Search - Elton John, Mbs :: Live in Australia

Remastered, But Not Improved

Richard Thompson | El Paso, Texas | 03/16/2007

(4 out of 5 stars)

"I am a huge Elton John fan. Just saw his Captian and the Kid tour in February. Fantastic! Best 2 1/2 hour show I have ever seen. Just as good as the Fleetwood Mac 2003 Say You Will tour. Anyway, let's all just keep hoping and praying that Universal / Chronicles Music group will put out a Deluxe 2-disc set of Elton John's Live In Australia album, the complete show, including the 90 minute opening set of Elton's band without the Melbourne Symphony (check out the video of the show).



This quote "Remastered" version is no more than a re-issue by Island Records. It has no more output or better sound than my original Live In Australia issued by BMG back in 1986. Don't waste your money if you are looking for improved sound. It does have a nicer booklet and new liner notes, but that's all.



The same thing happened to me when I purchased the 2001 Island version of Elton John's Greatest Hits 1976-1986. I figured the newer version surely would sound better than the old 1992 original version. WRONG. They were exactly the same.



Now you know."

Elton Classics Revisited

Tim Brough | Springfield, PA United States | 06/28/2007

(4 out of 5 stars)

"Elton's Geffen Records contract had run its course and his old home, MCA, made him an offer he couldn't refuse. MCA also wanted to bring Elton back into prominence, to regain the respect and sales he'd accumulated in the 70's. How better to do that, then, than to revisit those early songs in a live context? Better yet, Elton enlisted the Melbourne Symphony Orchestra and James Newton Howard to create a televised extravaganza with eyes towards a live album. The set list leaned heavily towards the early years (nearly half the "Elton John" album is here) and tapping some underrated songs like "Tonight" from "Blue Moves" and "Don't Shoot Me I'm Only the Piano Player's" "Have Mercy On The Criminal."



The orchestration is magnificent, utilizing the original Paul Buckmaster and James Newton Howard arrangements, and on CD they are absolutely majestic. Elton made one of his last forays into costume drama, showing up in full Mozart gear and powdered wig. "Live In Australia" even paved the way for "Candle In The Wind" to finally become an American hit, hitting number 6 in 1987. It is a gorgeous album, lush in sound and giving justification to all claims of the brilliance of Elton and Bernie's songwriting.



Only one problem: Elton's voice was almost shot. He was mere weeks away from major, voice threatening throat surgery and the roughness on his vocal chords shows. He can't sustain the highs and his falsetto is gone. On some of the songs, he makes up for it admirably. In fact, he sounds really good on the songs where range isn't a major requirement (like the dramatic "The King Must Die" or "Take Me To The Pilot"), but the ballads occasionally show the frayed spots (like "Tonight," where the orchestration is very Gershwinesque, or "Sorry Seems To Be The Hardest Word"). Had it not been for those moments where Elton's voice betrays him, this could have been a five-star definitive work, on a par with "Procol Harum Live: In Concert with the Edmonton Symphony Orchestra." While "Live In Australia" is still pretty darn good, the definitive live Elton remains the remastered "Here and There.""