Search - Mike Oldfield :: Music of the Spheres

Kerrilee M. (Riley) from PLAINFIELD, IL
Reviewed on 9/28/2009...

This is an amazing album! It's almost like a soundtrack without a film.

Lang Lang's playing is superb, and Hayley Westenra's singing was lovely, if a bit forced.

I love the brass fanfares at the end- it's a great treat after a rather mellow middle of the album.

Great from start to finish!!

For the movie in your mind

David J. Stash | MCKEESPORT, PA USA | 03/31/2008

(5 out of 5 stars)

"The sad element here is that this majestic piece of musical artistry will go largely ignored in the U.S. Mike Oldfield has created an expansive and inspirational work of great impact here. My first listen was in my car where I was struck by the tone and range of the work. At home, through my surround system (hey, why no 5.1 release???), the music naturally came fully to life and elicited many emotions and feelings. Oddly enough, at times I felt I was hearing the score to an epic film, yet one with quiet and contemplative moments. This is music with purpose, context, and meaning. If Tubular Bells was the prologue, this, then, is the masterwork. I will be buying more than a few copies for my friends.



Mr. Oldfield should "hook-up" with P.B.S. to present this work to a wider audience which may not be aware of its availability (although I could not find it in any store in the hinterland of Pittsburgh) and accessibility (for mature and focused listening pleasure). If P.B.S. can elevate "Celtic Woman" and other third rate warblers to big-seller-status, surely the same promotional effort can be put forth to genius.



Thanks, Mike, for an essential piece of music for the 21st century!!"

Refreshing!

Chris Speaks | Winston-Salem, NC | 04/23/2008

(5 out of 5 stars)

"It's not fair for me to say that I'm no fan of Mike Oldfield's music since, before now, I had never heard anything by him - not even Tubular Bells. I had seen his name tossed around, especially in conjunction with Tubular Bells, but I never felt intrigued enough to seek out anything by him. I more or less disregarded him as a New Ager with zero musical sensibilities.



How wrong I was!



I came about this piece of music by sheer chance, it seems. In fact, I probably wouldn't have purchased the album if Amazon hadn't included it among its recommendations for things I "might also like." I checked out a couple of reviews both here and on iTunes, and it seemed that everybody who had listened to it couldn't say hardly a negative thing about it. Wondering "what gives," I decided to drop a little cash and see precisely what everyone was chattering about.



It turns out, what everyone is chattering about happens to be one of the most spectacular, luscious musical landscapes I've heard in quite a long time - and given that I'm almost constantly purchasing new music ranging from composed music (such as this) to hip-hop/rap, I feel this is quite a compliment.



This music defies physics: time altogether seems to pass by slowly, but not dull. No, far from it: every second is enjoyable! From the warm, celestial textures of the opening "Harbinger" to the soothing, blissful vocal of Hayley Westenra featured on "On My Heart," as I listen to this music I truly feel as if I'm swimming through atmospheres, dancing among the stars, and watching a divine interplay among the heavens. I'm not exaggerating. These metaphors are completely valid! The music vaguely reminds me of some of Aaron Copland's classic works ("Appalachian Spring"), and the way the vocals are utilized reminds me of Howard Shore ("Lord of the Rings") which may or may not prove to be an unfair comparison. There are hints of Oldfield's foray in to New Age as I'm reminded of Adiemus during certain sections, but I definitely don't think this is a bad thing. In all actuality, Oldfield's approach to classically composed music is refreshing given the rather stagnant nature such music has been in: either contemporary composers are selling us watered-down music in the traditional vein, or we're being exposed to unnecessary avant-garde hybrids. It's nice to hear a piece of music by a gentleman who hasn't got his head stuck in the clouds of Julliard.



Even if I never hear another work by Mike Oldfield as long as I live, this one will reign supreme among my other treasured works by the likes of Pärt, Copland, Glass, and even Sibelius."