Shallow Water Suite: Shallow Water/Iko Iko/Shallow Water Rumba - ?Cubanismo!, Crawford, J. Jr.
Mardi Gras Mambo - ?Cubanismo!, Adams, Frankie
It Do Me Good - ?Cubanismo!, Brandon, Brenda
Alema?y's Boogaloo - ?Cubanismo!, Alema?y, Jes?s
Rampart Street Rumba - ?Cubanismo!, Bingham, Mark
Nothing Up My Sleeve - ?Cubanismo!, Bingham, Mark
Gumbo Son - ?Cubanismo!, Alema?y, Jes?s
Cuborleans - ?Cubanismo!, Terry, Yosvany
The musical relationship between Havana and New Orleans dates back centuries. Both cities share an Afro-Caribbean cultural heritage, and both take great pride in keeping that heritage alive. So it really shouldn't be to... more »o surprising that this mating--co-produced by Joe Boyd with Cubanismo's Jesús Alemañy and the Yockamo All-Stars' Mark Bingham--comes off so naturally. The stunning "Shallow Water Suite," featuring Crescent City R&B singer John Boutte, solidifies the African-based spiritual connection between New Orleans mardi-gras chants and Cuban rumba, while Ernie K-Doe's "Mother-In-Law" receives a clever bilingual workout. But the heart of the album is in the original instrumental hybrids such as "Cuborleans," "Gumbo Son," and Alemañy's "Boogaloo," on which trumpeter Alemañy earns an honorary place in the great New Orleans tradition that extends from Buddy Bolden and Louis Armstrong to Wynton Marsalis and Nicholas Payton. --Rick Mitchell« less
The musical relationship between Havana and New Orleans dates back centuries. Both cities share an Afro-Caribbean cultural heritage, and both take great pride in keeping that heritage alive. So it really shouldn't be too surprising that this mating--co-produced by Joe Boyd with Cubanismo's Jesús Alemañy and the Yockamo All-Stars' Mark Bingham--comes off so naturally. The stunning "Shallow Water Suite," featuring Crescent City R&B singer John Boutte, solidifies the African-based spiritual connection between New Orleans mardi-gras chants and Cuban rumba, while Ernie K-Doe's "Mother-In-Law" receives a clever bilingual workout. But the heart of the album is in the original instrumental hybrids such as "Cuborleans," "Gumbo Son," and Alemañy's "Boogaloo," on which trumpeter Alemañy earns an honorary place in the great New Orleans tradition that extends from Buddy Bolden and Louis Armstrong to Wynton Marsalis and Nicholas Payton. --Rick Mitchell
"The Latin Thing in New Orleans music has too often been overshadowed, even though the city has produced a steady, diverse stream of talented Latin musicians and bands. This joyful album is a corrective and a historical compendium in one package and very exciting."
Best working band in the world?
Javier del Bosco | Minneapolis, MN United States | 08/24/2000
(5 out of 5 stars)
"This is the finest representation to date of this sweltering orchestra's unbeatable live shows. The New Orleans-flavored lines meld fantastically with the rock-solid percussion. These tunes are even hotter live! Congratulations to Alemany and Joe Boyd-this gets my vote for record of the year."
Great Album for Music Lovers
W. H. Clark | 11/11/2000
(4 out of 5 stars)
"If you think this is yet another "Salsa" album, guess again. This is a truely creative fusion of Afro-American and Afro-Carribean music and rhythms. If you read the negative reviews of this work, notice how the reviewers simply seem upset because this album didn't fall into their narrow view of what music should be. As a musician, I can testify to the creative fun and soul found on this album. Just listen to the samples yourself."
Worth the money
Javier del Bosco | 09/13/2000
(5 out of 5 stars)
"If you like the sounds of Mongo Santamaria and the late Tito Puente, this is a must buy."