Search - Nikolay Medtner, Neeme Järvi, London Philharmonic Orchestra :: Medtner: Piano Concertos Nos. 1-3; Sonata - Ballade [Box Set]

Medtner: Piano Concertos Nos. 1-3; Sonata - Ballade [Box Set]
Nikolay Medtner, Neeme Järvi, London Philharmonic Orchestra
Medtner: Piano Concertos Nos. 1-3; Sonata - Ballade [Box Set]
Genre: Classical
 
  •  Track Listings (6) - Disc #1
  •  Track Listings (6) - Disc #2


     
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CD Reviews

Medtner Well Served Here!
Darin Tysdal | Bloomington, MN 55420 | 12/01/2007
(4 out of 5 stars)

"Ever since these recordings were issued about 12 years ago, Medtner's star unfortunately has not risen in the concert hall, but on recordings he's come very far. There is not much competition, but most of it is very good. Tozer's readings certainly are great-the balance of sound between orchestra and piano is very well done, and Tozer plays to the manner born. One small caveat-he plays the smaller (less difficult) cadenza in the 2nd concerto, and I prefer the longer cadenza played by Demidenko in his recording on Hyperion. That recording is a very good complement to this one. You can now get these performances on a cheaper release also on Chandos also, but this is a very handsome package. If you get curious, continue on to more of the piano sonatas as played by Marc-Andre Hamelin on Hyperion."
Lost Greatness
Music Is Everything | Colorado Springs, CO USA | 07/11/2009
(5 out of 5 stars)

"Nikolai Medtner's piano concertos are tragically overlooked. Simple question: Do you love Rachmaninov's piano concertos? If so, (and most of us do), don't deny yourself the pleasure of the Medtner concertos.



Medtner was influenced heavily by Rachmaninov. He was born only seven years after Rachmaninov, and they both chose to leave Russia after the Revolution to pursue careers as concert pianists. These two artists were strikingly similar in many respects, but, as is often the case, only one--Rachmaninov--had the luxury of a brilliant career. Nonetheless, Medtner dogmatically forged ahead, composing to his own ideals and never compromising.



The result is three piano concertos that are slightly more modern than Rachmaninov's but strikingly lyric and powerful. In this set, Geoffrey Tozer's playing is uniformly excellent and assertive, while the London Philharmonic deftly provides a colorful and dramatic backdrop under the direction of Neeme Jarvi. As usual, Chandos' recorded sound can be a little harsh at the edges, but Tozer is captured in well-balanced clarity and the accompaniment never suffers much.



Even with thousands of CDs in my collection, I couldn't believe that this music had somehow slipped by for so many years. These are great concertos, well-played and recorded, that will give you something new (and old) to love. Enjoy."