Search - Martin Taylor :: Kiss & Tell

Kiss & Tell
Martin Taylor
Kiss & Tell
Genres: International Music, Jazz, Pop
 
  •  Track Listings (12) - Disc #1

With Kiss and Tell, Englishman Martin Taylor once again proves that musicians steeped in the long tradition of jazz make the best contemporary jazz records. Taylor, who cut his chops with the legendary violinist Stephane G...  more »

     
?

Larger Image

CD Details

All Artists: Martin Taylor
Title: Kiss & Tell
Members Wishing: 0
Total Copies: 0
Label: Sony
Original Release Date: 5/30/2000
Release Date: 5/30/2000
Genres: International Music, Jazz, Pop
Styles: Europe, Britain & Ireland, Smooth Jazz
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 074646221020, 5099749538726

Synopsis

Amazon.com
With Kiss and Tell, Englishman Martin Taylor once again proves that musicians steeped in the long tradition of jazz make the best contemporary jazz records. Taylor, who cut his chops with the legendary violinist Stephane Grappelli, matches the high production values on this album with considerable technical prowess. The very clean recording, in fact, flaunts the various forms and grooves of modern jazz music that interest this veteran six-stringer. The title track is laden with smooth jazz grooves and features saxophonist Kirk Whalum, as does Taylor's rousing reworking of the 1970s classic "Midnight at the Oasis." Solo and duet performances of standards surround trumpeter Randy Brecker's turn on "Midnight Voyage," a tune first recorded by the composer's brother, Michael. There are highlights on nearly every one of the 12 tracks on Kiss and Tell, including the hippest arrangements you'll ever hear of the Hawaii Five-O and Odd Couple television themes and a sumptuous Brazilian number, "Garden of Dreams," that features trombonist and vocalist Jay Ashby. Presenting many shades of the contemporary jazz rainbow has led to a lack of continuity on other occasions, but here it works because of Taylor's singularity of style. The work of the virtuoso shines through all the colors he's laid out on this striking musical palette. --Mark Ruffin

Similarly Requested CDs

 

CD Reviews

Didn't like it at first, but now?
bryan j. stern | Cardiff, CA USA | 07/20/2001
(4 out of 5 stars)

"The smooth jazz elements didn't grab me at first but I kept on listening because I have admired Martin in the past. I'm sure glad I did. This is a wonderful album with great playing. This guy blows me away.I thought The Odd Couple and Five O would be hokey. Wrong. Both include some awesome solos and really fulfill. Each song on further listening reveals great treasures. Some of it is a little commercial for me. But the package as a whole is special. Enjoy"
Mass appeal = $
S. Guernsey | North Yarmouth, ME USA | 04/11/2005
(3 out of 5 stars)

"This is a fine smooth-jazz type recording. Taylor is a brilliant artist and anything he does is beautiful. BUT - my heart lies with his amazing solo, chord-melody work. In particular, the 1992 recording "Artistry" (produced by Steve Howe of Yes fame). "Artistry" is astonishing, often sounding like two great jazzers playing together. You can't blame him for looking to make some bucks off the American smooth jazz fan base, but for my money, give me the one man with the ten fingers that sound like twenty. He's arguably the best there is."
Testing the water?
N. Harris | Australia | 04/17/2001
(5 out of 5 stars)

"When I saw the lineup and noticed the change of label, warning bells rang. Though I suspected this would be a different take on the Taylor I knew from Linn Records, I put the CD on with an open mind. If you can put prejudices aside and jugde this album on its own merits, you could not help but enjoy it. The players are top drawer and, while it is not quite as obvious a showcase for Taylor's phenomenal technique, he proves that smooth jazz is a hat that fits as comfortably as mainstream. Notable contributions include Jay Ashby's superb vocal doublings ('Garden of Dreams' and 'Sunstep'), Whalum's distictive sax, George Garzone's too-brief appearance, tasteful and so-in-tune, (as well as some subtly added strings), on 'You've Changed'. And there's a bonus track to boot! Who could ask for anything more? While I'm certain that some purists would be dismayed at Taylor's change in direction, I don't blame him for testing the smooth jazz water. Just so long as he doesn't forget he still has a mainstream fanclub."