"It was great surprise to find this rare psychedelic gem finally issued on CD. It was an even bigger surprise to find the (uncredited) liner notes were cribbed nearly word-for-word from a Web item I researched, using facts only I could have known. Oh well.
Nontheless, this CD prompted me to look deeper into what made this band tick -- and what relegated their LP to near-total obscurity. Below is the text of a review I did for the UK magazine Record Collector and a link to an article about the band I wrote for Goldmine Magazine.
The Koala
The Koala
***
(Fallout FO2024CD)
Psych-pop from the team that brought you The Blues Magoos
The Koala's little-heard 1969 lone LP on Capitol Records has become a Holy Grail for collectors, fetching 50 pounds or more for a good copy. This CD shows why the LP got psychedelic music fans so psyched. The 13 songs manage to be both catchy and trippy, balancing commercial, hummable pop hooks with oddball lyrics and arrangements.
Blues Magoos producers Bob Wyld and Art Polhemus took a page from The Strangeloves' playbook and promoted the group as an Australian act. But the group was really from New York City, and their aggressive thrashing portends that city's punk rock movement. The production is tinny and low-budget, but the well-crafted, Rolling Stones-influenced songs (all by guitarist Joey Guido and singer Jose Mala) transcend the disc's sonic limitations.
The band is at its best on the bubblegumish single "Don't You Know What I Mean," the Love-like rocker "You Say," and the frantic-fantastic rave-up "Strange Feelings." The playing is often garage-band sloppy, but the amateurishness is balanced out by the guitar wizardry of Louis Caine (who went on to form the early heavy metal band Sir Lord Baltimore under his real name, Louis Dambra). And Mala transcends his limitations as a singer with hilariously dramatic Jaggeresque snarls.
Tony Sclafani
Originally published in the Feb. 2007 issue of Record Collector.
Link to Goldmine feature:
[...]
"
60's Garage punk Holy Grail
zphage | 09/17/2007
(5 out of 5 stars)
"This is a real sleeper keeper.
1968 NYC kids howl, snarl and sputter (vocalist sounds like the puppy version of Richard Hell) their heart felt tunes with some AWESOME fuzz guitar. It is polished and raw at the same time. Recorded for Capitol Records at the time with a Blue Magoos' connection.
A real lost gem for garage rockers."
Very good hard/psych rock with an ear to the ground
Bill | New Jersey, USA | 09/18/2007
(4 out of 5 stars)
"I hear The Who and The Move's influences on some tracks. Also, fans of The Real Kids, Johnny Thunders, and the like could get behind this too. And for those who wondered where in "Brooklyn" Sir Lord Baltimore* might have come from, the liner notes give a clue: The Koala are described as hailing from the East New York neighborhood.
*I say this because the Koala's "Louis Caine" later became SLB's guitarist."
Yeah!
Fred Rayworth | Las Vegas, NV United States | 03/25/2009
(5 out of 5 stars)
"The Koala brings back a flood of memories of high school in Palmdale, California. My best friend Dennis got hold of a radio promo copy of this album, and when we heard it in his room for the first time, it was the snottiest, punkiest thing we'd ever heard. I borrowed the album several times and played it at home over and over again. He and I even covered a couple of their songs in one of our many bands (can't remember which ones but I think "Do You Know What I Mean" was one of them).
Over the years Dennis lost track of the album and I've been wanting to get a copy for a long time. I finally ordered the CD and it sounds as snotty and punky as the day I first heard it 40+ years ago. I can say that in many ways, this truly was punk before there was such a term. It wasn't until the Stooges came out in 69 that anything else came close.
Years later when I got into Sir Lord Baltimore, I had no idea that Louis Caine was actually Louis Dambra. Looking back now, I can hear a bit of similarity to his riffs when I listen to each album, though the musical styles are totally different.
There are some great psychedelic cuts on here too, reminding me, in a way, of Morgen and The Blues Magoos.
It's hard to really define these guys, to put them in a specific category, but if I were to have to choose, I'd say punky psychedelic. This is a must have for every early rock collector. Highly recommended.
"
Brilliant!!!!
Zappa is God | Springfield, USA | 10/28/2007
(5 out of 5 stars)
"An absolute garage masterpiece. Recoreded in 68 these guys were ahead of their time. "Nothing's Changed" could be a hit on college radio if it were released today. The snarling angry vocals go beyond most garage bands of the time and reach punk like levels, years before that genre reared its head. I cannot recommend this album enough, literaly every song is a classic with "Popa Duke Tyler" being the crown jewel. BUY IT NOW!!!"