Historic Recording of a Beethoven Masterpiece
Bob D'Augustine | Glassboro, NJ | 12/28/2009
(5 out of 5 stars)
"This recording dates from 1955, a pivotal year for Klemperer, then 70 years old, who was reestablishing himself as one of the world's great conductors. In fact, with Arturo Toscanini having recently retired, Klemperer at that time perhaps shared with Bruno Walter the laurel as the most important active conductor, especially for the great symphonic repertoire from Beethoven through Mahler. At the time of this recording, Klemperer had only recently begun his historic tenure as conductor of the Philharmonia Orchestra of London. (This recording of the Missa Solemnis, however, was with the Kolner Rundfunk Sinfonie Orchester.)
In 1955, Klemperer had not yet adopted the slower tempos that characterized his performances in later years; so this recording provides an interesting comparison with the much-loved Klemperer recording of the Missa Solemnis (on EMI) of 1966.
Klemperer was especially effective as a conductor of large works for orchestra and chorus. Where other conductors emphasize tempo and dynamic changes for dramatic effect, Klemperer strives to harness massive forces to achieve subtlety, precision and clarity. His control of such details is always subordinated, however, to capturing the architectural structure of great works, something he accomplishes to a unique degree. Accordingly, the monumental power of the Missa Solemnis is presented in this recording to an extent that is perhaps matched among currently available recordings only by his own recording of 1966.
Aside from the tempos, the most noteworthy difference between this performance and the one from 1966 is in sound quality, with a decided edge to the later recording. Nevertheless, this recording is, overall, a great and important version of the work that Beethoven himself said on at least one occasion was his best.
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