Search - King Crimson :: Usa: 30th Anniversary Edition

The storm before the calm

spiral_mind | Pennsylvania | 04/07/2003

(4 out of 5 stars)

"Oh, those wacky Crims. Each new lineup started practically from scratch, they built their way to the top, and inevitably seemed to split up right when they'd produced their most incredible work. So, come 1974 the group was ready to split up for good (or at least for the next seven years). As monstrous as their studio recordings were (and are), KC's ultimate energy always comes out onstage. So before the calm of the group's first hiatus, there was the storm.. and this one was a doozy. Wild guitar crunch; thunderous yet really tricky drum work. "Lament," full of easy groove and fierce energy. "21st Century Schizoid Man," a deranged composition complex enough to leave lesser musicians with their heads spinning. In the middle of it all was classically trained violinist David Cross, becoming more and more overwhelmed by the band's firepower every night (which partly contributed to the breakup). He adds some nice texture here and there, particularly the darkly sweet "Exiles," but he was quite out of place.



USA's song selection is essentially a normal setlist of the time, though shortened. The ubiquitous "Larks' Tongues in Aspic II" blazes and roars. The one improv included is seven minutes of the most visceral, dynamic improvising that's been released from this group. Robert Fripp's guitar sears with crazed metallic fury. John Wetton's bass thrums with a primal fuzzy distortion worthy of Hendrix. Bill Bruford propels everyone from behind the drumkit with an ease that's almost unnatural considering all the crazily-timed rhythmic work that goes into everything he plays.



This CD issue adds two tracks from the same concerts the original album came from; Fripp's evil instrumental "Fracture" and the ultimate KC song of the era, "Starless." This actually outdoes the version from the Red album, which I hadn't thought was possible - the quiet verses are even more haunting and bleak, the tension-building bridge is even more high-strung and unnerving than the later studio recording (no easy feat when you're jamming in 13/8), and the final mad-blowing assault is enough to make me forget whatever I'm doing and stand captivated by its sheer stunning grandiosity. It's a finish that's just about impossible to follow. That's probably why the obligatory "Schizoid Man," their traditional encore, wasn't placed at the end as it was on the original LP. Anything else would be anticlimactic. I leave off a star for a couple small snags: the small violin & piano overdubs which keep it from being strictly a live album, the obviously looped applause at the end, the inexplicable fadeout of "Easy Money" (it fades because they went directly into an improv they didn't have room to include on the LP). But all Crimson is good Crimson, and I can't focus on the negatives for long when there's so much richness to listen for.



USA is a powerful recording of this lineup at the top of their game, and the remastering treatment only makes everything sound fuller and crisper than ever. It's a worthy compilation for those new to the group, or anyone who likes Crimson at all and wants to experience how powerful they could really be. And if all other reasons fail.. there's still "Starless." I can't stress enough what a phenomenal performance that track is. KC disappeared for several years and sounded completely different once it came out of hiding, but they left behind some music in a league its own that hasn't been equalled. Give it a try and hear what you've been missing."

Their best live album...tamed a bit for CD

Krabapple | Midatlantic United States | 04/08/2005

(4 out of 5 stars)

"To make things clear --



Most of this concert is from the June 28 1974 Asbury Park NJ show; 21st Schizoid Man is from Providence, June 30.



The original LP had Jobson's overdubbed violin/piano, and the fadeout on Easy Money. The CD retains both these curiosities.



David Cross had not yet left KC when these performances were recorded. So why the overdubs? Ask Fripp...



Walk On/No Pussyfooting isn't just a 'hum', it's a segment from the then-new Fripp/Eno album that KC played over the PA before making their entrance. It was on the LP too, so it's not a bonus track.



The CD has either been remixed or rather heavily re-eq'ed compared to the LP; notably the bass breaks on "Larks' Tongues II" are far less raucous than on the LP. This is true even though overall the CD's mastered a lot louder and somewhat bassier than the LP. Too bad, because Wetton's bass sounds great on the LP -- huge fuzzbox/wah action. Curiously, the bonus tracks sound better to me than the original tracks -- less processed, more hissy, more like the sound of the LP



This is KC's best live album (unless you count 'Starless & Bible Black', much of which was recorded live), but the CD alas doesn't sound *quite* as killer as the LP did. Still nice to finally have on CD. And normally I prefer CDs to LPs, believe me. 'Asbury Park' is certainly one of the finest sustained free improvs prog rock (and KC) ever produced, and all by itself would make USA worth owning."

Killer bonus tracks

William Scalzo | Niagara Falls, NY | 01/16/2005

(5 out of 5 stars)

"Anyone who owned the original vinyl album is in for a treat here, as the reissue features terrific versions of "Fracture" and "Starless" making this an almost complete concert. Almost, because like the original album, this CD's biggest flaw is the missing improvisation awkwardly snipped from "Easy Money." I'm going to give Robert Fripp, who oversees all these reissues, the benefit of the doubt and assume that the original tapes are missing, since putting a fade-out on a live album is a cardinal sin in my book.



But that's all the bad there is with this CD. The 1972-1974 lineup was made for playing live, and the performances here are flawless. "Exiles" and "Lark's Tongue's II" are some of the better live versions you'll find. KC used to play a new improvisation at each show, usually "named" after the city they were playing in. On this CD it's "Asbury Park," and it's one of their better ones.



Live songs from the Red album are rare, so the bonus track of "Starless" is a great inclusion. I loved hearing it with David Cross's violin at the beginning instead of the familiar guitar from the album version.



The original sound engineer apparently couldn't get the levels right for the violin, and since Cross had quit the band by then, Eddie Jobson was brought on to do overdubs, which are pretty seamlessly inserted. Jobson would later work with singer/bassist John Wetton and drummer extraordinaire Bill Bruford in UK.



This is a great album by a great band at the height of their powers. The double live CD "The Nightwatch" is essential too."