Over the past eight years, Midnight Syndicate has defined the gothic/horror soundscape genre and redefined the Halloween music industry. Their unique blend of dark orchestral movie-style instrumental music and carefully c... more »rafted sound effects make their "soundtracks for the imagination" truly interactive listening experiences, earning them a diverse worldwide following in the gothic music, Halloween, horror music, haunted attraction, and gaming industries.« less
Over the past eight years, Midnight Syndicate has defined the gothic/horror soundscape genre and redefined the Halloween music industry. Their unique blend of dark orchestral movie-style instrumental music and carefully crafted sound effects make their "soundtracks for the imagination" truly interactive listening experiences, earning them a diverse worldwide following in the gothic music, Halloween, horror music, haunted attraction, and gaming industries.
"The name Midnight Syndicate has become synonymous with incredible creepy, haunting, atmospheric soundscapes, and for good reason. Edward Douglas and Gavin Goszka have a highly noteworthy ability to combine ominously elegant sound effects and eerie, ethereal orchestrations into a memorable melange that is most certainly a treat for the ears and the imagination.
The Thirteenth Hour takes the listener on a tour of a haunted Victorian mansion, the home of the doctor who founded Haverghast Asylum (which is the setting for Gates of Delirium), "a house with a sinister history." Conjuring images of those whose souls are not at rest, Edward and Gavin have scored yet another masterpiece complete with a seamless blend of gothic themes and brooding melodies sure to tickle even the most discernable listener.
Among the guest vocalists are Lily Lane, the lead singer from Lazy Lane, and Mary-Kate Douglas, Edward's two year old daughter, who is the ghostly child voice on the track "Footsteps in the Dust." Both lend a degree of unearthly melancholy that eviscerates both dread and reverence.
This is most definitely my favorite Midnight Syndicate release to date. The Thirteenth Hour is highly recommended for Halloween, or any other time of the year when one feels like dimming the lights, lighting some candles, and letting one's imagination run wild with ghoulish delight!"
"The Legend of Haverghast Mansion...
Draconis Blackthorne | The Haunted Noctuary | 08/14/2005
(5 out of 5 stars)
"Twenty-five splendid orchestrations from malefik meistros Edward Douglas and Gavin Goszka - they are our musickal guides through Haverghast Mansion, setting the mood for unearthing the terrible ghostly secrets lain hidden within the walls of this gloomy house...
Among these phantasmasonic pieces, contained herein is a cantible entitled "Hand In Hand Again", harking back to 1920 c.e. written by R. Egan and R. Whiting, as well as guest voices from Lily Lane {Madeline Haverghast}, David Jacobs Greg Ballato, and Mary Kate Douglas as Anastasia Haverghast.
Cover work is masterfully manifest by Keith Parkinson to create a most welcoming Manor amidst the full moon, with a familiar blackredlight glow exuding from within, and inside the booklet, a delightfully arcane photo of the musicians, clad in period attire.
Pounding hearts, echoing voices from the past, strings, organ, piano, sound effects, creeking doors, even the sounds of the night, graces The 13th Hour... another monsterpiece which compliments one's own Haunted House.
Again, Midnight Syndicate produces remarkable atmospheric musick suitable for one's Lair and Ritual Chambre for 'Halloween' all year 'round. A constant pleasure."
Excellent Atmospheric c.d.
traveler | LaPorte, IN | 01/08/2007
(5 out of 5 stars)
"We had this playing in all the rooms of our house during our Halloween party last year, all the tracks going in different order in a continuous loop. This set quite a mood! Everyone commented on the music and how great it was. Just the right amount and use of sound effects. So many Halloween type c.d.'s go too far and become just corny and that wrecks the mood you're trying to create in the first place. After the party, when everyone left but for my cousins and us, we just had this playing in the library and had a ball scaring the wits out of each other with our own "personal" ghost stories. We're not into the whole goth culture thing, but we can appreciate what M.S. is doing. To listen to this at only Halloween is a mistake, you're short changing yourself. Put this on curled up with you're favorite suspense, thriller or horror book for an added dimension to the experience."
So far, it's Midnight Syndicate's best album (a 7-star maste
Joker | Michigan | 10/04/2008
(5 out of 5 stars)
"What is one of the first things the average person thinks of when they think of Halloween? A haunted house. Truly a staple and enduring symbol of Halloween. I would say most peoples' first choice when shopping for a Halloween CD would be to purchase a CD with a haunted house theme. So when Midnight Syndicate decided it was time to record their own haunted house album, they made sure it was going to be a winner. In my opinion, The 13th Hour is Midnight Syndicate's best album. It is a masterpiece, and it is exactly how a haunted house album should be. Any band in this genre would do well to strive to have their best album be their haunted mansion album, and Midnight Syndicate accomplished this with The 13th Hour. They took their time recording this album and it paid off.
For starters, just look at the album cover, masterfully painted by the late great Keith Parkinson. Look at that house. What a house! I can picture the moonlight shining through those windows and lighting up otherwise dark rooms. I would love to spend a Halloween night in that place! Or maybe I wouldn't! The setting for The 13th Hour is this haunted Victorian mansion of the Haverghast family, the same family that oversaw the abandoned haunted insane asylum on the album Gates Of Delirium. Gates Of Delirium is the prelude and sister album of The 13th Hour. Midnight Syndicate really captured the haunted Victorian mansion atmosphere and feel on The 13th Hour. If you love classic haunted house movies such as The Innocents (1961), The Haunting (1963), The Legend Of Hell House (1973), The Changeling (1980) and Rose Red (2002), you'll love this disc.
The 13th Hour has a light gothic sound and ambience. It has a lot of dramatic and powerful tracks, but they are not overdone. The album's atmosphere is mostly on the quieter side, yet still is powerful in its own way, dramatic, ghostly, haunting, spooky, and elegant. That's how a haunted house album should be, in my opinion. It should have a ghostly/haunting sound suitable for a real ghost story, with some highs (drama), lows (subtlety), and everything in between. Take the track Fallen Grandeur. It has a powerful "gothic" sound and is quite dramatic, but then the next track is Hands Of Fate, where a grandfather clock is ticking, followed by The Drawing Room, which features a very subtle piano playing by itself. Then the next track is Mausoleum d' Haverghast, which is kind of middle-of-the-road. This track is not powerful, but it's not weak or subtle, either.
This album has just about everything you'd envision a haunted mansion having - a grandfather clock, a victrola, a piano, a music box, shaking chandeliers, the sound of footsteps, creaking doors, doors slamming, breathing, ghostly voices, glass shattering, fires burning, the sounds of the night, and much more.
Midnight Syndicate makes the most of their use of the piano on this album. Not only will you hear great piano melodies, but you'll also hear a creepy out-of-tune piano at certain times. The piano can be one creepy instrument.
All the songs on The 13th Hour sound different. There are so many good melodies, too. Midnight Syndicate deliberately doesn't provide a very specific and lengthy "story" inside the liner notes, either. Instead, only a few sentences are written describing what the CD is about because they want you the listener to use your imagination and fill in the blanks. In other words, Midnight Syndicate gives an inch, but the listener can take a mile by using their imagination. A little bit goes a long way. That's the goal of Midnight Syndicate's "Soundtracks For The Imagination" - to picture a movie of your own creation.
The 13th Hour is just plain my style and exactly how I've visualized haunted mansions in my imagination for as long as I can remember, going all the way back to when I was a kid. Another thing I like about The 13th Hour is that you as the listener feel like you're taking a tour of the mansion, like you're right there. The use of subtle sound effects and sounds used to put an accent on the music help make this possible. These sound effects are so clear and so well done that they really provide a sense of realism throughout the CD. The lighter gothic sound and ambience of this album allow you to hear these sound effects very easily. A lot of these sound effects mesh well with the melodies. Your listening experience can be even better if you have good speakers with clear sound, because you'll be able to hear all kinds of subtle sound effects on so many tracks. Another thing -- the transitions from track to track help make you feel like you're going from room to room on your tour of the haunted mansion. This is brilliantly done.
One of the many things I like about this album is the transition from track 2 (Forgotten Path) into track 3 (Time Outside Of Time). The door shuts, then Time Outside Of Time starts playing, which is suitable music for the beginning of a ghost story such as this. Time Outside Of Time is absolutely PERFECT music to start your tour of the mansion. Picture yourself entering the house, shutting the front door behind you, and you're standing motionless in the vestabule, looking around this strange, old, dark, haunted place and you start feeling nervous and creeped out. You're about to start your tour of the house, though nervously and apprehensively.
The last two tracks of the album? Powerful. Over-the-top. A grand finale if there ever was one. Return Of The Ancient Ones is one of the great Midnight Syndicate songs. Immediately following is the final track on the album, the powerful title track The 13th Hour. An outstanding closing to a brilliant album.
I feel that if I ever wanted to record my own haunted Victorian mansion album, I would stop before I even begin because I already have the ultimate haunted Victorian mansion album, The 13th Hour. It can't get any better than this album. I highly recommend this album to anyone who wants a fantastic haunted mansion album. I love each and every track. This album contains my all-time favorite Midnight Syndicate song, "Harvest Of Deceit."
If you buy this album, people will come up to you at your next Halloween party and ask where you got your music and compliment you on it. Play it year round and any time of the day or night. Buy this album and I'm confident that you'll think that it is the best haunted mansion album ever recorded. An off-the-chart 7 stars."