Good singing with adequate conducting
Yuri | 12/15/2000
(3 out of 5 stars)
"There is plenty to enjoy on this live radio broadcast of Lucia for one thing Pavarotti who whilst sounding tentative in places still gives a beautifully sung account of Edgardo,fresh if occasionally strident,Scotto has such a vocally dramatic voice you can easily picture her decline into madness,she can however sound too forceful in places with some wild singing in evidence but it is nevertheless very exciting,Cappuccilli seems to relish playing the heartless brother aptly characterising the role of Enrico,there are the traditional cuts and Molinary Pradelli is only adequate in conducting this opera."
A Wonderful Recording of Lucia di Lammermoor
A student | 11/27/2004
(4 out of 5 stars)
"This recording of Lucia di Lammermoor was recorded in Torino in 1967. The conductor is adequate, and Pavarotti and Scotto are at their peaks. Luciano Pavarotti is an excellent Edgardo, although he misses some entrances and sounds uncertain. Pavarotti's ending, "Tu che a Dio spiegasti l'ali," is wonderful. Renata Scotto makes a dramatic Lucia, but falls short of matching Maria Callas. I have always loved her singing anyways. Piero Cappuccilli is great as Enrico, and it sounds like his voice was made for this role. The conductor, Francesco Molinari-Pradelli, is only adequate. He seems to have little control over his orchestra. If you are hesitant about getting this recording, than just listen to the sextet, "Chi mi frena in tal momento." This CD is one of the best Lucia di Lammermoors out their."
The Alternative To The Callas Lucia
A student | 12/24/2005
(5 out of 5 stars)
"It was Maria Callas' 1950's performances of Lucia that changed the style of interpretation of Lucia. While sopranos like Amellita Galli-Curci, Luisa Tetrazini, Lily Pons and Roberta Peters sang in a pretty, colorful, sweet, "Snow White" type of voice to the sacrifice of dramatic integrity and characterization, Maria Callas sang a dramatic Lucia, with a bigger voice. This 1967 radio performance live from Turin, Italy stars Renata Scotto, easily Maria Callas' immediate successor in the 60's. She sings with dynamic versatility. Note how the melancholy "Soffrivi Nel Pianto" is sung with touching pianissimi is markedly different from the "Regnava Nel Silenzio" and the Mad Scene, which are far more dramatic in their rendition. Scotto has a huge but lyrically warm and round voice. It is full-throated and highly Italian. She is generously supported by none other than Luciano Pavoratti as Edgardo. Pavoratti is in his prime and this is possibly his first full-length opera recording. He is so young in this recording. His voice is perfect for bel canto, and his Edgardo is especially excellent, despite the slight annoying slips he has, like singing in a detached manner, as if he is not singing with the cast but singing to hear himself with the cast. Pradelli conducts with great bravura and attention to drama. This is a great recording. Fans of Scotto will want to buy this. Fans of Pavoratti will want to buy this. The dramatic text has never been sung with more flair and in the most Italian of style."
Track Listings (20) - Disc #1
