Search - Mel Graves :: Ear Shot - The Music of Mel Graves

The EAR SHOT project includes many of the jazz compositions that I wrote in 2001 and 2002. My jazz writing utilizes areas that I have been working on for the last 30 years like: odd time signatures (7/4 and 11/4), varieties of rhythmic feels (especially exploring different types of 3/4), angular yet lyrical melodies and counterpoint. In terms of orchestration I wanted to expand upon the instrumentation of flute, guitar, bass and drums that we used in 2001on Randy Vincent?s recording project "Mirror Image". The natural choice for me was the tenor saxophone that I used on my previous recording of jazz originals "Emotion In Motion". I have known Harvey Wainapel for several years and have always wanted to work on a project with him. He added a lot of fire and soul to the CD. I wrote some simple backgrounds for two of the Latin tunes on the project and fellow Sonoma State University faculty members Pete Estabrook and Al Bent were first choices there. Also they each contribute a very effective solo to the CD. I consider drummer George Marsh my rhythm section soul mate. We go back together to the late 60?s with Denny Zeitlin, Jerry Hahn and Mose Allison and have played in a wide variety of music over the years. I can not think of another drummer who could do what he does for my music. I have also played for about two decades with guitarist Randy Vincent. In addition to his inventive soloing he also provides just the right balance between space and definition that allows my compositions! to breathe. Flutist Bob Afifi is my first choice for both my jazz and contemporary classical writing. When I started teaching at Sonoma State University in 1982 Bob was my first truly outstanding student. We have worked together in a wide variety of settings over the years. Bob can be heard on my contemporary classical CD "Day Of Love", also on the Mutable Music label. Bob?s beautiful tone and creative solos added a lot to EAR SHOT.