Search - Kitaro :: Ki

Kitaro ki

Kimberly Maitland | randolph, N.J. United States | 04/09/2004

(5 out of 5 stars)

"This cd is awsum, it speaks to you, it will give you goose bumps, it's really great"

My first try at Kitaro

BENJAMIN MILER | Veneta, Oregon | 09/20/2005

(4 out of 5 stars)

"Well, not exactly. Strangely I got Nipponjin (1975) and Parallel World (1976), two albums from a prog rock band he was in called Far East Family Band, dating back when he was going by his real name, Masanori Takahashi, before I went and got any of his solo albums. Those Far East Family Band albums bear little resemblance to what he would pursue on his own (except maybe a couple passages on Parallel World), having more in common with the likes of Pink Floyd, or (especially on Parallel World) Klaus Schulze or Tangerine Dream (Schulze actually produced both Nipponjin and Parallel World). It's very much like the difference between Vangelis with Aphrodite's Child and his own solo efforts (although Vangelis did release a couple of solo albums that do resemble Aphrodite's Child).



Kitaro's discography is awfully confusing, because prior to 1985, none of his albums received an American release. Many titles had Japanese names and later versions had English names (like Ten Kai became Astral Voyage). Ki was released after the three Silk Road series of albums (soundtracks to a Japanese TV documentary), originally released in 1981 on Canyon Records, perhaps the better known version was the German version of Kuckuck, from 1982.



Usually I don't go for New Age music, but this is actually quite good for what it is. Mellow, spacy electronic music, I am really surprised to see Kitaro was still using Mellotron as late as 1981, when groups like Tangerine Dream had already gotten rid of theirs before the end of the '70s. The Minimoog is quite dominant, while also including newer polyphonic synths like the Prophet 5. A lot of this music makes me think of a Japanese garden complete with cherry blossoms and stone lanterns, but then that's no surprise given Kitaro himself is Japanese. Most of this tends to the mellow end of electronic music, while the last two cuts bear more than a passing resemblance to Pink Floyd (because of the use of drums and guitars). It's also interesting to note that his old prog rock band, Far East Family Band had been frequently compared to Pink Floyd.



Perhaps the thing that most bothers me about this album is why did he include two songs from his 1979 album Oasis? On this album he included the title track and "Eternal Spring" (renamed "Endless Water" here), and these don't appear to be re-recordings either, perhaps he didn't have enough new material so he included some earlier stuff too, probably to drive home a point that he hadn't changed much stylistically in the course of two years and three albums (the three Silk Road albums that came between Oasis and Ki).



I have since acquired several of his albums, all early ones, and though I seem to prefer albums like Oasis or In Person, this is still recommended if you like this kind of music."