That's the Stuff You Gotta Watch - Miles Davis, Battles, E.
Pointless Mama Blues - Miles Davis, Reig
Deep Sea Blues - Miles Davis, Reig
Bring It on Home - Miles Davis, Reig
Oo Bop Sh'bam - Miles Davis, Fuller
I Love the Loveliness of You - Miles Davis, Schell
In the Still of the Night - Miles Davis, Porter, C.
Jelly Jelly - Miles Davis, Eckstine
Don't Sing Me the Blues - Miles Davis, Coleman, E.
I've Always Got the Blues - Miles Davis, Baker, A.
Don't Explain to Me Baby - Miles Davis, Coleman, E.
Baby, Won't You Make Up Your Mind - Miles Davis, Baker, A.
Ain't Misbehavin' - Miles Davis, Brooks
Goodnight My Love - Miles Davis, Gordon, Mack
Can't Get Out of This Mood - Miles Davis, Loesser
It Might as Well Be Spring - Miles Davis, Hammerstein, Oscar
Mean to Me - Miles Davis, Ahlert
Come Rain or Come Shine - Miles Davis, Arlen
Nice Work If You Can Get It - Miles Davis, Gershwin, George
East of the Sun - Miles Davis, Bowman, B.
Davis was one of the great stylists and, more than any other improviser, he had dominated jazz not with blowing power or prodigious technique but with style alone. A good sample of his young style lies in the rarities comp... more »iled in this CD, all belonging to Davis? early days in the business-backing some different vocal performers. The first four numbers come from his very first recording session under the direction of Herbie Fields and for the Savoy label with singer Rubberlegs Williams, an ex dancer and vaudeville attraction turned blues shouter. The next four titles were recorded for National label as a member of the Billy Eckstine Orchestra. Tracks 9 to 12 were recorded for Sunset, an independent label from California, and were not released at the time. The final eight titles are the complete session made for Columbia by Sarah Vaughan with a small studio group including Davis. Definitive. 2005.« less
Davis was one of the great stylists and, more than any other improviser, he had dominated jazz not with blowing power or prodigious technique but with style alone. A good sample of his young style lies in the rarities compiled in this CD, all belonging to Davis? early days in the business-backing some different vocal performers. The first four numbers come from his very first recording session under the direction of Herbie Fields and for the Savoy label with singer Rubberlegs Williams, an ex dancer and vaudeville attraction turned blues shouter. The next four titles were recorded for National label as a member of the Billy Eckstine Orchestra. Tracks 9 to 12 were recorded for Sunset, an independent label from California, and were not released at the time. The final eight titles are the complete session made for Columbia by Sarah Vaughan with a small studio group including Davis. Definitive. 2005.