La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 1
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 1
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 1
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 2
Track Listings (15) - Disc #2
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 3
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 4
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 4
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 4
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 4
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 4
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 4
La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Part 4
Including a 56-page booklet with historic photos; a complete French libretto with new, original English translation; and an essay on the performance by Robert Levine, this 1969 Rome recording is illuminated by the ravishin... more »g Swedish-Russian tenor Nicolai Gedda, superstar American mezzo Marilyn Horne, and French bass-baritone Roger Soyer.« less
Including a 56-page booklet with historic photos; a complete French libretto with new, original English translation; and an essay on the performance by Robert Levine, this 1969 Rome recording is illuminated by the ravishing Swedish-Russian tenor Nicolai Gedda, superstar American mezzo Marilyn Horne, and French bass-baritone Roger Soyer.