Busy Woman's Blues - Lavay Smith, Berger, David [Arra
Everybody's Talkin' 'Bout Miss Thing - Lavay Smith, Berger, David [Arra
Big Fine Daddy - Lavay Smith, Elliot, Bill
Gee, Baby Ain't I Good to You? - Lavay Smith, Golsen, Michael E.
Now or Never - Lavay Smith, DeRose, Pete
I've Got a Feelin' - Lavay Smith, Wyche, Sidney
Roll the Boogie - Lavay Smith, Siebert, Chris
Honey Pie - Lavay Smith, Siebert, Chris
I Want a Little Boy - Lavay Smith, Mencher, Murray
Blow Me a Fat Note - Lavay Smith, Siebert, Chris
Voo-It - Lavay Smith, Banks, Ullysses
He Beeped When He Should Have Bopped - Lavay Smith, Gillespie, John
Hootie Blues - Lavay Smith, Brown, George
Do You Know What It Means to Miss New Orleans? - Lavay Smith, Alter, Louis
Sent for You Yesterday (And Here You Come Today) - Lavay Smith, Basie, Count
Winter Wonderland [*] - Lavay Smith, Bernard, Felix
And just like that, the "swing thing" disappeared. Of course, San Francisco's Lavay Smith and Her Red Hot Skillet Lickers were at it years before the revival took hold and were always a cut above the rest of the pack anywa... more »y. That's because Smith and her pianist and musical director Chris Siebert have such a deep wealth of musical knowledge to draw on, the courage and good taste to recruit world-class veteran players from across the jazz world, and a passion and respect for the style of music they play. Boasting a buoyant mix of boogie-woogie, jump blues, sophisticated swing, and even bebop, 2000's Everybody's Talkin' follows up their enormously successful indie debut, One Hour Mama, which sold nearly 40,000 copies in the 3 years after its release on their own Fat Note label. The crafty arrangements, courtesy of Siebert and big-time Ellington expert David Berger, never get in the way of momentum or mood. It all revolves around Smith's versatile voice, which can convey strength and vulnerability, innocence and smut, sweetness and wickedness--often all at once. --Marc Greilsamer« less
And just like that, the "swing thing" disappeared. Of course, San Francisco's Lavay Smith and Her Red Hot Skillet Lickers were at it years before the revival took hold and were always a cut above the rest of the pack anyway. That's because Smith and her pianist and musical director Chris Siebert have such a deep wealth of musical knowledge to draw on, the courage and good taste to recruit world-class veteran players from across the jazz world, and a passion and respect for the style of music they play. Boasting a buoyant mix of boogie-woogie, jump blues, sophisticated swing, and even bebop, 2000's Everybody's Talkin' follows up their enormously successful indie debut, One Hour Mama, which sold nearly 40,000 copies in the 3 years after its release on their own Fat Note label. The crafty arrangements, courtesy of Siebert and big-time Ellington expert David Berger, never get in the way of momentum or mood. It all revolves around Smith's versatile voice, which can convey strength and vulnerability, innocence and smut, sweetness and wickedness--often all at once. --Marc Greilsamer
"Caught Lavay and the boys at their recurring gig at the Top of the Mark in San Francisco this Summer and was so impressed I ordered up this, her more recent CD, as soon as I got home. A great live act and an excellent recording --time to get back in the studio, Skillet Lickers! Seeing Lavay at the Top of the Mark is a wonderful San Francisco experience. Despite Armistead Maupin's dissing of the club in Tales of the City, the views of the town are amazing and the cover charge is reasonable ($10 when I was there, and they forgot to add it to the bill). Add Lavy Smith to the mix, and it was like riding a time machine back to a more elegant time. Not a lot of performers putting out big band swing these days (a few do western swing nicely, such as Asleep at the Wheel). Lavay and her group play their music in a way that is respectful of the past but not cloyingly imitative (don't always feel that way about that Setzer dude). It's hard to distinguish their originals from their covers from the 40s. A great group that deserves even more recognition outside of their home town."