Search - Moby :: Everything Is Wrong (DJ Mix Album)
Moby Everything Is Wrong (DJ Mix Album) Genres:Dance & Electronic, Alternative Rock, Pop, Rock Moby is an ambitious man, both musically and philosophically, and that quality seeps into every aspect of Everthing Is Wrong, from the wunderkind DJing that stretches the genre limits of techno to the angry, antiestablishm... more »ent manifesto on the CD sleeve. The record's opening salvo of dancey club music sets the listener up for "All That I Need Is to Be Loved," which, out of nowhere, bludgeons would-be club kids with tuneless, mad vocals and punked-out guitar solos. The same bait-and-switch formula repeats twice on the CD at almost regular intervals in the industrial shriek of "What Love" and the sudden, slow, and acoustic bent and folksy vocals of "Into the Blue." All three shifts are jarringly abrupt. However, dance-floor continuity is in Moby's blood, and he uses these songs as parts one, two, and three of the underlying rage that drives the record's concept. Without these three tracks, in fact, you'd have a moody yet convincingly cohesive danceathon, bouncing between house breakbeats ("Feeling So Real," "Bring Back My Happiness") and blissed-out trance ("God Moving Over the Face of the Waters"). Instead, Moby expresses his bewildered and desperate view of modern life by periodically yanking away the escape of blind, danceable ecstasy, using that discontinuity to express the eyes-wide-open ruminations of a furious idealist. --Matthew Cooke« less
Moby is an ambitious man, both musically and philosophically, and that quality seeps into every aspect of Everthing Is Wrong, from the wunderkind DJing that stretches the genre limits of techno to the angry, antiestablishment manifesto on the CD sleeve. The record's opening salvo of dancey club music sets the listener up for "All That I Need Is to Be Loved," which, out of nowhere, bludgeons would-be club kids with tuneless, mad vocals and punked-out guitar solos. The same bait-and-switch formula repeats twice on the CD at almost regular intervals in the industrial shriek of "What Love" and the sudden, slow, and acoustic bent and folksy vocals of "Into the Blue." All three shifts are jarringly abrupt. However, dance-floor continuity is in Moby's blood, and he uses these songs as parts one, two, and three of the underlying rage that drives the record's concept. Without these three tracks, in fact, you'd have a moody yet convincingly cohesive danceathon, bouncing between house breakbeats ("Feeling So Real," "Bring Back My Happiness") and blissed-out trance ("God Moving Over the Face of the Waters"). Instead, Moby expresses his bewildered and desperate view of modern life by periodically yanking away the escape of blind, danceable ecstasy, using that discontinuity to express the eyes-wide-open ruminations of a furious idealist. --Matthew Cooke
"After purchasing my first Moby album (Play), and attending a fantastic concert, I wasn't sure which of the numerous Moby albums to get! Luckily, I chose this one. This album has two tones. The first (1-7) songs have faster beats, and are more dance-oriented. The last (8-13) are slower, much more introspective tracks.1-"Hymn"- A nice opening song, neo-classical, fairly short (3 minutes).2-"Feeling So Real"- You can't help but move to this song! Sweet synth, catchy vocals, and a great underlying beat. If you like this song, try the Westbam Remix! 3-"All That I Need Is To Be Loved"- More on the rock side, scratchy guitars and Moby's classic scream/singing lyrics! A refreshing change from the rest of the album.4-"Let's Go Free"- A thirty-seven second "song." I skip this song.5-"Everytime You Touch Me"- A great dance song, with a touch of reggae. The singer has a fantastic voice. "Everytime. . ." is similar to "Feeling So Real."6-"Bring Back My Happiness"- Piano, synth, a throbbing beat and (should I say it again?), fantastic vocals. This is the fastest song on the cd, and a favorite of mine.7-"What Love"- Starts out bluesy, then breaks into a fast rock-genre song. The lyrics are screamed and just great!8-"First Cool Hive"- The first song of the "second set." (The word FIRST is in the title, I wonder if this is coincidental?) Hummed vocals, and a feeling almost similar to "Porcelain" from Play.9-"Into The Blue"- A female vocalist whom evokes a sense of deja-vu for me. A sweet song, but not one of my favorites. 10-"Anthem"- This track somewhat is a blend of the first and second set. A quick pace, but vocals similar to the slower tracks. Creepy children voices at about the minute and a half mark.11-"Everything is Wrong"- Piano, perfectly framed by synth. An extremely sad song. It has nearly brought me to tears at times. Beautiful, but depressing.12-"God Moving Over The Face Of The Waters"- My personal favorite. Neo-classical, with piano. It truly does remind you of water dropping, or waves cresting and falling. Just try to listen to this, watch the rain out your window and NOT be completely mesmerized!13-"When It's Cold, I'd Like to Die"- The female singer from "Into The Blue," is on this track also. It's interesting how both this album and Play both end with a slow song, similar in feel.All in all, this is an absolutely wonderful cd. At first I didn't like the almost abrupt change from the dance songs to the slower tracks. But after listening to "Everything Is Wrong" almost non-stop this weekend, I have gained a new respect and appreciation for Moby as not so mucha musician, but an artist. This album is worth it's weight in gold."
I Use to be alone, Now I feel so Glad !
iheartcrass | 06/25/2000
(5 out of 5 stars)
". .Ok. Get this album and read the liner notes. If this album was just a loop of pop corn popping, what he writes in the liner notes says more than 90 percent of the music out today. The fact that this album contains some of the best techno and neo-classical music you will ever hear is musical equivelant of winning the lottery and Publishers Clearing House Sweepstakes in the same day. That Moby, he's got brains and beats!If you like classical music but want something more 1990's rather than 1890's heres your chance. If you love the beety-beat-beat of techno but wished the DJs had more of a voice and said something worth while, heres your chance. If you like PLAY by Moby and want to learn more about his sound HERE IS YOUR CHANCE!If someone were burning all the records in the world and I could only save 10, this would be one of the 10 I would choose to save. ITS THAT GOOD!"
It Paved the Way for Play
Manny Ramirez | 05/12/2001
(5 out of 5 stars)
"Everything Is Wrong which was Moby's 6th CD (counting the EP, Move) is a very important album in his career. It helped establish the fact that he's a very eclectic artist. Before Everything Is Wrong, Moby was primarily known as a techno artist, and a pretty good one at that. However, on this album, he gives the listener a variety of different styles: ambient, dance/techno, punk rock, and pop. As a matter of fact, his next album, the infamous Animal Rights would see him concentrate on only 2 types: punk rock and ambient. It is IMHO, though, that he's at his best when he does pop/dance/techno and ambient. Whether people like him or not, they have to admit that he's an incredible musician. This album with its different styles would definitely foreshadow his 9th and breakthru album, Play. Here's the best tracks on this CD:1) Hymn -- A great piece to open, it's a very soothing and ambient piece featuring the piano.2) Feeling So Real -- A very infectious dance song that will have you singing the hook all day long.5) Everytime You Touch Me -- Another infectious dance song that is alot like #2. It, too, has a catchy hook.7) What Love -- A very hard rock song that at times reminds me of a Beck song when Moby sings during the parts that are not fast. This type of song along with track #3 would dominate his next album, Animal Rights.8) First Cool Hive -- A great ambient and mellow piece, it may be the most recognizable track on this album because it was used in Scream as well as in TV commercials (VH-1 uses in their own ad for their morning mix). It reminds me alot of something that Enigma would do.10) Anthem -- Another mellow, ambient piece that is a little more frenetic than First Cool Hive. It has somewhat of a techno feel to it.12) God Moving Over the Face of the Waters -- A 7 minute plus masterpiece of visual music. One can't help but picture water when hearing this stunning tour de force of music. One of Moby's all-time greatest tracks.13) When It's Cold I'd Like to Die -- A somewhat eerie song and way to finish the album. The woman who sings vocals on track #9 also sings the vocals on this one and does a good job.A major music magazine hailed this album calling it one of the 20 most important albums ever. I won't go that far and say that because I feel Play is a better album and Moby's unquestioned masterpiece. However, Everything Is Wrong is no chopped liver. If you enjoyed Play then you will enjoy this album."
Everything is wrong? NOTHING is wrong with this CD!!!!
Daniel J. Hamlow | Narita, Japan | 09/05/2001
(5 out of 5 stars)
"Everything is right with this album. This must be Moby's most eclectic and hence most innovative release, coming as it did in 1995, a year still dominated by alternative music in the post-Cobain era.There's the standard techno "Feeling So Real," "Everytime You Touch Me," and "Bring Back My Happiness." and "Anthem." The last two have more BPM's. After the opening synthesizers of the latter, get ready to jack your body into rave overdrive! "Anthem" would definitely fit in a car mix-tape, but be careful not to get too carried away with it, because when BPM begins to equal MPH, a B&W will give you a speeding ticket.There are simple piano compositions like the opener, "Hymn," and the title track. "What Love", with Moby's distorted and monstrous vocals, contains an industrial NIN sound. It's like Pearl Jam's "Spin The Black Circle" being given a Trent Reznor remix job. This is the hardest track on the album. "First Cool Hive" and "Into The Blue" fall into Enigma-style ambient.The last two songs constitute another glass from the bottle of pleasant melancholy I constantly drink from. "God Moving Over The Face Of The Waters" is a 7:20 orchestral instrumental with piano. The rhythm keeps repeating, along with a single pound of a bass drum, with a cymbal crash added later, slowly gaining in volume until it reaches a majestic crescendo before sinking back down in volume. Part of this song is played at the end of Heat, after Robert de Niro dies. "When It's Cold I'd Like To Die" is a nominee for a song I'd like to here as I'm drawing my last breath. The mental image I form in my head is myself floating down the Thames. London's bright lights are the candles at my vigil, and as the song fades, I slowly sail down the river's mouth and into the ocean. It's a lovely song of. I don't want to swim the ocean/I don't want to fight the tide/I don't want to swim forever/When it's cold I'd like to die". Mimi Goese's forlorn vocals give it a blissfully heavenly ambience.The essays included in the album sleeve demonstrate how thoughtful, intelligent, and conscientious Moby is. He promotes a vegetarian diet, priority in caring for the environment, tolerance of race, creed, and individual beliefs, and decries the agenda of the Christian right. And if the list of facts he's collected in the sleeve doesn't stir you, you must be six feet underground. Yes, everything is wrong, including not listening to this eclectic masterpiece."
Seriously underappreciated
Daniel J. Hamlow | 06/03/2000
(5 out of 5 stars)
"While I can see where the reviews are coming from (e.g., that the music is unoriginal, the message not coming through), after repeated listening, I suddenly got it. The beginning half, while a bit "poppish," gives me the eerie image of someone frantic, eyes wild, trying to distract himself from the all-too-real knowledge that "Everything is Wrong." Sure, it seems like simple dance music on the surface, but there's a desperation underlying the album, from the frantic first half to the dread and acquiescence of the second half. The music, don't get me wrong, is great; but taken as a whole, it's so much more powerful that you just want to cry at the despair he conveys. Don't just judge on first impressions, folks; it takes a while, but once you get it, you'll know what I mean, and why I gave this piece of art five stars."