All Artists: Marty Ehrlich Title: Song Members Wishing: 0 Total Copies: 0 Label: Enja Original Release Date: 1/1/2001 Re-Release Date: 8/28/2001 Genres: Jazz, Pop Style: Avant Garde & Free Jazz Number of Discs: 1 SwapaCD Credits: 1 UPC: 063757939627 |
Marty Ehrlich Song Genres: Jazz, Pop
With his ability to bring just the right sound, emotion, and intelligence to any situation he finds himself in, reed player Marty Ehrlich has more versatility than is probably legal. He's such an adaptable musician that he... more » | |
Larger Image |
CD Details
Synopsis
Amazon.com With his ability to bring just the right sound, emotion, and intelligence to any situation he finds himself in, reed player Marty Ehrlich has more versatility than is probably legal. He's such an adaptable musician that he sometimes hasn't asserted himself the way he should on his own projects. But judging by Malinke's Dance, his superb 2000 release, and the more refined Song, that trend is ending. Accompanied by the exceptionally agile and interesting rhythm section of pianist Uri Caine, bassist Michael Formanek, and drummer Billy Drummond, Ehrlich (on alto and soprano saxophones and bass clarinet) breathes a heady lyricism through a set of melodically rich tunes. The dominant tone is one of calm reflection, as embodied in Jaki Byard's wistful "The Falling Rains of Life," Robin Holcomb's folkish "Waltz," Ehrlich's haunting "Day of the Dark Bright Light," and his bluesy take on Dylan's "I Pity the Poor Immigrant." The highlight is "Blue Boye's Blues," Ehrlich's raucous and ruminative tribute to his late mentor, Julius Hemphill. It features trombonist Ray Anderson, who combines with Ehrlich for some choice cooing and wailing. --Lloyd Sachs Similarly Requested CDs
|
CD ReviewsDowntown Sounds at Their Best Jan P. Dennis | Monument, CO USA | 10/04/2001 (5 out of 5 stars) "This is one of the biggest surprises of the year for me. I've always had an appreciation for Marty Ehrlich, but seldom has he sounded this good. There's a definite affinity between this cd and a recent one by Drew Gress, the noted bass player--and it goes beyond the fact that both disks share the same pianist, Uri Caine. Both seem to have reined in the raucousness and opted for a hard-won melodicism and tonality.Of the two, Song is the better. Filled with many moments of rare beauty, everyone plays his butt off. Unlike many "outside" outings, there's a deep reliance on melody and compositional construction, with the solos logically arising out of a pre-established melodic matrix. The end result is hugely satisfying. A guest appearance by trombone virtuoso Ray Anderson, a frequent Ehrlich collaborator, knocks things slightly off kilter in a manic direction, but, as I frequently tell my wife and kids when they object to the more expressivist side of jazz, "They're just having fun!" And they are. And so will you, if you pick up this cd, which I strongly advise you to do."
|