The Donkey Serenade - Mario Lanza, Forrest, George
Parlami d'Amore Mariu - Mario Lanza, Bixio, Cesare
A Kiss - Mario Lanza, Brooks, Phillip [1]
Recondita Armonia - Mario Lanza, Puccini, Giacomo
Song of Songs - Mario Lanza, Lucas, Moyes
Mamma Mia, Che Vo' Sap?? - Mario Lanza, Nutile, Emanuele
Come Back to Sorrento - Mario Lanza, Aveling, Claude
Without a Song - Mario Lanza, Eliscu, Edward
O Sole Mio - Mario Lanza, Capurro, Giovani
The Loveliest Night of the Year - Mario Lanza, Aaronson, Irving
Catari Catari - Mario Lanza, Cardillo, Salvatore
Vogliatemi Bene - Mario Lanza, Puccini, Giacomo
Track Listings (14) - Disc #2
My Song, My Love - Mario Lanza, Beilenson, Gerda
Granada - Mario Lanza, Dodd, Dorothy
Diane - Mario Lanza, Mingus, Charles
Funicul?, Funicul? - Mario Lanza, Denza, Luigi
Thine Alone - Mario Lanza, Herbert, Victor
Vesti la Giubba - Mario Lanza, Leoncavallo, Rugger
A Vuchella - Mario Lanza, Puccini, Giacomo
Serenade - Mario Lanza, Donnelly, Dorothy
Marechiare - Mario Lanza, DiGiacomo, Salvator
The Rosary - Mario Lanza, Nevin, Ethelbert
Lolita - Mario Lanza, Buzzi-Peccia, Artur
If - Mario Lanza, Damerell, Stanley
They Didn't Believe Me - Mario Lanza, Kern, Jerome
Be My Love (Reprise) - Mario Lanza, Brodszky, Nicholas
How much did popular music change in the latter half of the 20th century? A good answer might begin with the career of Mario Lanza, the proclaimed "Hollywood tenor." Luciano Pavarotti would probably be the closest modern p... more »arallel, though Pavarotti's "popular" success outside classical has been decidedly limited--does anyone remember "Yes, Giorgio"? By contrast, Lanza was a superstar of records, radio, and films by his 20s, his soaring tenor maturing remarkably early and drawing many comparisons to the great Enrico Caruso. Lanza died of a massive heart attack at just 38. This bountiful double-disc collection of Lanza radio performances is a good way to get acquainted with his spectacular voice, gathering together a sometimes dizzying array of popular ballads, operatic arias, Italian folk songs, and even lovably quasi-Mexican American kitsch like "The Donkey Serenade." --Jerry McCulley« less
How much did popular music change in the latter half of the 20th century? A good answer might begin with the career of Mario Lanza, the proclaimed "Hollywood tenor." Luciano Pavarotti would probably be the closest modern parallel, though Pavarotti's "popular" success outside classical has been decidedly limited--does anyone remember "Yes, Giorgio"? By contrast, Lanza was a superstar of records, radio, and films by his 20s, his soaring tenor maturing remarkably early and drawing many comparisons to the great Enrico Caruso. Lanza died of a massive heart attack at just 38. This bountiful double-disc collection of Lanza radio performances is a good way to get acquainted with his spectacular voice, gathering together a sometimes dizzying array of popular ballads, operatic arias, Italian folk songs, and even lovably quasi-Mexican American kitsch like "The Donkey Serenade." --Jerry McCulley