The Melvins will never be satisfied to do things the way everybody else does them, and for this give thanks. Not only is this disc the second in a three-part CD extravaganza (which started with early 1999's unabashedly met... more »allic Maggot and ends with 2000's The Crybaby), but the music is curiously unlike the Melvins. Bassist Kevin Rutmanis of Cows officially joins Buzz Osborne and Dale Crover, and the match appears heaven-made. From the slithery, sexy strains of the opener "Toy" to the meandering and many-faceted 11-minute "Let It All Be" to the beautiful, Sebadoh-ish ending of "Prig," some fans may be baffled and disappointed while others will be delighted and enchanted. If you've never really been a Melvins fan, but take secret delight in '70s psychedelia and prog-rock and cut your teeth on '80 and '90s alternative rock, then try the exotica of The Bootlicker. --Lorry Fleming« less
The Melvins will never be satisfied to do things the way everybody else does them, and for this give thanks. Not only is this disc the second in a three-part CD extravaganza (which started with early 1999's unabashedly metallic Maggot and ends with 2000's The Crybaby), but the music is curiously unlike the Melvins. Bassist Kevin Rutmanis of Cows officially joins Buzz Osborne and Dale Crover, and the match appears heaven-made. From the slithery, sexy strains of the opener "Toy" to the meandering and many-faceted 11-minute "Let It All Be" to the beautiful, Sebadoh-ish ending of "Prig," some fans may be baffled and disappointed while others will be delighted and enchanted. If you've never really been a Melvins fan, but take secret delight in '70s psychedelia and prog-rock and cut your teeth on '80 and '90s alternative rock, then try the exotica of The Bootlicker. --Lorry Fleming
"The Bootlicker is marvelous. After the first listen I was somewhat awestruck because I had heard that it was going to be the "pop album" of the trilogy, but it is definetly not. Instead The Melvins play their own version of 70's prog rock and of course being that they are the melvins, it rocks. Most people will purchase this expecting the maggot part 2 which it isn't. The Bootlicker seems to me to be a lot more rewarding in the end than the maggot. Every time I listen to it I appreciate it more and more. The Bootlicker is uniquely it's own while retaining the feel of the first and hopefully the third part of the trilogy.(toy toy toy toy toy)"
My fav,hands down!
crown of indica | saint paul,mn,usa | 11/21/2005
(5 out of 5 stars)
"this is my pick of the litter far as melvins albums go.it's so chill while maintaining the classic level of insanity the melvins are known for!"
The Melvins album you can listen to between meals...
C. Quinn | County Louth, Eire | 07/23/2005
(5 out of 5 stars)
"... without ruining your appetite. As much. Even without the overdrive Melvins still sound creepy and stomach-churning. For me the murmuring, whispering, killer-in-the-shadows vocals here are actually an improvement on Buzz's usual moose-in-rutting-season wail, while lifting the veil of noise confirms what we've always believed -- that Melvins can write tunes, lyrics, and above all, grooves.
Don't let that put you off, though. This isn't 'Melvins Unplugged' (for a start, despite what some other reviewers think, it's not acoustic) or an attempt to become more radio-friendly. In fact, following the story of the Maggot/Bootlicker/Crybaby trilogy, it may be an ironic commentary on what happens when certain other bands take that route -- but I don't think you need to know any of that to appreciate this. All you need to know is that Melvins here are as smart and dark and riff-tastic as ever, and you can fully enjoy 'Bootlicker' at 4am without waking the neighbours. Result!"
Melvins - 'Bootlicker' (Ipecac)
Mike Reed | USA | 01/02/2005
(4 out of 5 stars)
"One thing about the Melvins is that one can never be too sure as to what their upcoming release is going to be like.'Bootlicker' is apparently the second CD in a trilogy of a three disc pressing extravaganza as it was put out between '99's 'Maggot' and '00's 'Crybaby'.Vocalist/guitarist Buzz Osbourne and crew showcase their own brand of what I would call part mutated alternative,part psych metal.'Bootlicker' tends to show the band's more melodic side,of which is a good thing.I believe 'Stag' was the last Melvins CD I had before this.Tracks that I thought were good are the sort of laid back ten-minute "Let It Be All","Up The Dumper" and "Jew Boy Flower Head".Definitely a keeper.Might appeal to fans of Kyuss,Nailbomb,Rollins Band and possibly Sepultura."
A mulatto, an albino, a mosquito, a bootlicker
F. Beal | Oakland, CA United States | 08/28/1999
(5 out of 5 stars)
"Been secretly jonesing for those old dog-eared copies of "The Lamb Lies Down on Broadway" or "Fragile" but just can't bring yourself to get them on cd? Never fear-that's why we have the Melvins, and the latest installment of the trilogy. More than any of their records, this is a headphone album. I would even call it a summation of pop music from the last 20 years, ending as it does with that catchiest of guitar licks that we all know so well (I won't spoil it, though you'll hear the whole tune on the final cd). Like a good serialized novel, this works as a piece with the Maggot, expanding on its sounds and themes. Overall it's like a good quiet night by the fireside with Buzzo and Co. I can't wait for The Crybaby!"