Sweet 'Tater Pie - Mongo Santamar�a, Grand, Rodgers
Bembe Blue - Mongo Santamar�a, Laws, Hubert
Dulce Amor - Mongo Santamar�a, Grand, Rodgers
Tacos - Mongo Santamar�a, Laws, Hubert
Corn Bread Guajira - Mongo Santamar�a, Capers, Bobby
Tuma le Le - Mongo Santamar�a, Netto
Happy Now - Mongo Santamar�a, Santamaria, Mongo
Country Song - Mongo Santamar�a, Bez
Congo Blue - Mongo Santamar�a, Santamaria, Mongo
Carmela - Mongo Santamar�a, Santamaria, Mongo
Hombre - Mongo Santamar�a, Guerra, Marcellino
Chombolero - Mongo Santamar�a, Donato, Joao
Not Hardly - Mongo Santamar�a, Patrick, Pat [Sun R
African Song - Mongo Santamar�a, Santamaria, Mongo
Cuban-born percussionist Mongo Santamaria already had a wealth of experience in Latin music and its integration with jazz when he recorded these sessions, originally released on two LPs in the early 1960s: Mongo Explodes! ... more »and Go, Mongo! Although the number of percussionists and the Latin emphasis vary between the two dates, both sessions are notable for how successfully they fuse the two idioms, adding dense rhythms to hard bop blowing and vice versa. Cornetist Nat Adderley stands out in his three appearances, and it's a good opportunity to hear saxophonist Pat Patrick outside the context of Sun Ra's band. Santamaria's gifts as a talent scout are apparent in the presence of the young Chick Corea and Hubert Laws. "Corn Bread Guajira" and "Congo Blue" bear close resemblances to Santamaria's best-known numbers, his hit recording of Herbie Hancock's "Watermelon Man" and his own "Afro-Blue," respectively. --Stuart Broomer« less
Cuban-born percussionist Mongo Santamaria already had a wealth of experience in Latin music and its integration with jazz when he recorded these sessions, originally released on two LPs in the early 1960s: Mongo Explodes! and Go, Mongo! Although the number of percussionists and the Latin emphasis vary between the two dates, both sessions are notable for how successfully they fuse the two idioms, adding dense rhythms to hard bop blowing and vice versa. Cornetist Nat Adderley stands out in his three appearances, and it's a good opportunity to hear saxophonist Pat Patrick outside the context of Sun Ra's band. Santamaria's gifts as a talent scout are apparent in the presence of the young Chick Corea and Hubert Laws. "Corn Bread Guajira" and "Congo Blue" bear close resemblances to Santamaria's best-known numbers, his hit recording of Herbie Hancock's "Watermelon Man" and his own "Afro-Blue," respectively. --Stuart Broomer