The Girl Is Mine 2008 with will.i.am ( Previously Unreleased Track For 25th Anniversary Edition )
P.Y.T. (Pretty Young Thing) 2008 with Michael Jackson and will.i.am ( Previously Unreleased Track For 25th Anniversary Edition )
Wanna Be Startin' Somethin' 2008 with Michael Jackson, Akon and will.i.am( Previously Unreleased Track For 25th Anniversary Edition )
Beat It 2008 with Fergie( Previously Unreleased Track For 25th Anniversary Edition )
Billie Jean 2008 with Kanye West ( Previously Unreleased Track For 25th Anniversary Edition )
. For All Time (unreleased track from original Thriller sessions) ( Previously Unreleased Track For 25th Anniversary Edition )
The Biggest Album Ever just got bigger. The 25th Anniversary Edition of Thriller celebrates this ground-breaking album with 7 bonus tracks, six of which are previously unreleased. The new tracks include exclusive remixes f... more »rom Kanye West, Fergie, will.i.am and Akon along with a previously unreleased track from the Thriller sessions, "For All Time," newly mixed and mastered by Michael Jackson. Also included is a BONUS DVD with new, digitally restored versions of the three videos from the album as well as the Michael Jackson's groundbreaking performance of "Billie Jean" on the "Motown 25: Yesterday, Today, Forever" television special (first broadcast on NBC May 16, 1983). Also included in all versions of the release is a new personal greeting from Michael Jackson to his fans penned exclusively for this special release. ãã¤ã±ã«ã¸ã£ã¯ã½ã³Tã·ã£ãã¯ãã¡ã« less
The Biggest Album Ever just got bigger. The 25th Anniversary Edition of Thriller celebrates this ground-breaking album with 7 bonus tracks, six of which are previously unreleased. The new tracks include exclusive remixes from Kanye West, Fergie, will.i.am and Akon along with a previously unreleased track from the Thriller sessions, "For All Time," newly mixed and mastered by Michael Jackson. Also included is a BONUS DVD with new, digitally restored versions of the three videos from the album as well as the Michael Jackson's groundbreaking performance of "Billie Jean" on the "Motown 25: Yesterday, Today, Forever" television special (first broadcast on NBC May 16, 1983). Also included in all versions of the release is a new personal greeting from Michael Jackson to his fans penned exclusively for this special release. ãã¤ã±ã«ã¸ã£ã¯ã½ã³Tã·ã£ãã¯ãã¡ã
Thriller - Michael Jackson's Masterpiece, Better Than Ever!
Mark | East Coast | 03/19/2008
(5 out of 5 stars)
"Michael Jackson 25th Anniversary of Thriller
The 25th Anniversary edition of Thriller is a must own CD. Some new versions should introduce younger R&B fans to the man who started it all.
There are many reasons to buy this album, even if you already own it. First of all, this album came out at the height of vinyl, so there are a lot of people who don't own the album on CD. Younger music fans who love will.i.am Songs About Girls, Kanye West Graduation, Fergie The Dutchessand Akon Konvicted will be attracted by the remade versions, even if hard-core Michael Jackson fans don't like them as much. Old school fans will be seduced by the awesome holographic CD dust jacket, sharper re-mastered original tracks and included bonus DVD videos. No matter how you slice it, this 25th Anniversary edition belongs in your collection.
It's impossible not to hear the songs from this album from time to time, yet it had been a long time since I heard the original album in total, tracks 1-10 on this CD. When you listen to it again, it's impossible not to realize how amazing of a production this truly was and still is, even now 25 years later. Every single song is a number one hit, and Michael moves through genres including pop, rock and R&B with ease, nailing each one. See my awards summary at the bottom for more on this.
It's clear to anybody who follows R&B that so many artists over the past 10 years have made careers essentially emulating Michael's singing style and dance moves. You can include on that list:
- Justin Timberlake - FutureSex / LoveSounds
- Chris Brown - Chris Brown
- Usher - My Way
- Omarion - O
Record labels have an army of very intelligent number crunchers that clearly realized the marketing potential of putting some top stars together to add remakes to this anniversary edition. The remakes can't possibly match Michael's original accomplishment. Yet they are not as bad as many say. I actually like the Akon version of "Wanna Be Startin' Somethin." And Kanye West's "Billie Jean" mix really highlights his abilities as a producer.
The included DVD includes the short film music video versions of "Billie Jean," "Beat It" and "Thriller." These videos are historic in their own right, each one a high budget production better than a lot of the movies made in 1982.
There's also the Motown 25 performance of "Billie Jean." For those that don't remember this performance, it's the one where Michael first does the moonwalk on stage. Let me tell you, it takes quite a performer to pull off a rhinestone shirt, rhinestone socks, sparkly jacket, high-waters and one white glove!
There's also a nice liner jacket with all the original lyrics and cool album art. Even more is included with the fold-out casebook version of this release. Michael Jackson 25th Anniversary of Thriller(Deluxe Casebook Edition)
It's amazing to note that Michael Jackson actually wrote most of the biggest hits on this album, something today's R&B artists rarely do. Most of the biggest hits from the album are his original works, including "Wanna Be Startin' Something," "The Girl Is Mine," "Beat It," and "Billie Jean." "Baby Be Mine," "Thriller," and "The Lady In My Life" were written and composed by Rod Temperton. "PYT" was the work of the legendary James Ingram and Quincy Jones. And Steve Porcato wrote both "Human Nature" (with John Bettis) and the newly released "For All Time" (with Michael Sherwood), number 16 on this edition.
I really liked this previously unreleased track, and it definitely has a sound akin to Human Nature. I can only speculate that that similarity is what kept it off of the original release.
It's amazing to think this album won 8 Grammys, and I don't even believe it was close in any category.
+ Album of the Year
+ Record of the Year ("Beat It")
+ Best Male Pop Vocals ("Thriller")
+ Best Male Rock Vocals ("Beat It")
+ Best Male R&B Vocals ("Billie Jean")
+ Best R&B Song ("Billie Jean")
+ Producer of the Year (Qunicy Jones and Michael Jackson)
+ Best Engineered Recording, Non-Classical (Bruce Swedien)
And there must not have been awards for best music video back then because "Thriller," "Billie Jean," and "Beat It" would have all been nominated.
This is a pivotal album that is well done here at an affordable price when you factor in all the cool stuff that's included.
Enjoy!!!
"
Originals Still Sound Great, "Remixes..." Not So Much
Danielle Turchiano | Van Nuys, CA United States | 02/13/2008
(3 out of 5 stars)
"There isn't much more that can be said about the tracks on this re-release of "Thriller" that are from the original 1983 album. Everything from "Wanna Be Startin' Something" to "The Lady In My Life" holds up extremely well even a quarter of a century later. This 25th Anniversary Edition also gives us both the single release version and the long version of "Billie Jean," as well as a previously unrecorded track called "For All Time." With all new technology employed to clean up the tracks and make the sound crisper, Michael sounds fresh and new and revived (which I'm sure he is hoping will be a metaphor for this stage in his career, as well).
Unfortunately, though, the so-called remixes are very disappointing and do not enhance the value of this album at all. The two tracks that feature will.i.am ("The Girl Is Mine" and "P.Y.T.") suffer from Will's lack of creativity in his verses and really only remind you how great the songs were when they were untouched. "Beat It" featuring Fergie isn't really a remix so much as a few lines in a verse or two laid down by Fergie over the old track. Lame and boring. And don't let the "featuring Kanye West" tag on "Billie Jean" fool you: Kanye does not do a guest rap verse but rather he produced the new mix, adding a heavier beat and a couple of introductory grunts. Ironically, the one stand out was Akon's version of "Wanna Be Startin' Something," which is a unique approach to the song, breathing new life for a new generation, and of course the second disc, which gives you also three music videos ("Beat It," "Billie Jean," and "Thriller") and a live performance by Michael at an awards show, is a must-have for any collector, as well.
It may be a little sad to say the only "new" music you're getting excited about is an album you actually already own, but with the case of this er-release, it's true. Buy this album only if you want to hear rejuvenated versions of classics. You can skip most of the "new" stuff."
Not Thrilled
S. Zimmermann | Seattle, WA USA | 02/14/2008
(2 out of 5 stars)
"My learning about the new album release was first met with shock: wow, thriller? *the* Thriller Album?!? Then with anxiety: how could something as great as "Thriller" be re-released in a way that *adds* value to the absolute best dance album of all times? Finally, with excitement: could Michael possibly have a stroke of genius and leverage the 25th anniversary of Thriller to do something new and absolutely, positively amazing? Could this be the return of *the* Michael?
Short answer: no, it's not. Of course, the original songs are still as good. But then, I'm like: that's it? A couple lousy remixes, with artists like Fergie and Akon that came to light as solo artists in the last five years and are probably going to be passé in the next two? That's all Michael has in store? Where is the new material? Where is the amazement? Where is the thrill? Where is the innovation that we were served with, back in 1983?
And then, if remixing is the way to go, where is the Thriller remix? Is it missing so we can spend more money in the near future? Or because this track is of such historical importance that touching it would be sacrilegious? I'm afraid to guess.
The original Thriller album is what kept me liking Michael because regardless of who the artist is in real life, on the musical level, it's pure genius. But now I'm angry and offended: how could Michael show so little respect for an album that music professionals and fans alike have utmost respect for, and do something that's all too common today: remixing to death? Now, not only is my pristine image of the original album tainted, but because kids will grow up listening to those remixes instead of the originals, those tracks could actually start aging and stop being classics.
What an irresponsible risk to take, and how frustrating. This totally infuriates me."
Five Stars For The Oringal Album One Star For The Remixed Ve
Derrick Dunn | Woodbridge,VA | 02/12/2008
(5 out of 5 stars)
"Michael Jackson's Thriller is without a doubt one of the greatest albums ever recorded. Thriller sucessfully combined every genre of music into one album and easily puts to shame half of the music today. Not many artists can put out an album where every song has single potential and songs such as Wanna Be Start Sumthin, P.Y.T., Billie Jean and the rest of the songs on rhe album still stand the test of time. As for the 2008 versions of the songs they are sub par at best and I would have liked to hear a cover album. First and foremost Mr. Kanye West brings nothing new to Billie Jean, either Kanye had an off day or he was paid a pretty penny to do the track because it sounds horrible ! Next comes the talented Fergie who insults Beat It with her tepid vocals;I'm a Fergie fan but like Kanye West she's wasted. There is some hope in the CD with Will I Am and Akon. Will I Am does justice to P.Y.T. and The Girl Is Mine turning both into ear candy for the listener. Much to my surpise Akon does Wanna Be Startin Sumthin justice doing a great vocal tag team with Jackson. The CD also features the unreleased ballad For All Time which is fine in it's own right. Thankfully no one touched Thriller however I think the bonus disc could have benefitted with a few improvements. The prince of R&B Mr. Chris Brown would have done justice to Baby Be Mine (one of my personal favorites) and Justin Timberlake would have sounded better on Beat It. A strong songer like Mario,Eric Roberson or Anthony Hamiltion could have did justice to The Lady In My Life while Ne-Yo or The Dream would have killed Human Nature. In closing Thriller is a great album that didn't need a re-release maybe a cover album similar to Interpretations: Celebrating the Music of Earth Wind & Fire but Michael is still the KING and Thiller is still one of the greatest albums of all time."
Moonwalking into history
Tim Brough | Springfield, PA United States | 02/25/2008
(5 out of 5 stars)
"Listening to "Thriller" some 25 years on is still a stunning experience. Michael Jackson sold so many of these albums before the backlash set in (and Eagles - Their Greatest Hits 1971-1975 overtook "Thriller") that everywhere you went, a Michael Jackson song was likely playing from 1983 through 1984. As an example, the first Top 40 Radio station I worked for (in 1983) had both "Beat It" and "Billie Jean" in its top ten, with "The Girl is Mine" and "Thriller" (even before it was a single) in rotation, plus an album cut from a Michael Jackson/Steven Spielberg E.T. related special album. Not to forget every record Michael had a hand in (Rockwell, anyone?). That meant at least one song from Michael was going to come up per half hour, and maybe more. Jackson single handedly rewrote the rules when "Thriller" became a phenomenon.
More examples. Prior to "Thriller," the idea of more than two singles from an album was pooh-poohed, it was considered a way to kill album sales. When Jackson dropped four singles from Off the Wall, it was considered to be a fluke occurrence. Seven of the nine songs here charted as top ten hits, two as number ones. Jackson wove multiple-musical threads into his tapestry, which meant that Eddie VanHalen was on board to rock "Beat It" and Paul McCartney was there to bring on board the Adult Contemporary crowd with a cheesy pop-duet ballad. VanHalen forced "Thriller" onto rock stations (which went as far as refusing to introduce the artist or say the record was Eddie VanHalen with Michael Jackson), and the funk of "Billie Jean" and "Wanna Be Starting Something" made this a club savvy smash.
Oddly, it is "Billie Jean" and "Wanna Be Startin' Something" that give the first clues into the freak show that Jackson would eventually devolve into...both paranoid and obsessive, these songs both broach Jackson's Us Vs Them psyche to come. As he sings "You're a vegetable, they hate you, they eat off you, you're just a buffet, you're a vegetable," one wonders what made this and "Billie Jean" so venomous. But that throbbing bass and the moonwalk performance (on the DVD!) sealed the deal. Add MTV to the mix and there was no stopping him. The demand was so great that a cottage industry in Michael Jackson imitators started touring to fill the demand.
Yet 25 years and some 40 million sold LP/CD/downloads later, what of the music? Quincy Jones was an immaculate producer...this remaster proves just how pristine "Thriller's" pop was. The staccato strings in "Something," the throb of "Billie Jean," the smooth soul of "Human Nature"... there is hardly a bad sounding moment on the album. Granted, the title track is probably the song that has held up the worst and maybe the chipmunk voices on "PYT" rank second, but this album is a textbook example on just how to engineer and produce great music. One needs merely to listen to the bonus tracks to catch that.
After all, why fuzz up "The Girl Is Mine?" Will.I.Am should left well enough alone. Barking out a new rap instead of McCartney's playfully cloy counterpart just sounds like a forced fit. Fergie adds nothing to "Beat It" other than bad karaoke. Akon and Kanye West at least make it sound relevant...but when you listen to the smoothness of Quincy Jones' work on "Billie Jean" as juxtaposed to the ragged sound of Kanye...well, you realize that West still has a long way to go. The lone original new track, "For All Time," sounds like it should have been there to start with (and in the CD era, probably would have).
Having lost "Thriller" from my collection a long time back, I decided to go back for the new version. It was totally worth it. While every era has records that define it, "Thriller" not only captured the time it was released, but boldly restructured what the future of pop would be."