reprise) - John McGlinn, Kern, Jerome
Show Boat/Act 2. Scene 9. Cotton Blossom (Reprise)
Show Boat/Act 2. Scene 9. It's Getting Hotter in the North
Show Boat/Act 2. Scene 9. Say, Cap'n Andy, Sorry We Couldn't Stay
Show Boat/Act 2. Scene 9. Finale/Hello, Gay. She'll Probably Come ...
Show Boat/Appendix. Pantry Scene (Act 1. Scene 2; Deleted - 1927) What
Show Boat/Appendix. Waterfront Saloon Scene (Act 1. Scene 3; Deleted -
Show Boat/Appendix. Yes Ma'am (Act 1. Scene 3; Unused - 1927) Bet Your
Show Boat/Appendix. Kim's Imitations (Why Do I Love You?) (Act 2. ...)
Show Boat/Appendix. Dance Away the Night (Act 2. Scene 9; London - ...)
Show Boat/Appendix. A Pack of Cards (Act 1. Scene 6; Unused - 1927)
Show Boat/Appendix. The Creole Love Song (Act 1. Scene 7; Unused - ...)
Show Boat/Appendix. Out There in an Orchard (Act 2. Scene 4; ...)
Show Boat/Appendix. Gallavantin' Aroun' (Universal Film - 1936)
Show Boat/Appendix. I Have the Room Above Her (Universal Film - ...)
Show Boat/Appendix. Ah Still Suits Me (Universal Film - 1936)/Joe! ...
Show Boat/Appendix. Nobody Else But Me (Act 2. Scene 9 - 1946 Revival)
Show Boat, musical in 2 acts: Appendix. Pantry Scene (Act 1. Scene 2; deleted - 1927) What cher doin' all by yourself, Miss Nola? - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Appendix. Waterfront Saloon Scene (Act 1. Scene 3; deleted - 1927) Number four, black! - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Appendix. Yes Ma'am (Act 1. Scene 3; unused - 1927) Bet your hat you're from the show boat! - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Appendix. Kim's Imitations (Why Do I Love You?) (Act 2. Scene 9; Ziegfeld Production - 1927) - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Appendix. Dance Away The Night (Act 2. Scene 9; London - 1928) - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Appendix. A Pack of Cards (Act 1. Scene 6; unused - 1927) - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Appendix. The Creole Love Song (Act 1. Scene 7; unused - 1927) / That you, Nola? - John McGlinn, Kern, Jerome
Show Boat, musical in 2 acts: Appendix. Out There In an Orchard (Act 2. Scene 4; unused - 1927)
Show Boat, film music (1936): Appendix. Gallavantin' Aroun' (Universal Film - 1936)
Show Boat, film music (1936): Appendix. I Have the Room Above Her (Universal Film - 1936) / Seems to me I've seen that stocking s
Show Boat, film music (1936): Appendix. Ah Still Suits Me (Universal Film - 1936) / Joe! Dere you go again!
Nobody Else but Me, song (from 'Show Boat')
John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, includ... more »ing every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.") Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi« less
John McGlinn's sprawling, monumental three-CD set is about all the Show Boat any listener could ever ask for. In an obvious labor of love, McGlinn reconstructs the show as it ran on opening night, November 15, 1927, including every song, the original orchestrations, and all underscored dialogue. The most significant restoration is the dark choral number "Mis'ry's Comin' Aroun'," as Show Boat's serious subject matter helped establish its place as the most important turning point in the history of American musical theater. McGlinn also adds an appendix that includes songs cut before opening night and every song subsequently written for the show's many productions, most notably the love duet "I Have the Room Above Her," written for the 1936 film. (The recording is also available in a one-disc reduction called the "Broadway Show Album.") Rest assured this 221-minute blockbuster is not just dry scholarship; it's also terrific listening, with McGlinn conducting a dynamic London Sinfonietta and a strong cast including Frederica von Stade as Magnolia, Jerry Hadley as Ravenal, Teresa Stratas as the tragic Julie, Bruce Hubbard as the worldly wise Joe, Karla Burns as Queenie, and David Garrison and Paige O'Hara as the comic couple Frank and Ellie. And of course the songs by Jerome Kern and Oscar Hammerstein II are among the most glorious ever written: "Ol' Man River," "Can't Help Lovin' Dat Man," "Make Believe," "Why Do I Love You," "Bill," "You Are Love," and "Life upon the Wicked Stage." Also included are exhaustive production notes, a history of the show, a detailed synopsis, and a libretto. John McGlinn's Show Boat is a staggering achievement and a recording for the ages. --David Horiuchi
"In the fall of 1988, EMI made history by releasing a note-complete recording of Jerome Kern and Oscar Hammerstein's immortal musical SHOW BOAT.
Surprisingly, the original 1927 version had never been recorded complete. Those in search of the entire score were forced to assemble it themselves from a number of available recordings.
The record labels were not making full original cast albums in 1927, although a few of the original stars made singles of their hit songs. Brunswick issued an album of highlights from the 1932 revival but only 3 of the six selections were by members of the Broadway cast.
Columbia's album of the 1946 revival was closer, but limited to five 12-inch 78 it covered only nine songs and the new Overture created for the revival.
Columbia re-recorded essentially the same program for a studio cast disc headed by Barbara Cook and John Raitt.
Cook starred in the 1966 Lincoln revival, recorded by RCA Victor but again it is a fairly truncated album covering little more than the key hit songs.
It seemed strange no one tried a 2- LP set, but when the show was revived in London in 1972 the cast album for that production was issued as a single LP in England and a special 2 LP set in the U.S. Still, it did not contain the entire score.
Dozens of other SHOW BOAT discs had been issued over the years, but none of them included the complete score with the original orchestrations.
That is what made EMI's set so historic. John McGlinn conducts the most authentic reading of the score ever laid down. Two very full Cd's cover the opening night score (and quite a bit of dialogue.) A third CD includes cut songs, alternate versions and new songs added to later productions. All of this was accompanied by a very thick booklet (134 pages!) that contained essays on the reconstruction, a detailed synopsis, all the lyrics and text as included on the recording and dozens of photographs.
The album was a huge, expensive gamble that paid off handsomely: The recording went to #1 on the Billboard Classical charts, was a steady best-seller for years and then just as interest was starting to wane, a new stage production premiered to rave reviews in Toronto and then moved to Broadway where it won the Tony as Best Revival of 1995 (it was, after all, the season's best musical) and enjoyed a long run.
Now, EMI has reissued this recording at a budget price. No, you don't get the same detailed booklet but you do get the wonderful performances by Jerry Hadley, Frederica Von Stade, Teresa Stratas, Bruce Hubbard, Karla Burns, Dave Garrison, and Paige O'Hara. If I have any quibbles with this set - and I am not completely sure it even qualifies as a quibble - it is the somewhat mannered readings of some of the dialogue. On the other hand, SHOW BOAT is about a theatrical family so there's no reason why they would not play broadly when off stage as well.
In the end, it's the music that matters here and the fine performances supplemented by McGlinn's bright conducting make this an essential disc for any theatre fan's collection.
"
Yup, it's great
Classic Music Lover | Maryland, USA | 05/06/2007
(4 out of 5 stars)
"Having just acquired this album and listening to it in one (l-o-n-g) sitting, I have to agree with everything stated by other Amazon reviewers. (I didn't think too much of Jerry Hadley, though.)
One other thing that struck me was the original spoken dialogue that contains quite a few references that are NOT AT ALL "politically correct" in today's social environment. I wonder how controversial it was when EMI was putting this production together; did they consider making changes to the original dialogue? Maybe it's like Mark Twain's Huck Finn and Tom Sawyer: a classic's a classic. Still, I doubt many school music programs are using this recording as a reference demonstration of American musical theater!"
Show Boat applaud
Margaret Anderson | Sandy, UT, USA | 09/18/2007
(5 out of 5 stars)
"A powerful story still relevant in our 21st century. Gorgeous voices. Jerry Hadley's recent death seems even more of a loss after hearing his lovely tenor."
It's complete but it's mediocre; or, it's mediocre but it's
Christopher | 08/05/2008
(3 out of 5 stars)
"Show Boat deserves the deluxe treatment, a complete recording of the original score, including reprises of the big numbers and dialogue from the major scenes so that the interwining of song and story comes across. It took over 70 years for such a recording to come to pass, and the achievement is no small victory.
But what a dull, lifeless album! McGlinn is true to the original tempos, but they are far below the speed most musical theater enthusiasts will be comfortable with. An even bigger problem is the casting. Frederica von Stade has a too-mature voice and odd intonation. She sounds like a deep voiced German, not an American girl. Yet this is the work that inaugurated the American musical as an art form. Most actresses have trouble with Magnolia in the early scenes, but von Stade sounds miscast throughout. Imagine Elizabeth Schwarzkopf as Cherubino and you have some idea of the problem here. And the dialogue heavy sequecnes cause her further embarrassment as she can't act her way out of a paper bag. Teresa Stratas handles her dialogue as Julie La Verne just fine (it's a darkly knowing interpretation, but it works), but when she begins "Can't Help Lovin' Dat Man" and out comes this rich, full, operetic voice, the effect is almost pure camp. This refined voice from a country performer in a little show boat troupe? In the number that hints at her mulatto indentity? (Here are the stage directions: "She starts to sing in an attitude of defiance, then lapsing into the 'blue' spirit of the song".) Something of the same thing occurs with Von Stade entones in flawless English the countrified word "pianner."
And, in essence, this is the trick of Show Boat and the failure of this recording. It's an epic about average people, and the actors have to convince you that they'e just regular folk. When the production is as ornate, and the performances as baroque in style as this, the whole thing descends into travesty. It becomes the musical equivalent of Dresden shepherdesses and Hummel figurines. The little details that create any sense of realism are washed away, and we end up with "cutesy" Cap'n Andys and sweet little Parthys (a sweet Parthy is a contradiction in terms, but here's Nancy Kulp cartooning up the part and adding an ad-lib where she assures Magnolia that she, too, really loves Julie), and the audio equivalent of a Ross Hunter production: big but bland. Imagine a copy of Huckleberry Finn ornately bound and illustrationed, with the contractions and slang placed within quotation marks so that we don't forget Twain "knew better."
Still, despite the numerous recordings of Show Boat out there, they almost all cover the same hit tunes, in complete or truncated form. This is the only one that gives you the complete score, including cut numbers, replacements for the original London production and the later additions for the 1936 movie and the 1946 revival (somehow, under the avalanche of the "Villain Dance" the "Apache Dance" the "Trocadero Opening Chorus" and various unused material a musical archeologist would drool over, they didn't get around to recording the Overture for the 1946 revival. I doubt many people notice that, or feel bothered by the omission). That's a lot of great music, and happily recovered songs (one, "Hey, Feller!" has never been recorded elsewhere; others like "In Dahomey" are represented only by a quick chorus on the hard to track down original London 78s). I'm glad it exists. I just the production wasn't such a disappointment. It's a mixed bag."
The definitive Show Boat.
Joseph M. Perorazio | Columbus, OH USA | 11/10/2009
(5 out of 5 stars)
"A true musical event. John McGlinn has painstakingly restored the score of this classic show to its 1927 version, including the dialogue and songs that were deleted after its opening night. This recording does much to dispel the notion of "Show Boat" as an operetta, and instead reveals just how serious, powerful, and epic the show truly is. The performances are uniformly excellent, with Frederica von Stade and the late Jerry Hadley leading the cast. Standout moments are "Can't Help Lovin' Dat Man", and the mournful "Mis'ry's Comin' Aroun'", deleted from all performances since that legendary opening night. The 3rd 'bonus' disc includes songs from the 1936 movie version and subsequent Broadway revivals. All told, this is The Showboat recording.
This re-release does not include the original booklet, which is a shame because it was quite informative and offered a lot of background on the original Show Boat production, as well as insightful commentary from McGlinn and others."