Mr. Stuart Robert Harris | Bradford-on-Avon, UK | 04/18/2004
(5 out of 5 stars)
"What do you want from a flamenco album? If it's virtuoso guitar playing, you're in luck because Tauromagia features the poised eloquence of Manolo Sanlucar and the sheer dazzle of a young Vicente Amigo playing off each other to deliver some inspired, breath-taking moments, both fast and slow. If it's dramatic solo singers pouring their heart out, you've got it. Or maybe some foot-stomping party music with full-throated flamenco women singing and clapping. Look no furtherTauromagia achieves the remarkable feat appealing to casual listeners - the sort that go for Ottmar Liebert - and also satisfying real flamenco aficionados. The recording is sharp, clear and detailed and just crackles with a sense of place. It's guaranteed to delight, whether your preference is the usual tourist spots of southern Spain or the more esoteric delights of deep Andalucia.An authoritative flamenco source has quoted it as "en su globalidad, el mejor disco de guitarra flamenca jamás grabado" (all in all the best record of flamenco guitar ever recorded). Exactamundo."
Among the finest
Theodosios | ON, Canada | 10/24/2006
(5 out of 5 stars)
"This album is a must-own for any fan of flamenco guitar. Manolo Sanlucar, along with Paco de Lucia, is at the forefront of modern flamenco playing. Tauromagia, is in my opinion, his best album. It combines the best of his early traditional playing with some of the wonderful melodic ideas and colours later in his carer. The writing is very strong, and while incorporating many layers, choirs, effects, etc, it is far from overproduced. His playing is very tasteful and poetic and his technique obviously beyond question. A real treasure here."
Superb
Pablo De Sevilla | Dallas, TX USA | 09/19/2007
(5 out of 5 stars)
"Not just a great flamenco guitar album ... but a great flamenco album, period. The singers are wonderful (including Jose Merce), the production is crystal clear, and all the instruments are used tastefully unlike some flamnco albums, where voice and guitar are drowned out by over-instrumentation. I still listen to this frequently, even after owning it for well over 10 years. It's that varied, that deep, that multi-faceted, that good. Olé!"
Dreamy recurring flamenco guitar
Enrique Torres | San Diegotitlan, Califas | 01/10/2007
(5 out of 5 stars)
"I was thrilled to see this excellent disc was available on CD. Since I owned the cassette(remember those tapes that always got caught in your machine?)I couldn't wait to get a new digital copy and was very happy to be able to play this music again. Not enough praises can be given to this bit of ineffable magical music. The flamenco guitar work of Manolo Sanlucar is music that is inspired by bullfighting; it is NOT bullfight music perse but rather INSPIRED by bullfighting. It is enchanting cultural music. The liner notes go into more detail for the inspiration,including the occasions etc. This is truly beautiful flamenco music that is very unique in it's presentation. The use of strings and other instruments like the sitar, coupled with effects results in an innovative release years after it's original release. Some songs are more in the traditional flamenco vein like "Maletilla" that feature guttural, agonizing vocals that wail with passion and which will probably suit the novice's ear better. "De Capote' is another song with vocals intermixed with mesmerizing guitar work that soothes the aches of the passionate vocals for a more traditional sound. "Tercio de Vara" features an all out assualt on the guitar that takes the listener to the land of Cervantes."Oracion"(prayer) is a quite peaceful bit of guitar work that soothes the savage beast within. If you like flamenco music than you will thoroughly enjoy this disc . It has qualities you cannot find in others music who utilize flamenco techniques but lack in substance or true duende .Highly recommended for your flamenco collection."