| Georges Bizet, Camille Saint-Saens, Edouard Lalo Lucienne Delvaux sings Airs, Melodies & Oratorios Genres: Pop, Classical
- Track Listings (12) - Disc #1
- Carmen, opera: Act 1. No. 5. Habanera: 'L'amour est un oiseau rebelle'
- Carmen, opera: Act 1. No. 10. S?guedille et duo: "Pr?s des remparts de S?ville"
- Carmen, opera: Act 2. No. 12. Chanson boh?me: "Les tringles des sistres tintaient"
- Carmen, opera: Act 3. No. 20. Air des cartes: "Voyons, que j'essaie ? mon tour... En vain, pour ?viter les r?ponse
- Carmen, opera: Act 4. No. 27. Final: "C'est toi!... C'est moi!"
- Samson et Dalila, opera in 3 acts, Op. 47: Act 1. Scene 6. 'Printemps qui commence'
- Samson et Dalila, opera in 3 acts, Op. 47: Act 2. Scene 1. "Samson recherchant ma pr?sence... Amour, viens aider ma faibless"
- Samson et Dalila, opera in 3 acts, Op. 47: Act 2. Scene 3. "Mon coeur s'ouvre ? ta voix" et finale de l'acte 2
- Le Roi d'Ys, opera in 3 acts: Act 2. Scene 1. Air de Margared: 'De tous c?tes, j'aper?ois dans la plain'
- La favorita, opera: Act 3. No. 11. R?citatif et air de Leonora: 'Fia dunque vero ... O mio Fernando'
- Aida, opera: Act 2. Scene 1. 'Ah viens... La fortune te traite en ennemie'
- Don Carlo, opera: Act 3. Part 1. Air d'Eboli: 'O Don fatale'
- Track Listings (14) - Disc #2
- Magnificat for 4 voices, chorus, 2 flutes, 2 oboes, 3 trumpets, 2 horns, strings & continuo in D minor, H. 772, Wq. 215,: No. 7. Air
- Pacem in Terris, choral symphony for 2 solo voices, chorus & orchestra, Op. 404: 'In hominis iuribus' (II: 1er mouvement)
- Pacem in Terris, choral symphony for 2 solo voices, chorus & orchestra, Op. 404: "Tum etiam homini cuilibet" (II: 2e mouvement)
- Pacem in Terris, choral symphony for 2 solo voices, chorus & orchestra, Op. 404: "Auctoritas enim" (III: 1er mouvement)
- Pacem in Terris, choral symphony for 2 solo voices, chorus & orchestra, Op. 404: "Atque principio" (IV: 2e mouvement)
- Pacem in Terris, choral symphony for 2 solo voices, chorus & orchestra, Op. 404: "Iam vero inter humanae personae" (V: 5e mouvement)
- Alexander Nevsky, cantata for mezzo-soprano, chorus & orchestra, Op. 78: No. 6: Le champ des morts, '? travers le manteau blanc de ne
- Les Nuits d'?t?, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): Villanelle
- Les Nuits d'?t?, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): Le spectre de la rose
- Les Nuits d'?t?, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): Sur les lagunes
- Les Nuits d'?t?, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): Absence
- Les Nuits d'?t?, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): Au cimeti?re
- Les Nuits d'?t?, song cycle for voice & piano (or orchestra), H. 81 (Op. 7): L'?le inconnue
- La Damnation de Faust, for mezzo-soprano, tenor, baritone, bass, chorus and orchestra, ('l?gende dramatique') H. 111 (Op. 24): Act 4.
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