She Was Born That Way - Luther Allison, Johnson, Bob [4]
Gave It All
You Been Teasin' Me
Nobody But You
Put Your Money Where Your Mouth Is
The Things I Used to Do - Luther Allison, Guitar Slim [Eddie
Love String - Luther Allison, Johnson, Bob [4]
Freedom
Luther Allison returned to prominence with Soul Fixin' Man in 1994, his first album recorded on American soil in 18 years and a fine example of the proto-blues-rock sound he helped invent along with Freddie King and Magic ... more »Sam. Cut in Memphis with producer Jim Gaines (Albert Collins, Stevie Ray Vaughan), the recording has a sumptuous sound fattened by Ernest Williamson's B-3 organ, James Solberg's chunky rhythm guitar, and the Memphis Horns. Riding above these thickened grooves are Allison's gruff, strong tenor and his melodic guitar lines. Allison wrote or cowrote eight of the dozen songs. Some of them, like the catchy "Put Your Money Where Your Mouth Is," recall his soul-blues fusion albums for Motown in the early-'70s, but the best numbers, like the autobiographical title track, are blues in the tradition of the Kings--B.B. and Freddie. --Geoffrey Himes« less
Luther Allison returned to prominence with Soul Fixin' Man in 1994, his first album recorded on American soil in 18 years and a fine example of the proto-blues-rock sound he helped invent along with Freddie King and Magic Sam. Cut in Memphis with producer Jim Gaines (Albert Collins, Stevie Ray Vaughan), the recording has a sumptuous sound fattened by Ernest Williamson's B-3 organ, James Solberg's chunky rhythm guitar, and the Memphis Horns. Riding above these thickened grooves are Allison's gruff, strong tenor and his melodic guitar lines. Allison wrote or cowrote eight of the dozen songs. Some of them, like the catchy "Put Your Money Where Your Mouth Is," recall his soul-blues fusion albums for Motown in the early-'70s, but the best numbers, like the autobiographical title track, are blues in the tradition of the Kings--B.B. and Freddie. --Geoffrey Himes
Charles W. (Chasbo) from PALO ALTO, CA Reviewed on 10/28/2009...
I got this album because of a good review elsewhere. It turns out that it is a kind of heavy electric blues that isn't my favorite. I found it didn't move me emotionally at all although there is no problem with the musical technique or recording. If you like this style already, probably worth getting. If not, this is not likely to be the first disc to get to learn to like the style.
1 of 1 member(s) found this review helpful.
CD Reviews
Great come-back!
Ricardo Neves Gonzalez | Petrópolis-R.J. Brazil-bluesfan@ig.com.br | 02/23/2000
(5 out of 5 stars)
"Is with great pleasure and emotion that i'm writing now the first review of this perfectly album of Luther Allison,the first released after 18 long years outside his home.And the return was marvellous,full of intensity,love and soul passion in all of the tracks. it's hard to believe that Allison is not yet with us! What great Loss! All of the things on this cd,are good,from the cover press,to the musics! Really one of the guitar heroes of Chicago Blues! This is to be buyed,played,and stocked at a special place of all bluesfans collections! GREAT !"
Not His Best But Solid
Steven Sly | Kalamazoo, MI United States | 01/25/2007
(4 out of 5 stars)
"A little story behind this one.........My wife, and I were spending a weekend in Chicago back in the mid - 90's. We decided we wanted to go to a blues bar, so we had the cabbie take us to Buddy Guy's Legends bar. We got to the door and the doorman said it was a $15 cover charge to get in. We thought that was a bit much and were debating about whether to go in or just move on to somewhere else. Finally the doorman said "I tell you what.....Luther Allison is playing here tonight. If you come on in and don't think he is worth $15 I will give you your money back." We had never heard of Luther Allison, but thought what the hell and took him up on his offer. We went inside and got totally blown away by Luther. To this day I consider him one of the best blues guitarists I have ever seen. At the end of the show I purchased this album from him that he was selling at the side of the stage. Luther's studio albums are good, but they never really captured just how good this guy was live. This album is straight Chicago style guitar blues, with a bit of 70's style funk and soul thrown in for good measure. Highlights include "Bad Love", "Middle Of The Road", and "Soul Fixin Man". Overall it is a strong blues album, but not his best."
Having paid his dues, will Luther get his just reward
T. P. Russell | Wichita, KS United States | 02/24/2000
(5 out of 5 stars)
"An excellent LP. I saw Luther in Philly with the Allman Brothers, Mississippi Fred McDowell in 1971.This LP is a fine indicator of the talent of Luther Allison , seldom recognized or played in the current upswing of popular blues."
The Best Luther Allison Album ever!
René Ask Rasmussen | Odense, Denmark | 01/06/2004
(5 out of 5 stars)
"Simply the Best Luther Allison Album Ever. So Harmonious in his playing and so soulful in his vocal. Good Songs and good Arrangements. James Solberg on Rythm'Guitar does a Fantastic Job!
Buy it! An Album that shows Luther at his best."