No one begrudged Lloyd Cole for breaking up his great British pop band the Commotions and moving to New York to make American rock, although his subsequent solo records appeared to stray further and further from the facile... more » songwriting that had early on made Cole so cherished. With this 1995 set, however, Cole settled back into doing what he does best, offering his best music since the Commotions' debut, Rattlesnakes, over a decade ago. Love Story returns to the colorful neobeat, English-major lyric style Cole developed as a young postgrad, though his writing is tempered now with the graceful maturity that graying hair, a marriage, and a child inevitably bring. Back are proper nouns, pop culture references, and clever quotes ("Penny walked in with that 'Love in Vain' look, said 'Every last man should be hanging from a meat hook'"), plus a subtle beauty in even his most basic lines ("She loves you best/And I love her nonetheless"). Restored as well are the tender accompaniments of acoustic guitar strums and tasteful lead lines, with a moody backdrop of light keys and strings. Like the smartest of love stories, the music is happy and sad, whimsical and doleful, never tired and often touching. --Roni Sarig« less
No one begrudged Lloyd Cole for breaking up his great British pop band the Commotions and moving to New York to make American rock, although his subsequent solo records appeared to stray further and further from the facile songwriting that had early on made Cole so cherished. With this 1995 set, however, Cole settled back into doing what he does best, offering his best music since the Commotions' debut, Rattlesnakes, over a decade ago. Love Story returns to the colorful neobeat, English-major lyric style Cole developed as a young postgrad, though his writing is tempered now with the graceful maturity that graying hair, a marriage, and a child inevitably bring. Back are proper nouns, pop culture references, and clever quotes ("Penny walked in with that 'Love in Vain' look, said 'Every last man should be hanging from a meat hook'"), plus a subtle beauty in even his most basic lines ("She loves you best/And I love her nonetheless"). Restored as well are the tender accompaniments of acoustic guitar strums and tasteful lead lines, with a moody backdrop of light keys and strings. Like the smartest of love stories, the music is happy and sad, whimsical and doleful, never tired and often touching. --Roni Sarig
Tom A. (CTA4him) from ANDERSON, SC Reviewed on 11/4/2014...
Former leader of "The Commotions"has put out another solid effort. Not sure why he's relatively unknown here in the states because his music and style should translate well here. "Trigger Happy" will grab your attention and set you up for a nice musical adventure.
CD Reviews
Music that can't be contained on a simple, plastic disc.
Timothy Karlberg | Minneapolis, MN | 12/31/2003
(5 out of 5 stars)
"When I bought this CD on a whim, I had never even heard of Lloyd Cole. Suffice it to say that I introduced myself to Cole when I was still thoroughly naive of his incredible talent; this was back when I would've thought The Commotions was some kind of debilitating illness, and not his former backup band. I fell in love with the CD in a slowly-progressive manner similar to the way innocent crushes are formed. To say that I was overwhelmed with admiration from the beginning wouldn't be accurate. Rather, I casually figured this was an album to keep around and spend some time with in the future if the mood seemed right. Soon, I found myself spending more and more time with "Love Story" and before long, there came that pivotal moment in many a CD's lifetime when I "heard" the album for the first time. That's when my devotion to "Love Story" and, more broadly, to Lloyd Cole's music in general, emerged.After more recent purchases of Cole's though, I can confidently say that "Love Story" is more the exception to his style, than the rule. Certainly, familiarizing one's self with Lloyd Cole by means of "Love Story" is like being introduced to U2 with the "Pop" album. It simply wasn't a portrayal of the past, and this, I believe, is what made some longtime fans look elsewhere, while simultaneously turning some window shoppers like me into dedicated listeners. Where much of Cole's previous projects are guitar-driven, bold works only sparsely tempered by the occasional reflective serenade, "Love Story" is quite the polar opposite. From beginning to end, this is a nocturnal delight, blatantly engineered for the immediate pre-dawn hours. Which is not to assert that this is music to sleep to. On the contrary, the vast majority of these songs are gently melodic, lushly acoustic, and delicately formed within the womb of Cole's undeniable emotion; this disc belongs in your insomnia first-aid kit, next to Everything But The Girl's "Amplified Heart.""
Lovin' That Lloyd Cole
Compton Roberts | Hamilton, Ontario, CANADA | 07/30/2000
(4 out of 5 stars)
"This is the solo album that fans of Lloyd Cole & the Commotions had long hoped he'd make. After some interesting false starts over the years, Cole finally seemed to be revisited by his songwriting Muse. This isn't "Rattlesnakes", but there is an austere beauty and musical commitment present on every track of this lovely CD. In some ways, it reminds me of vintage Van Morrison or even a Frank Sinatra recording from the 1950s--it is romantic yet knowing, musically well-conceived giving each song just the right instrumental treatment and, as a collection of songs, it has a cohesive mood and tempo. "Love Story" contains what I feel is some of Cole's most intimate singing and his lyrics are wry and sophisticated. Musically, this is probably Cole's finest hour as each song has a memorable melody line and pleasing chord changes. Songs such as "Trigger Happy", "I Didn't Know That You Cared", "Love Ruins Everything" and "Like Lovers Do" get under your skin very quickly and very smoothly. This album won't knock you out at first, but really grows on you after repeated listens. It will receive heavy rotation in your CD player because it lifts, soothes and heals in ways to which the pretentious Lilith Fair set can only aspire. An overlooked gem!"
Most Overlooked Artist for the Last Twenty Years
Paul Egan | Lawrenceville, New Jersey United States | 11/04/2006
(5 out of 5 stars)
"While I'm not a professional musician, I am in the music business (of sorts) - I'm in a principal position for a major audiophile loudspeaker manufacturer, and as such, hear countless recordings from every facet of the music business from all four corners of the earth. Most stuff sucks, some is tolerable, memorable happens a couple of times each year.
This album changed my life. It is one of the most heartbreaking, intelligent, wry, clever, melodic, introspective collections of music you'll ever hear. Why this album isn't among the 100 greatest, most influential recordings on every music reviewers' millenium list continues to baffle me. The juxtapostion of major chords and happy, tuneful melody set to chest cavity exposing lyrics is beyond brilliant. If any one of the four Beatles released this album, it would be their most heralded work.
I'm not (much of) a musician, but I still get jealous for not having written many of these songs myself. And I've never written a song.
Buy this album - if you don't love it, I'll give you your money back.
"
A good record, same old style, new beautiful songs
Claudio | Milan, Italy | 01/28/2000
(4 out of 5 stars)
"I must say I was expecting a disappointment when I bought this CD, instead it sounds very good, good lyrics, great songwriting, as usual with Lloyd Cole. The songs are nothing new, they resemble a lot the ones in rattlesnakes, but they are very good to listen when coming back home on a sunday evening, looking at the sunset colours. "Happy for you" is a great song, really sad and about something which every man hopes never to go through but knows it will happen sometime in life. Similarly, "I didn't know that you cared" is a pretty little song, as is "trigger happy". A record which will never stand out as a "great" record, but a beutiful record which is difficult to get tired of."
Love is never having to say you're sorry....
Claudio | 07/01/1999
(5 out of 5 stars)
"I bought this album from Columbia House a couple of years ago. "Manic-depressive folk-rock" was what they called it. Somehow, it was implying that Lloyd Cole was a manic depressive. Anyway, with that buying and that listening, I was blown away. To give this CD the tag of "manic depressive" is a grave underservice. It is quite sad at times but also very beautiful and haunting. It's also loaded with music references. See if you can spot Roxy Music, Sly & The Family Stone, Joni Mitchell, Neil Young, Kurt Weill, Charlie Parker, The Who, The Fifth Dimension, Bob Dylan, the Righteous Brothers, and some others I'm not astute enough (or have enough CDs) to recognize."