Search - Franz Liszt, Leslie Howard :: Liszt: Sonatas; Elégies; Consolations; Gretchen/Totentanz

Weimar Meisterwerke

Franz Liszt | 10/15/2004

(2 out of 5 stars)

"Mainly Liszt Sonata's duration is about 30-31 minutes. That's the required time to breath during the coronas, respecting the "LENTO ASSAI" (Very slow!)indications and many "ritardando" written by Liszt. Howard does all this in only 24 minutes! Phew!

Sonata's "technical" passages are played with fire and bravura, what is a good point for Mr.Howard. He actually doesn't respect Liszt OWN indication of tempo. "Lento assai" is not "andante con moto" or "allegretto", so the very beginning of the Great Sonata should be player VERY SLOW (hear Yundi Li's one to get what I mean). The same for similar passages and all "recitativo" sections.



Consolations, S172 are sometimes played hurried, but with a nice tone and fine "pianissimo". The third one is one of the most played work by Liszt and Howard does it very good, with soft and gentle expression.



Totentanz played with fire and energy, not too much expressive in the "Canonique" section, but wonderful in "fugato" and "Cadenza". Great "martellato" octaves!



Sometimes I ask if that hurring, especially in slow sections, is because "budget" reason. I mean, this CD lasts 76:47 and contains many pieces, as Totentanz, Gretchen, Sonata of course, Elegies and Consolations: just too many things for a single CD..."

The great Sonata and a lot more

os287 | 01/12/2000

(5 out of 5 stars)

"Indispensible. The B-minor Sonata, considered by many to be Liszt's single greatest work for piano, plus the Consolations, the "Gretchen" transcription, and...--what! there's more! --the Elegies, and Totentanz. A winner, played superbly by Leslie Howard. Highest recommendation."

Very special and interesting

os287 | Los Angeles | 07/02/2006

(4 out of 5 stars)

"Commenting about the sonata here. Howard's overall understanding of this piece seem to be a little diffreent from most other pianists'. For some reason, he thinks that it's not worth spending listener's time on the slow sections of the piece. He hurries through them leaving the impression that he wants to get past them as soon as possible. The technical sections are of cours executed perfectly - very cleanly and with fire, and at a normal speed. Howard manages to cut off at least 5 minutes from the sanata simply by playing the slow section too fast. Musicality is lost in some parts and the entire piece sounds different. Howard compensates for this through his technical mastery and good "flow" in the fast sections. Everything is done extremely cleanly, and the recording quality is quite good. This put the performance of the sonata above those of Horowitz (too messy) and Richter (too boring).



Overall, interesting performance and worth looking into."