Caprice for solo violin in E major (Andante), Op. 1/1, MS 25/1
Caprice for solo violin in A minor (Agitato), Op. 1/5, MS 25/5
Caprice for solo violin in E major ('The Hunt'), Op. 1/9, MS 25/9
Caprice for solo violin in C major (Andante-Presto-Tempo I), Op. 1/11, MS 25/11
Caprice for solo violin in B flat major ('The Devil's Chuckle'), Op. 1/13, MS 25/13
Caprice for solo violin in E flat major (Moderato), Op. 1/14, MS 25/14
Caprice for solo violin in G minor (Presto), Op. 1/16, MS 25/16
Caprice for solo violin in E flat major (Sostenuto-Andante), Op. 1/17, MS 25/17
Caprice for solo violin in C major (Corrente-Allegro), Op. 1/18, MS 25/18
Caprice for solo violin in A major (Amoroso), Op. 1/21, MS 25/21
Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24
Slavonic Dance No. 1 for violin & piano in G minor (transcription of Dvorák's Slavonic Dance No. 2, Op. 46/2)
Caprice for violin & piano in A minor (transcription of work by Wieniawski)
Fantasy on Bizet's 'Carmen,' for violin & orchestra (or piano), Op. 25: Finale
La chasse in the Style of Cartier, for violin & piano
Sea-Shell for violin & piano
Banjo and Fiddle, for violin & piano
Perpetuum Mobile, conzert caprice for violin & orchestra, Op. 5/4
Moto perpetuo, for violin & guitar (or orchestra) in C major, Op. 11, MS 72
Zigeunerweisen, for violin & piano (or orchestra) ('Gypsy Airs'), Op. 20
Romanza Andaluza, for violin & piano, Op. 22/1
Jota Navarra, for violin & piano, Op. 22/2
Zapateado, for violin & piano, Op. 23/2
Zortizico Adiós montañas mias, for violin & piano, Op. 37
Sonata for violin & guitar in E minor, Op. 3/6, MS 27/6
Michael Rabin's brief, meteoric career took off in the early '50s, around the time he made his debut recordings for Columbia Masterworks. Long sought-after and hoarded by collectors, this small but potent legacy is gorgeou... more »sly restored from the original master tapes. A selection of encore-type miniatures by Sarasate, Wieniawski, Dvorák, Kreisler, Engel, and others reveal the teenage prodigy already in possession of the flawless technique, bang-on intonation, and coiled intensity we know from his fiery Capitol/EMI output. He digs into 11 of the Paganini caprices (Op. 1) with unflappable assurance. The lyrical selections betray a sweetness of expression quite different from the demonic aura permeating the 21-year-old violinist's 1958 traversal of the entire Op. 1 set. Filling out the disc are four delicious encores recorded in 1938 by Ossy Renardy, another short-lived violinist deserving wider attention on CD. A significant reissue, impeccably produced. --Jed Distler« less
Michael Rabin's brief, meteoric career took off in the early '50s, around the time he made his debut recordings for Columbia Masterworks. Long sought-after and hoarded by collectors, this small but potent legacy is gorgeously restored from the original master tapes. A selection of encore-type miniatures by Sarasate, Wieniawski, Dvorák, Kreisler, Engel, and others reveal the teenage prodigy already in possession of the flawless technique, bang-on intonation, and coiled intensity we know from his fiery Capitol/EMI output. He digs into 11 of the Paganini caprices (Op. 1) with unflappable assurance. The lyrical selections betray a sweetness of expression quite different from the demonic aura permeating the 21-year-old violinist's 1958 traversal of the entire Op. 1 set. Filling out the disc are four delicious encores recorded in 1938 by Ossy Renardy, another short-lived violinist deserving wider attention on CD. A significant reissue, impeccably produced. --Jed Distler