Search - Mary Timony :: Golden Dove

Golden Dove
Mary Timony
Golden Dove
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (12) - Disc #1

As the singer for Boston's Helium, cherub-faced Mary Timony was responsible for creating some of the most idiosyncratic indie rock the fertile '90s had to offer. Critics couldn't decide whether to call it noise pop, neo-pr...  more »

     
5

Larger Image

CD Details

All Artists: Mary Timony
Title: Golden Dove
Members Wishing: 1
Total Copies: 0
Label: Matador Records
Release Date: 5/21/2002
Genres: Alternative Rock, Pop, Rock
Styles: Singer-Songwriters, Indie & Lo-Fi
Number of Discs: 1
SwapaCD Credits: 1
UPC: 744861052128

Synopsis

Amazon.com
As the singer for Boston's Helium, cherub-faced Mary Timony was responsible for creating some of the most idiosyncratic indie rock the fertile '90s had to offer. Critics couldn't decide whether to call it noise pop, neo-prog or just plain weird. As a solo artist Timony has only grown more indulgent, first with 2000's spookfest Mountains and now with The Golden Dove, on which she orchestrates intense gothic dirges and songs about fairies, ghosts, and other such chimera. It takes a tolerant ear, to be sure, but the sluggish tempos and oblique lyrics have an unexpected, unusual charm. And "Ant's Dance" and "Musik and Charming Melodee" rate as some of Timony's finest--and most listenable, natch--work yet. --Aidin Vaziri

Similarly Requested CDs

 

Member CD Reviews

Gregory S. (helden) from EASTON, PA
Reviewed on 9/14/2010...
This sounds very much like a continuation of her previous album, "Mountains", but with fewer songs and slightly weaker songwriting. So I'd recommended trying that album first, but I like both of them quite a bit. (As with "Mountains", I ask: what ARE these songs about?)

CD Reviews

Behind the Mask
Victoria | United States | 08/29/2003
(3 out of 5 stars)

"Mary Timony is amazing. For those that don't know her, she has fronted a number of bands in the past ten years. Helium and Autoclave being the most notable. I had not heard of her, though, until a friend gave me her first solo album, Mountains. It was love at first listen. And obsession at second listen. I was expecting her new album, The Golden Dove, to be a disappointment. I saw no way that she could top the Mountains album and I didn't get my hopes up. But she did. Or rather, she didn't. She managed to make an equally wonderful album that shares similar themes and sounds with Mountains, yet she added new elements to keep from being one of those artists that tries to repeat themselves over and over. Her lyrics are still fairytales of witchcraft and sorrow, but now there are more satirical jabs at life and relationships thrown in. The metaphors are more clear. The vocals and rhythm are more pronounced. Mountains had an echo to it, which fit with the medieval tone to the album. The Golden Dove hits a more Helium-like vibe while still maintaining Mary's haunting, folkfaerie touch. Like Mountains, the new album does have certain redundant melodies. But they fit the melancholy, yet hopeful lyrics. Mountains was the witch who needed no one. The Golden Dove seems to realize she might want someone, perhaps she had and lost someone, but she still retains that self-reliance. Magic, isolation, and companionship are the themes most prominant, along with a somewhat cynical view of the world that is sprinkled throughout the album. All accompanied with a lot of hand clapping."
Words Escape Me
William F. Parrish | Atlanta | 03/22/2003
(5 out of 5 stars)

"I am enchanted by Mary Timony. I find her intoxicatingly talented. And, unlike the litany of artists my freinds always recite that I'm "supposed" to be into (PJ Harvey, Tori Amos, Bjork) Mary doesn't seem at all daunting or distanced, like an unapproachable superstar. She has a wonderful big-sister quality, the kind of person you'd love when she was around and miss when she wasn't. Her casual approach may be her biggest asset. Certainly on her stunning second solo effort "The Golden Dove", this is in ample evidence. On insinuating tracks like "14 Horses" and "The Owl's Escape", she weaves a subtly devestating tapestry of minor-chord meloncholy that takes a few listens to fully register (but, isn't that the case with all good music?). Musical elements that have become her trademark since her Helium days are present here as well: "Musik and Charming Melody" layers strings and complex, inter-locking guitar parts for a beguiling celebration of the mythically uplifting power of music, and "Look A Ghost In The Eye" begins with an oddly heroic arpeggio, then hooks you with an indellable chorus. There's even some of the dirgy, Sonic Youth-ish guitar she used to great effect on "The Dirt Of Luck", Helium's stellar debut. Those of you who enjoy fantastical musical explorations, but are a bit put off by the over-the-top grandiosity of her superstar peers, will find a bracing breath of fresh air with Mary Timony and this great record."