This is an excellent example of the potential of Koko Taylor
07/14/1999
(5 out of 5 stars)
"When I first heard Koko's amazing ability to sing, I was astonished! Koko has the ability to reach down into the soul of the blues, and give an edge never before seen by a blues performer. She is an inspiration to classical blues, and I think this album, which was recorded in the late 60's gives way to a whole new generation of blues singing. I would highly suggest to the avid blues enthuist to at least listen to a sample of Koko's songs and see for yourself. If the blues are not in your soul, you cannot enjoy some of the best female vocalist blues of this century."
Wonderful, gritty 60s sides by the Queen of Chicago blues
Docendo Discimus | Vita scholae | 09/29/2004
(5 out of 5 stars)
"Released by Chess subsidiary Checker in 1969, Koko Taylor's eponymous LP debut compiles twelve singles recorded and released between 1965 and 1969 (plus two newly added bonus tracks).
Cora Walton, as her real name is, was "discovered" by Chess recording artist and resident songsmith Willie Dixon, and Dixon is everywhere in this album: Bassist, songwriter, composer, arranger, backing vocalist, and Taylor's duet partner on the athmospheric "Insane Asylum".
This album is a terrific place to start for those just getting acquainted with the reigning Queen of Chicago blues. It opens with the gritty, soul-flavoured "Love You Like A Woman", and from there it goes from highlight to highlight, rounding up a slew of classic blues and R&B singles, "Wang Dang Doodle", "Don't Mess With The Messer", and "Twenty-Nine Ways" among them. And lesser known songs like the swaggering "I Love A Lover Like You" and the slinky "Whatever I Am You Made Me" are no less magnificent.
There is not a single clunker here, in fact, and Koko Taylor is expertly backed by men like Sunnyland Slim and Lafayette Leake (both keyboards), Buddy Guy, Johnny Shines and Matt "Guitar" Murphy (guitars - duh), and harpist Walter Horton, whose smouldering playing on "Twenty-Nine Ways" and "I Love A Lover Like You" is pure gold.
This is one of the finest LPs in the Chess catalogue, and a terrific overview of Taylor's early Chess sides. Especially now that "What it Takes - the Chess Sides" is no longer in print. Fans of classic Chicago blues in general, and of Koko Taylor in particular, should get themselves a copy right away!"
What we can do?Jus't clap our hands!
Ricardo Neves Gonzalez | Petrópolis-R.J. Brazil-bluesfan@ig.com.br | 07/04/2000
(5 out of 5 stars)
"Koko Taylor is an amazing blues woman,and was superb on this cd.She have one of the most fantastic nasal tone voice of all of the history of the music! The participation of great Willie Dixon enriched this,with great performances and great lyrics. Highly recomended for those that like good,really good and intense music!"
"Under the tutelage of producer Willie Dixon, the former Cora Walton, soon known as Koko Taylor and later as "Queen of Chicago Blues", would have a succession of hits on Chess Records. This re-issue of her Chess debut, originally released in October 1969, also serves as a collection of her 1960s singles.
KOKO TAYLOR (2001 "Remastered & Revisited" version) consists of 14 tracks, including 2 previously unreleased recordings, all recorded 1965-1969, some as singles for the Checker label. Disc is packaged in a clear jewel case. Booklet includes an essay by Bill Dahl, a couple black & white photographs, and track information.
This is a great collection. It includes the high-energy "Fire" and the sassy, in-your-face songs "Don't Mess with the Messer", "Love You Like a Woman" ("I'll love you like a woman / But I'll fight you like a man"), and "Whatever I Am, You Made Me".