Search - Kurtag, Formenti :: Kurtag's Ghosts (Dig)

Kurtag's Ghosts (Dig)
Kurtag, Formenti
Kurtag's Ghosts (Dig)
Genre: Classical
 
  •  Track Listings (36) - Disc #1
  •  Track Listings (31) - Disc #2

A musical expedition with pianist Marino Formenti, placing Kurtág in a dialogue with great composers of the past seven centuries. The pianist illumines every piece with his individual interpretation.

     
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CD Details

All Artists: Kurtag, Formenti
Title: Kurtag's Ghosts (Dig)
Members Wishing: 0
Total Copies: 0
Label: Kairos
Original Release Date: 1/1/2009
Re-Release Date: 6/9/2009
Genre: Classical
Styles: Chamber Music, Historical Periods, Classical (c.1770-1830)
Number of Discs: 2
SwapaCD Credits: 2
UPC: 9120010281471

Synopsis

Album Description
A musical expedition with pianist Marino Formenti, placing Kurtág in a dialogue with great composers of the past seven centuries. The pianist illumines every piece with his individual interpretation.
 

CD Reviews

Brilliantly conceived recital
M. Meisel | los angeles CA USA | 07/14/2009
(5 out of 5 stars)

"a meticulous studio recording of perhaps the single most brilliantly programmed piano recital i have ever heard, and that includes rubinstein, horowitz and serkin."
Performer or Channeler?
Grady Harp | Los Angeles, CA United States | 11/28/2009
(5 out of 5 stars)

"György Kurtág is an alive and well Hungarian (Romanian) composer better known in Europe than in this country. Though his output may be rather small to date, his music is extraordinarily well constructed and rich in mood and atmosphere as he willingly shares his influences from J.S. Bach, Bartók, Berg, Beethoven, Ligeti, Messiaen, and Guillaume de Machaut. Given this rich reservoir of ideas, brilliant pianist Marino Formenti has fashioned the piano cycle 'Kurtág's Ghosts', a seamless combination of themes or phrases from other composers together with bits and pieces of Kurtág that form one of the more interesting 'experiments in music' to come along is some time.



For example, Formenti plays less than a minute of Kurtág's 'Hommage a Stockhausen' followed by less than a minute of Stockhausen's 'Klavierstuck No. 2 and a minute and a half of Messien's 'Ile de Feu 1' followed by Kurtág's '...humble regard sur Olivier Messiaen'. In all Formenti quotes from seventy short pieces in an interconnected way that is not only fascinating and illuminating but also displays Formenti's pianistic virtuosity. Intertwined with the works mentioned are moments from Haydn, Scarlatti, Schubert, Mussorgsky, Purcell, Janáek, and others. The question may arise as to whether this is a composition by Formenti or whether 'Kurtág's Ghosts' is meant to be a means to understanding and appreciating the works of well known composers as though associated with commentary by György Kurtág, or has Marino Formenti introduced an entirely new means of exploring the interconnectedness of the music of the ages. But listening to these two CDs creates an atmosphere unlike any other and the result is an extended period of awakening to the possibilities of just how music flows. Grady Harp, November 09"